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<TITLE>CfP: Theme Session - Cultural Critical Discourse Analysis</TITLE>
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<P DIR=LTR><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri">Call for papers</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Calibri">Theme Session on</FONT></SPAN><SPAN LANG="en-us"><B><I></I></B></SPAN><SPAN LANG="en-us"><B><I><FONT FACE="Calibri"> Cultural Critical Discourse Analysis</FONT></I></B></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"> <FONT FACE="Calibri">at CADAAD 2012</FONT> <FONT FACE="Calibri">–</FONT><FONT FACE="Calibri"></FONT></SPAN><SPAN LANG="en-us"> </SPAN><A HREF="http://www.cadaad.net/cadaad_2012"><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><U><FONT COLOR="#0000FF" FACE="Calibri">www.cadaad.net/cadaad_2012</FONT></U></SPAN><SPAN LANG="en-us"></SPAN></A><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri">Braga,</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"> <FONT FACE="Calibri">4-6</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"> <FONT FACE="Calibri">July 2012</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Calibri">Organised by Dalia Gavriely-Nuri</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN></P>
<P DIR=LTR ALIGN=JUSTIFY><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">Th</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri">e</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"></SPAN><A NAME=""><SPAN LANG="en-gb"></SPAN></A><SPAN LANG="en-gb"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri"></FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"> <FONT FACE="Calibri">proposed panel</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">describes a Cultural Approach to Critical Discourse Analysis (CCDA) which aims at exposing the various ways in which cultural codes are embedded in discour</FONT><FONT FACE="Calibri">se, and contribute to the reproduction of abuses of power.</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"> </SPAN></P>
<P DIR=LTR ALIGN=JUSTIFY><SPAN LANG="en-us"><FONT FACE="Calibri">T</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">he</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"> <FONT FACE="Calibri">point of departure of this panel is that the</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">connection</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">between</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">culture/discourse is relatively</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">underdeveloped</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri"> in</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"> <FONT FACE="Calibri">a wide range of</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">CDA</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri"> and CDS</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri"></FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">–</FONT><FONT FACE="Calibri"> perhaps</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">because of the complexity and the ambigu</FONT><FONT FACE="Calibri">ity surrounding the concept 'culture', or more simpl</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">y</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">, because most CDA researchers are linguists</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri"> rather than cultural researchers.</FONT></SPAN><SPAN LANG="en-us"><B></B></SPAN><SPAN LANG="en-us"><B> </B></SPAN></P>
<P DIR=LTR ALIGN=JUSTIFY><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">The</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"> <FONT FACE="Calibri">panel is an</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">attempt to represent CCDA not only as a theoretical framework, but also as a practical tool for decoding th</FONT><FONT FACE="Calibri">e cultural 'cargo' contained within</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">verbal and non-verbal</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">discourses</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri"> of fact and fiction</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">. </FONT></SPAN></P>
<P DIR=LTR ALIGN=JUSTIFY><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri">General principles of a cultural approach to CDA are understood as follows:</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"></SPAN><SPAN LANG="en-gb"><FONT FACE="Symbol">·<FONT FACE="Courier New"> </FONT></FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">No text is independent of its cultural contexts.</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-gb"></SPAN><SPAN LANG="en-gb"></SPAN><SPAN LANG="en-gb"><FONT FACE="Symbol">·<FONT FACE="Courier New"> </FONT></FONT></SPAN><SPAN LANG="en-gb"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">Rather than</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">the</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">deconstruction of linguistic structures, the CCDA</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">shall aim to</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">uncover the cultural and cross-cultural codes embedded in discourse. </FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-gb"></SPAN><SPAN LANG="en-gb"></SPAN><SPAN LANG="en-gb"><FONT FACE="Symbol">·<FONT FACE="Courier New"> </FONT></FONT></SPAN><SPAN LANG="en-gb"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">The CCDA employs tools and methodologies taken from the discipline of cultural studies, such as the heuristic of decoding cultural codes.</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-gb"></SPAN><SPAN LANG="en-gb"></SPAN><SPAN LANG="en-gb"><FONT FACE="Symbol">·<FONT FACE="Courier New"> </FONT></FONT></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">Cross-cultural or multi-cultural perspectives facilitate the identification of unique elements belonging to a specific cultur</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri">e</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri"> code and thus contribute to the process of decoding</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri"> cultural codes</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">. </FONT></SPAN></P>
<P DIR=LTR ALIGN=JUSTIFY><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri">The panel is organized around five major themes:</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri"> Cultu</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">r</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">e, Discursive</FONT><FONT FACE="Calibri"> strategies, Cultural codes, The global market of cultural codes, and</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"> <FONT FACE="Calibri">C</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">ulture of peace.</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri"> Papers are invited which address any of these themes from the perspective of a cultural approach to CDA.</FONT></SPAN></P>
<P DIR=LTR ALIGN=JUSTIFY><SPAN LANG="en-us"><FONT FACE="Calibri">Abstracts of no more than</FONT> <FONT FACE="Calibri">300 words including references should be sent as MS Word attachment to</FONT></SPAN><SPAN LANG="en-us"> </SPAN><A HREF="mailto:gavriely1@gmail.com"><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><U><FONT COLOR="#0000FF" FACE="Calibri">gavriely1@gmail.com</FONT></U></SPAN><SPAN LANG="en-us"></SPAN></A><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri"> before 18 December 2011. Please include in the body of the email but not in the abstract your name, affiliation and email</FONT><FONT FACE="Calibri"> address. Notifications of acceptance will be communicated by 1 February 2012.</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><B><I></I></B></SPAN><SPAN LANG="en-us"><B><I></I></B></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><B><I><FONT FACE="Calibri">Bibliography</FONT></I></B></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri">Gavriely-Nuri, Dalia (forthcoming). Cultural Approach to CDA (CCDA).</FONT></SPAN><SPAN LANG="en-us"><I></I></SPAN><SPAN LANG="en-us"><I> <FONT FACE="Calibri">Journal of Critical Discourse Studies.</FONT></I></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri">Fairclough, Norman</FONT> <FONT FACE="Calibri">(2009/2001). A dialectical-relational approach to critical discourse analysis in social research'. In: Ruth Wodak and Michael Meyer (eds.)</FONT></SPAN><SPAN LANG="en-us"><I></I></SPAN><SPAN LANG="en-us"><I> <FONT FACE="Calibri">Methods of Critical Discourse Analysis 162-186</FONT></I></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri">. London: Sage. </FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">Katriel, Tamar (1999). Keywords: Patterns of Culture</FONT> <FONT FACE="Calibri">and Communication in Israel. Haifa: University of Haifa Press & Zmora-Bitan (in Hebrew).</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">Scollo, Michelle (2011): Cultural approaches to discourse analysis: A theoretical and methodological conversation with special focus on Donal Carbaugh's Cultural Disco</FONT><FONT FACE="Calibri">urse Theory,</FONT></SPAN><SPAN LANG="en-us"><I></I></SPAN><SPAN LANG="en-us"><I></I></SPAN><I><SPAN LANG="en-gb"> <FONT FACE="Calibri">Journal of Multicultural Discourses</FONT></SPAN></I><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">, 6</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri"> (</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">1</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri">):</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri"> 1-32</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us">.</SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Calibri">Shi-xu. (2005).</FONT></SPAN><SPAN LANG="en-us"><I></I></SPAN><SPAN LANG="en-us"><I> <FONT FACE="Calibri">A cultural approach to discourse</FONT></I></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri">. Basingstoke: Macmillan.</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">Swidler, Ann.</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"> <FONT FACE="Calibri">(</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">1986</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"><FONT FACE="Calibri">)</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"><FONT FACE="Calibri">. Culture in action: symbols and strategies.</FONT></SPAN><SPAN LANG="en-us"><I></I></SPAN><SPAN LANG="en-us"><I></I></SPAN><I><SPAN LANG="en-gb"> <FONT FACE="Calibri">American Sociological Review</FONT></SPAN></I><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-gb"> <FONT FACE="Calibri">51 (2): 273-286.</FONT></SPAN><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"> </SPAN></P>
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