<div dir="ltr"><br><div class="gmail_quote">Forwarded From: <b class="gmail_sendername">Recovering Languages and Literacies of the Americas Initiative</b> <span dir="ltr"><<a href="mailto:presswebmail@unl.edu">presswebmail@unl.edu</a>></span><br>Date: Fri, May 6, 2016 at 10:56 AM<br><br>New Books from the RLLA Initiative<br><br><br><br><u></u>
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<td bgcolor="#ffffff"><table style="font-family:Helvetica;font-size:12px" width="100%" border="0" cellpadding="0" cellspacing="0"><tbody><tr><td></td></tr></tbody></table><div><table style="font-family:Helvetica;font-size:12px" width="100%" border="0" cellpadding="0" cellspacing="0"><tbody><tr><td style="background-color:transparent">
<table style="font-family:Helvetica;font-size:12px" width="100%" border="0" cellpadding="0" cellspacing="0"> <tbody><tr> <td style="padding-right:0;padding-bottom:0;padding-left:0;font-size:12px;line-height:1.5" valign="top"> <table style="font-family:Helvetica;font-size:12px" width="100%" border="0" cellpadding="0" cellspacing="0"> <tbody><tr> <td style="padding:0;background-color:transparent" valign="top"> <div> <div></div><div></div><div style="display:block;margin-bottom:10px;font-size:12px;line-height:1.5;font-weight:normal;text-align:left"><span style="font-size:14px">Now available through the <a href="https://t.e2ma.net/click/vbc9s/jqjjxi/3tno1g" style="font-weight:normal;font-weight:normal" target="_blank">Recovering Languages and Literacies of the Americas</a> initiative: </span></div><div style="display:block;margin-bottom:10px;font-size:12px;line-height:1.5;font-weight:normal;text-align:left"><br>
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<div style="display:block;margin-bottom:10px;font-size:12px;line-height:1.5;font-weight:normal"><span style="font-size:14px"><b>From the <a href="https://t.e2ma.net/click/vbc9s/jqjjxi/jmoo1g" style="font-weight:normal;font-weight:normal;font-weight:inherit" target="_blank">University of Oklahoma Press</a></b><a href="https://t.e2ma.net/click/vbc9s/jqjjxi/zepo1g" style="font-weight:normal;font-weight:normal;font-weight:inherit" target="_blank">:</a> </span> </div></div>
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<table style="font-family:Helvetica;font-size:12px" width="100%" border="0" cellpadding="0" cellspacing="0"> <tbody><tr> <td style="padding-right:0;padding-bottom:0;padding-left:0" valign="top"> <table style="font-family:Helvetica;font-size:12px" width="100%" border="0" cellpadding="0" cellspacing="0"> <tbody><tr> <td style="padding:0 0 0 0;background-color:transparent" valign="top"> <table style="font-family:Helvetica;font-size:12px" width="1%" align="left" border="0" cellpadding="0" cellspacing="0"> <tbody><tr> <td style="padding:0px 10px 10px 10px" valign="top" width="1%"> <div align="center"> <a href="https://t.e2ma.net/click/vbc9s/jqjjxi/f7po1g" style="font-weight:normal;font-weight:normal" target="_blank"> <img alt="South Eastern Huastec Narratives cover image" src="http://d31hzlhk6di2h5.cloudfront.net/20160506/b2/55/c2/d5/202971d97c440301bcc384dd_404x578.jpg" style="display:block" height="289" width="202" border="0"> </a> </div>
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<div style="display:block;margin-bottom:10px;font-size:12px;line-height:1.5;font-weight:normal"><span><span style="font-size:14px"><a href="https://t.e2ma.net/click/vbc9s/jqjjxi/vzqo1g" style="font-weight:normal;font-weight:normal" target="_blank"><i>South Eastern Huastec Narratives: A Trilingual Edition</i></a><br>
Edited by Ana Kondic<br>
232 pp., $45.00 hardcover<br>
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Of the approximately 100,000 people who speak the Huastec language, only about 12,000 use the South Eastern variety presented here. As the only book recording and analyzing this endangered language, this collection of narratives is a crucial document for preserving the South Eastern Huastec language, and the remarkable culture it conveys. The book includes a CD-ROM with both audio and video tracks. </span><a href="https://t.e2ma.net/click/vbc9s/jqjjxi/bsro1g" style="font-weight:normal;font-weight:normal;font-weight:inherit" target="_blank"><span style="font-size:14px">Learn more.</span></a><br>
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<div style="display:block;margin-bottom:10px;font-size:12px;line-height:1.5;font-weight:normal"><span style="font-size:14px"><b>From the <a href="https://t.e2ma.net/click/vbc9s/jqjjxi/rkso1g" style="font-weight:normal;font-weight:normal;font-weight:inherit" target="_blank">University of Texas Press</a></b><a href="https://t.e2ma.net/click/vbc9s/jqjjxi/7cto1g" style="font-weight:normal;font-weight:normal;font-weight:inherit" target="_blank">: </a></span> </div></div>
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<table style="font-family:Helvetica;font-size:12px" width="100%" border="0" cellpadding="0" cellspacing="0"> <tbody><tr> <td style="padding-right:0;padding-bottom:0;padding-left:0" valign="top"> <table style="font-family:Helvetica;font-size:12px" width="100%" border="0" cellpadding="0" cellspacing="0"> <tbody><tr> <td style="padding:0 0 0 0;background-color:transparent" valign="top"> <table style="font-family:Helvetica;font-size:12px" width="1%" align="left" border="0" cellpadding="0" cellspacing="0"> <tbody><tr> <td style="padding:0px 10px 10px 10px" valign="top" width="1%"> <div align="center"> <a href="https://t.e2ma.net/click/vbc9s/jqjjxi/n5to1g" style="font-weight:normal;font-weight:normal" target="_blank"> <img alt="Heaven, Hell, and Everything in Between cover image" src="http://d31hzlhk6di2h5.cloudfront.net/20160506/6d/92/98/84/bf732860ddb022c1e3c28391_404x608.jpg" style="display:block" height="304" width="202" border="0"> </a> </div>
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<div></div><div style="display:block;margin-bottom:10px;font-size:12px;line-height:1.5;font-weight:normal"><span style="font-size:14px"><a href="https://t.e2ma.net/click/vbc9s/jqjjxi/3xuo1g" style="font-weight:normal;font-weight:normal" target="_blank"><i>Heaven, Hell, and Everything in Between: Murals of the Colonial Andes</i></a><br>
By Ananda Cohen Suarez<br>
304 pages, 6" x 9"<br>
$90.00 hardcover<br>
$29.95 paperback </span>
</div><div style="display:block;margin-bottom:10px;font-size:12px;line-height:1.5;font-weight:normal"><span style="font-size:14px"> <span>Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, <a href="https://t.e2ma.net/click/vbc9s/jqjjxi/jqvo1g" style="font-weight:normal;font-weight:normal" target="_blank"><i>Heaven, Hell, and Everything in Between</i></a> explores the sociopolitical situation represented by the artists who<b> </b>generated these murals for rural parishes. <a href="https://t.e2ma.net/click/vbc9s/jqjjxi/ziwo1g" style="font-weight:normal;font-weight:normal;font-weight:inherit" target="_blank">Learn more</a>.</span></span> </div></div>
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</div></div><br><br clear="all"><br>-- <br><div class="gmail_signature">=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+<br><br> Harold F. Schiffman<br><br>Professor Emeritus of <br> Dravidian Linguistics and Culture <br>Dept. of South Asia Studies <br>University of Pennsylvania<br>Philadelphia, PA 19104-6305<br><br>Phone: (215) 898-7475<br>Fax: (215) 573-2138 <br><br>Email: <a href="mailto:haroldfs@gmail.com" target="_blank">haroldfs@gmail.com</a><br><a href="http://ccat.sas.upenn.edu/~haroldfs/" target="_blank">http://ccat.sas.upenn.edu/~haroldfs/</a> <br><br>-------------------------------------------------</div>
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