Query: Slang "Cool!" in 1868?
Cohen, Gerald Leonard
gcohen at MST.EDU
Tue Nov 22 17:23:14 UTC 2011
Dear ads-l members,
I've received a query from Lewis Porter (Rutgers U. Professor of Music) concerning slang
"cool." He found what seems to be an example of this from 1868 and is wondering
about its validity. Barry Popik and George Thompson have already provided some
input to him, and I suggested he should write to ads-l as a whole. At his
request I now forward his query to you. Jonathan, Jesse, would you have any
thoughts on this?
Here is the message he sent me (in the quoted 1868 passage "Cool" comes
in the next-to-last paragraph).
> Hello Gerald,
> I trust you're well. George Thompson sent me some resources on this
> but I thought I'd run it past you as well. Now I've been looking into
> the word "cool." Prior to ca.1940, when it
> started to mean "Good" or "I agree!" in black jazz parlance, it had
> among its meanings "unflappable, calm in the face of danger," etc. BUT
> what do you make of the passage from The Moonstone (1868, Britain)
> pasted below? It certainly seems that in this case, contrary to what
> one would expect in this time and place, the word "cool" here means
> I realize that it is more sensible to try and understand this in light
> of the current uses of "cool" in play in 1868, rather than as an
> isolated instance of a meaning not found elsewhere until 75 years
> later. I guess it would make more sense to try and interpret it as
> meaning "unflappable," etc. But I just couldn't see how the
> "unflappable" use applied here--specifically because the black use of
> it is often given as a one word exclamatory sentence--"Cool!"--whereas
> I know of no other instance of the "unflappable" meaning used as an
> exclamation--in fact it's quite odd to exclaim "Audacious!" when what
> is meant is "That would be quite audacious of you if you were to
> coolly do that"!!
> What do you think?
> All the best,
> Lewis Porter, Ph.D.
> Professor of Music/Jazz Pianist
> Director of the M.A. Program in Jazz History and Research
> Rutgers University
> Newark, NJ
> Here is the passage from The Moonstone by Wilkie Collins (1868; p342
> in my copy of the "revised"-really just fixed typos etc-1871 edition):
> "This is how it stands," he said. "I tell you fairly, I don't trust your
> discretion, and I don't trust your temper. But I do trust in Rachel's
> still preserving, in some remote little corner of her heart, a certain
> perverse weakness for YOU. Touch that--and trust to the consequences for
> the fullest disclosures that can flow from a woman's lips! The question
> is--how are you to see her?"
> "She has been a guest of yours at this house," I answered. "May I
> venture to suggest--if nothing was said about me beforehand--that I
> might see her here?"
> "Cool!" said Mr. Bruff. With that one word of comment on the reply that
> I had made to him, he took another turn up and down the room.
> "In plain English," he said, "my house is to be turned into a trap to
> catch Rachel; with a bait to tempt her, in the shape of an invitation
> from my wife and daughters. If you were anybody else but Franklin Blake,
> and if this matter was one atom less serious than it really is, I should
> refuse point-blank. As things are, I firmly believe Rachel will live
> to thank me for turning traitor to her in my old age. Consider me your
> accomplice. Rachel shall be asked to spend the day here; and you shall
> receive due notice of it."
> My occasional blog of my new jazz research:
The American Dialect Society - http://www.americandialect.org
More information about the Ads-l