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<p>Prezados,<br>
<br>
Enviei a mensagem abaixo para as listas de tipologia e lingüística <br>
histórica. Portanto, minhas desculpas àqueles que já a receberam.<br>
<br>
Estou interessado em exemplos de assimetrias no comportamento sincrônico e <br>
diacrônico de oclusivas surdas (como no caso Karajá mencionado abaixo), bem <br>
como em diferenças em reflexos de uma mudança fonológica de acordo com o <br>
gênero do falante. Já venho recebendo várias respostas pertinentes e, em <br>
breve, devo enviar um resumo para as três listas.<br>
<br>
Desde já, muito obrigado por qualquer informação.<br>
<br>
Abraços,<br>
<br>
Eduardo<br>
<br>
----- Original Message ----- <br>
From: "Eduardo Ribeiro" <<a href="mailto:kariri%40gmail.com">kariri@gmail.<wbr>com</a>><br>
To: <<a href="mailto:LINGTYP%40LISTSERV.LINGUISTLIST.ORG">LINGTYP@LISTSERV.<wbr>LINGUISTLIST.<wbr>ORG</a>>; <<a href="mailto:histling-l%40mailman.rice.edu">histling-l@mailman.<wbr>rice.edu</a>><br>
Sent: Saturday, December 05, 2009 1:13 AM<br>
Subject: Asymmetry in voiceless stop lenition<br>
<br>
Dear colleagues,<br>
<br>
A comparison between Karajá (Macro-Jê stock, Central Brazil) and<br>
related languages (such as Proto-Jê) reveals that Karajá underwent a<br>
pervasive diachronic process of voiceless-stop lenition; in CrV<br>
clusters, voiceless stops were thoroughly eliminated; in other<br>
positions, *p appears as /w/ and *t as /r/.<br>
<br>
*k, however, still occurs as /k/, but with a twist: in male speech, it<br>
may be eliminated altogether (kòhã 'armadillo' > òhã, etc.). Thus, it<br>
seems likely that the genesis of male vs. female speech distinctions<br>
in Karajá may be somehow related to such tendency towards stop<br>
lenition. Notice that if lenition treated all voiceless stops the<br>
same way, *k would show up as a velar approximant in Karajá (a very<br>
marked, unstable phoneme cross-linguisticall<wbr>y, as far as I know).<br>
<br>
I would appreciate any examples of similar asymmetries in the<br>
diachronic and synchronic behavior of voiceless stops. Examples<br>
illustrating differing reflexes of a sound change between male and<br>
female speakers would also be greatly appreciated.<br>
<br>
Thanks in advance,<br>
<br>
Eduardo<br>
<a href="http://wado.us">http://wado.<wbr>us</a> <br>
<br>
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