[Lexicog] Oh-oh! Typology, Reduplicatives & Lexemes

Hayim Sheynin hsheynin19444 at YAHOO.COM
Tue Jul 3 23:41:28 UTC 2007


Scott-

As Caesar said: de mortibus aut bene aut nihil (about those who died [speak]  either  good  [words]  or  nothing).

Hayim 

bolstar1 <bolstar1 at yahoo.com> wrote:                                  Hayim...Can you imagine our ancestor-progenitors saying to each other 
 about us post-genitors, "Oy-vieh, can you imagine what our post-
 genitors syaing about us progenitors? This is tantamount to us 
 saying, "Enough."
      I agree with you. I was just making a point. 
 
 Scott N.
 
 --- In lexicographylist at yahoogroups.com, Hayim Sheynin 
 <hsheynin19444 at ...> wrote:
 >
 > Dear Scott,
 > 
 > The only note I would like to make is that lexicography 
 > deals only with one type of communication, namely 
 > verbal communication.
 > The signs, the  whistles, the noises, the gestures even they are a 
 part of communication, they are no verbal communication. Only minimal 
 part of
 > this which has high frequency enters to the dictionaries as 
 interjections, 
 > some of them (like `ta-ta') can be entered as slang expressions.
 > For the big works treating combinations of words and idioms there 
 is a
 > special sub-genre of dictionaries, I have in mind monolingual or 
 bilingual phraseological dictionaries.
 > 
 > Hayim Y. Sheynin
 > 
 > bolstar1 <bolstar1 at ...> wrote:                                  
 Hayim, Fritz, John, et al: 
 >         I mentioned that it is rather a tricky business 
 categorizing 
 >  precise types of fixed phrases, as falling necessarily into one 
 camp, 
 >  but not another. It becomes a question of typological imperative 
 >  (e.g. spacing for a particular publication), consensus among 
 >  lexicographers/linguists, intention of speaker, and usefulness to 
 the 
 >  masses. The balance in making typological units concise – yet 
 >  inclusive -- is also tricky. 
 >         This list exemplifies (though is far from comprehensive) 
 the 
 >  point. I listed only emphatic reduplication  organized around  1) 
 the 
 >  nine main parts of speech – verbs, (modals), participles, adverbs, 
 >  nouns, pronouns, adjectives, prepositions, interjections, and 
 >  articles (only conjunctions are omitted) and  2) around repeated 
 >  forms of reduplication (among the other forms mentioned). 
 >          Some of these reduplicates are used also for writing out 
 >  phonetically-suggestive words (or sounds), 'echoing'. For example, 
 an 
 >  echoic morph for the morpheme meaning "disapproval or annoyance" 
 can 
 >  be the reduplicative `tsk-tsk', or `tut-tut' (perhaps a "lexeme" 
 as 
 >  has been referred to lately)  – and best being categorized as 
 either  
 >  1) a verb in the imperative mood – implied meaning of "Don't do 
 >  that." Or  2) a verb in the indicative mood, meaning  "I am 
 >  disappointed in that!" Hence the `underlying "mood "of the verb 
 (not 
 >  mood of the person) is up for grabs here. Or it could be 
 categorized 
 >  as  3) an interjection – simply expressing disapproval, or an 
 emotive 
 >  reaction, with no necessary lexical meat on its bones. If the 
 >  intention of the speaker had a truly "imperative" mood, then 
 another 
 >  category would fit, or be warranted, or be assumed.  
 >         A token morph for the morpheme/lexeme `farewell' can be 
 spoken 
 >  and written as `ta-ta' (not emphatic, but demonstrating the point 
 >  still). On the other hand, a "sort-of word" (a whistle) for the 
 >  morpheme that expresses approval – as when a construction worker 
 sees 
 >  an attractive woman walking by -- could be the reduplicative 'srrr-
 >  whistle' with a rising whistle-tone
immediately followed by the 
 `srrr-
 >  whistle' descending whistle-tone. Whether in spoken or in written 
 >  form, they need categorizing. An all-inclusive group for that 
 would 
 >  be simply a reduplicative. But under that paradigm could be 
 included 
 >  non-verbal reduplicatives. The operative question here is whether 
 >  there are enough of those non-verbal reduplicative emotive lexemes 
 to 
 >  warrant a whole category. Sure there are, if one wants to group 
 them. 
 >  (There are more of those, like "Uh-hu!" and "Uh-uh!" and "Oh-oh! 
 >  And "Sheesh!           
 >  
 >  Verbs  
 >  
 >  never miss an opportunity to miss an opportunity (i.e. not take 
 >  advantage of things)
 >  If I've told you once, I've told you a million times. (or '...a 
 >  thousand times)
 >  
 >  (Either) put up or shut up!  
 >  
 >  pooh-pooh....(something)   
 >  
 >  talk the talk (and walk the walk) 
 >  (If you talk the talk, walk the walk!  
 >  
 >  Whatever will be, will be.  
 >  
 >  Whatever happens, happens. 
 >  
 >  Wink, wink. (interjection & nonverbal communication)  
 >  
 >  tut-tut someone (verb)
 >  
 >  Modals   
 >  If I can do it, you can do it.  
 >  If I can do it, anyone can do it.   
 >  If we can send a man (men) to the moon, we can...  
 >  If they can put a man on the moon...   
 >  I would if I could but I can't.   
 >  
 >  Participles   
 >  I'm dying if I'm lying.  
 >  If I'm lying, I'm dying.   
 >  keep on keeping on   
 >  "And it's a high fly ball to deep left 
 field...going...going...gone!"
 >  
 >  Adverbs   
 >  over and over (again)  
 >  "I've told you over and and over about that!" 
 >  
 >  
blah, blah, blah.   
 >  et cetera, et cetera.   
 >  hurry-scurry  
 >  
 >  Hamlet 2.02.311-315
 >  
 >  "What a piece of work is a
 >  man, how noble in reason, how infinite in faculties,  
 >  in form and moving how express and admirable, in
 >  action how like an angel, in apprehension how like a
 >  god: 
"
 >  It ain't over till it's over.   
 >  Never say never!   
 >  Never up, never in. (i.e. If the golf ball doesn't even reach the 
 >  hole, it can't go IN the hole.) 
 >  talk.../go.../rattle... on and on (about....(something)  
 >  
 >  time after time
 >  time and time again  
 >  
 >  The more things change, the more they stay the same.  
 >  
 >  The more you get, the more you want.   
 >  
 >  Nouns   
 >  (that's) a no-no  
 >  
 >  a slim Jim
 >  Slim Jims  ™ 
 >  
 >  Surprise, surprise. (ironic tone)
 >  
 >  (Let's) call a spade a spade.  
 >  
 >  Every day, in every way, I am getting better and better. (noun & 
 >  adjective forms)
 >  
 >  fight fire with fire  
 >  
 >  Location, location, location. (the key to successful real estate 
 >  planning)
 >  
 >  out-Herod Herod (someone) (proper noun used as a verb (function)) 
 >  
 >  Water, water everywhere, and not a drop to drink.   
 >  
 >  What's sauce for the goose is sauce for the gander.  
 >  
 >  Pronouns  
 >  
 >  Everyone who's anyone (will be there).
 >  
 >  not for nothing (did I...) (slang) 
 >  
 >  'Everybody's' business is 'nobody's' business.  
 >  
 >  (for) you and you alone. 
 >  
 >  I'm rubber, you're glue; what bounces off me sticks to you. 
 >  (rhyme)       
 >  
 >  Adjectives  
 >  
 >  Desperate diseases desperate remedies.  
 >  
 >  a rootin'-tootin'.... 
 >  a rooting-tooting
; 
 >  a rootin', tootin', shootin'
)  
 >  
 >  a blankety-blank....(something) (expletive deleted) 
 >  
 >  a super-duper....(something)  
 >  
 >  First things first.  
 >  
 >  (just) hunky-dory  
 >  Everything's junky-dory.  
 >  
 >  Same old same old.  
 >  Same ol', same ol'.  
 >  
 >  (went) sky-high  
 >  
 >  Some men are born great, some men achievement, some men have 
 >  greatness thrust upon them. (Shakespeare) 
 >  
 >  Prepositions  
 >  
 >  In for a penny, in for a pound. (& alliteration) 
 >  
 >  betwixt and between (two things)
 >  
 >  a little of this and a little of that
 >  
 >  Interjections  
 >  
 >  Hell's bells!  
 >  Hell's bells and buckets of blood!  
 >  
 >  Here, here!  
 >  
 >  Hubba-hubba!  
 >  
 >  Well, well. If it isn't....(someone).  
 >  
 >  tsk-tsk someone (verb)
 >  
 >  Tsk-tsk! 
 >  
 >  Tut-tut! 
 >  
 >  Articles  
 >  
 >  
's the name, 
's the game. (definite article & rhyme)  
 >  
 >  The more the merrier. (definite article -- 'the' & alliteration) 
 >  
 >  Where there's a will there's a way. (indefinite article 'a' & 
 pronoun 
 >  & alliteration) 
 >  
 >  -- Have fun "typing" these. There are many more where they came 
 >  from. 
 >  
 >  Scott N.
 >  
 >  
 >      
 >                        
 > 
 >        
 > ---------------------------------
 > Ready for the edge of your seat? Check out tonight's top picks on 
 Yahoo! TV.
 >
 
 
     
                       

       
---------------------------------
Boardwalk for $500? In 2007? Ha! 
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