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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Greetings colleagues,<o:p class="ContentPasted1"> </o:p></span></p>

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<span style="font-size: 12pt; font-family: "Times New Roman", serif; color: black;" class="ContentPasted1">Steve Black and I are looking for one or two more papers for an in-person panel on semiotic approaches to value and commensuration. Below is a draft abstract

 of the session, to be revised depending on the final slate of papers (and I will trim the bibliography when I’ve had less coffee).</span><span style="font-size: 10pt; font-family: "Times New Roman", serif; color: black;"><o:p class="ContentPasted1"> </o:p></span></p>

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<b><span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">AAA/CASCA panel: Semiotic Approaches to Value and Commensuration<o:p class="ContentPasted1"> </o:p></span></b></p>

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Anthropologists have long approached value as fundamentally a question of semiosis, from early Saussurean-structuralist theories of linguistic value to Nancy Munn’s thoroughgoing

 Peircean analysis in <i class="ContentPasted1">The Fame of Gawa </i>(1986). Recently, semiotic approaches to value have been extended as part of “new materialism” (Manning 2012), a reexamination of work by Munn and by David Graeber (2001), and a resurgence

 of interest in the work of C. S. Peirce (1998; see especially Chumley & Harkness 2013).

<span style="mso-no-proof:yes" class="ContentPasted1">Linguistic anthropologists in particular have focused on evaluation as a kind of semiotic-discursive project, examining the talk used in the course of evaluating a good or a practice (e.g., Cavanaugh 2007,

 2019; Shankar & Cavanaugh 2012; Silverstein 2006; Thurlow 2020a, 2020b; Thurlow & Jaworski 2017) or focusing on how semiotic mediation shapes circulation, such as by promoting and selecting for some qualities, tangible or intangible, over others (e.g.,

</span>Calvão 2013<span style="mso-no-proof:yes" class="ContentPasted1">; Cavanaugh & Shankar 2014; Faudree 2015; Gal 2017).

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">In honor of this year’s focus on transitions, this session interrogates what happens to value in transition. What happens when the “same” stuff—a material good, an image,

 a practice, or a stretch of discourse—is subjected to different criteria and different regimes of value? How do people reconcile slippages and change criteria to suit new purposes? When one mode or system of evaluation “wins out,” what are its political dimensions

 and its implications for power (Elyachar 2005)?</span></p>

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Papers in this session consider cases

<span style="font-size: 12pt; font-family: "Times New Roman", serif; color: black;" class="ContentPasted1">in which “value” is contested and the ways that people grapple with that apparent incommensurability, or force things to be commensurable.

</span><span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">At the intersection of linguistic anthropology and economic anthropology, w</span><span style="font-size: 12pt; font-family: "Times New Roman", serif; color: black;" class="ContentPasted1">e

 consider the different conceptions of value that might be at play in a given ethnographic context, including use value, exchange value, moral value, and others. Rather than aiming for a unified theory of value (as Graeber [2001] lamented does not exist), this

 session asks what is at stake in forcing unlike things and unlike systems of evaluation

<i class="ContentPasted1">into </i>a commensurable system, or not, as an ethnographic question. Papers examine, for example, the different forms of value (ethical, scientific, financial) invoked by global health professionals in storytelling—some of which appear

 incommensurable to the people who invoke them; the different ways U.S. political actors are evaluated as “reasonable” or not, via surface markers like their suits, race, and hair; and a global cashmere commodity chain in which the value regimes people are

 acting on are often at odds, but still they have to meet a threshold of commensurability across the chain to agree that it’s more or less the same thing—“cashmere.”

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1 elementToProof">WORKS CITED:<br style="mso-special-character:line-break" class="ContentPasted1">

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Calvão, Filipe. 2013. The Transporter, the Agitator, and the Kamanguista: Qualia and the In/Visible Materiality of Diamonds.

<i class="ContentPasted1">Anthropological Theory </i>13(1/2):119–136.<o:p class="ContentPasted1"> </o:p></span></p>

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Cavanaugh, Jillian R. 2007. Making Salami, Producing Bergamo: The Transformation of Value.

<i class="ContentPasted1">Ethnos</i> 72(2):149–72.<o:p class="ContentPasted1"> </o:p></span></p>

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif;mso-bidi-font-style:italic" class="ContentPasted1">__. 2019.

<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Labelling Authenticity, or, How I Almost Got Arrested in an Italian Supermarket.

<i class="ContentPasted1">Semiotic Review</i> 5. <a href="https://www.semioticreview.com/ojs/index.php/sr/article/view/47" class="ContentPasted1">

https://www.semioticreview.com/ojs/index.php/sr/article/view/47</a>.<o:p class="ContentPasted1"> </o:p></span></p>

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Cavanaugh, Jillian R., and Shalini Shankar. 2014. Producing Authenticity in Global Capitalism: Language, Materiality, and Value.

<i class="ContentPasted1">American Anthropologist</i> 116(1):51–64.<o:p class="ContentPasted1"> </o:p></span></p>

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Chumley, Lily Hope, and Nicholas Harkness. 2013. Introduction: QUALIA.

<i class="ContentPasted1">Anthropological Theory </i>13(1/2):1–11.<o:p class="ContentPasted1"> </o:p></span></p>

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Elyachar, Julia. 2005.<i class="ContentPasted1"></i></span><i><span style="font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman"" class="ContentPasted1">Markets

 of Dispossession: NGOs, Economic Development, and the State in Cairo</span></i><span style="font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman"" class="ContentPasted1">. Durham: Duke University Press.</span><span style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p class="ContentPasted1"> </o:p></span></p>

<p class="MsoNormal" style="margin:0in 0in 8pt;font-size:11pt;font-family:"Calibri", sans-serif;margin-bottom:0in">

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Faudree, Paja. 2015. Tales from the Land of Magic Plants: Textual Ideologies and Fetishes of Indigeneity in Mexico’s Sierra Mazateca.

<i class="ContentPasted1">Comparative Studies in Society and History</i> 57(3):838–69.<o:p class="ContentPasted1"> </o:p></span></p>

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Gal, Susan. 2017. Qualia as Value and Knowledge: Histories of European Porcelain.

<i class="ContentPasted1">Signs and Society</i> 5(S1):S128–53.<o:p class="ContentPasted1"> </o:p></span></p>

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<p class="MsoNormal" style="margin:0in 0in 8pt;font-size:11pt;font-family:"Calibri", sans-serif;margin-bottom:0in">

<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Graeber, David. 2001.

<em class="ContentPasted1">Toward an Anthropological Theory of Value<span style="font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman"" class="ContentPasted1">: The False Coin of Our Own Dreams<span style="font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman"" class="ContentPasted1">.

 Springer.</span><span style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p class="ContentPasted1"> </o:p></span></p>

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman"" class="ContentPasted1">Manning, Paul<span style="font-size:12.0pt;font-family:"Times New Roman",serif;mso-bidi-font-style:italic" class="ContentPasted1">.

<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">2012.

<i class="ContentPasted1">The Semiotics of Drink and Drinking</i>. London and New York: Continuum.<o:p class="ContentPasted1"> </o:p></span></p>

<p class="MsoNormal" style="margin:0in 0in 8pt;font-size:11pt;font-family:"Calibri", sans-serif;margin-bottom:0in">

<span style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p class="ContentPasted1"> </o:p></span></p>

<p class="MsoNormal" style="margin:0in 0in 8pt;font-size:11pt;font-family:"Calibri", sans-serif;margin-bottom:0in">

<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Munn, Nancy. 1986.

<i class="ContentPasted1">The Fame of Gawa: A Symbolic Study of Value Transformation in a Massim Society (Papua New Guinea)</i>. Durham, NC: Duke University Press.<o:p class="ContentPasted1"> </o:p></span></p>

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman"" class="ContentPasted1">Peirce, Charles Sanders. 1998.

<i class="ContentPasted1">The Essential Peirce: Selected Philosophical Writings</i> (2 vols.) Bloomington: Indiana University Press.</span><span style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p class="ContentPasted1"> </o:p></span></p>

<p class="MsoNormal" style="margin:0in 0in 8pt;font-size:11pt;font-family:"Calibri", sans-serif;margin-bottom:0in">

<span style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p class="ContentPasted1"> </o:p></span></p>

<p class="MsoNormal" style="margin:0in 0in 8pt;font-size:11pt;font-family:"Calibri", sans-serif;margin-bottom:0in">

<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Shankar, Shalini, and Jillian R. Cavanaugh. Language and Materiality in Global Capitalism. 2012.

<i class="ContentPasted1">Annual Review of Anthropology</i> 41:355–69.<o:p class="ContentPasted1"> </o:p></span></p>

<p class="MsoNormal" style="margin:0in 0in 8pt;font-size:11pt;font-family:"Calibri", sans-serif;margin-bottom:0in">

<span style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p class="ContentPasted1"> </o:p></span></p>

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Silverstein, Michael. 2006. Old Wine, New Ethnographic Lexicography.

<i class="ContentPasted1">Annual Review of Anthropology</i> 35:481–96.<o:p class="ContentPasted1"> </o:p></span></p>

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Thurlow, Crispin. 2020a. Expanding Our Sociolinguistic Horizons? Geographical Thinking and the Articulatory Potential of Commodity Chain Analysis.

<i class="ContentPasted1">Journal of Sociolinguistics </i>24(3):350–68.<i class="ContentPasted1">

</i><o:p class="ContentPasted1"> </o:p></span></p>

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">__. 2020b. Touching Taste: The Classist Intersections of Materiality, Textuality and Tactility.

<i class="ContentPasted1">Multimodal Communication </i>9(2):1–16.<o:p class="ContentPasted1"> </o:p></span></p>

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<span style="font-size:12.0pt;font-family:"Times New Roman",serif" class="ContentPasted1">Thurlow, Crispin, and Adam Jaworski. 2017. The Discursive Production and Maintenance of Class Privilege: Permeable Geographies, Slippery Rhetorics.

<i class="ContentPasted1">Discourse & Society</i> 28(5):535–58.<o:p class="ContentPasted1"> </o:p></span></p>

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<span style="font-size: 12pt; font-family: "Times New Roman", serif; color: black;" class="ContentPasted1">If you’re working on something that might fit, please send a draft abstract of about 250 words to Kate Graber at

<a class="ContentPasted1">graberk@indiana.edu</a> by EOD Sunday, March 19. Your abstract can be very drafty at this point; we will reply ASAP about paper selection, with finalized abstracts due a few days later.<br>

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<span style="font-size: 12pt; font-family: "Times New Roman", serif; color: black;" class="ContentPasted1">Best wishes,<o:p class="ContentPasted1"> </o:p></span></p>

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<font style="" size="2" face="Helvetica, sans-serif"><font style=""><b><span style="font-size: 10pt; font-family: Shruti, "Nirmala UI", "Gujarati Sangam MN", sans-serif; color: black;">Kathryn E. Graber</span></b><span style="font-size: 10pt; font-family: "Helvetica", sans-serif; color: black;"><br>

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<font size="2" face="Helvetica, sans-serif"><font><span style="font-size: 10pt; font-family: Shruti, "Nirmala UI", "Gujarati Sangam MN", sans-serif; color: black;" class="ContentPasted0"><i>2022-23: NEH Fellow | on sabbatical | visiting at University of Edinburgh</i></span><span style="font-size: 10pt; font-family: "Helvetica", sans-serif; color: black;" class="ContentPasted0"><br class="ContentPasted0">

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 of Anthropology</span></a></span><span style="font-size: 10pt; font-family: Shruti, "Nirmala UI", "Gujarati Sangam MN", sans-serif; color: black;" class="ContentPasted0"> and

</span><span style="font-size: 10pt; font-family: "Helvetica", sans-serif; color: black;" class="ContentPasted0"><a title="https://ceus.indiana.edu/people/current-faculty/graber-kathryn.html" class="ContentPasted0" href="https://ceus.indiana.edu/people/current-faculty/graber-kathryn.html"><span style="color: rgb(134, 17, 6); font-size: 10pt; font-family: Shruti, "Nirmala UI", "Gujarati Sangam MN", sans-serif;">Department

 of Central Eurasian Studies</span></a></span><o:p><br class="ContentPasted0">

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 Data Analysis Lab</span></a><span style="color: rgb(12, 100, 192); font-size: 10pt; font-family: Shruti, "Nirmala UI", "Gujarati Sangam MN", sans-serif;">

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<a href="https://www.cornellpress.cornell.edu/book/9781501750519/mixed-messages/" title="https://www.cornellpress.cornell.edu/book/9781501750519/mixed-messages/">

<span style="color: rgb(134, 17, 6);"><i>Mixed Messages</i></span></a> | <a href="https://brill.com/display/title/38668?language=en" title="https://brill.com/display/title/38668?language=en">

<span style="color: rgb(134, 17, 6);"><i>Storytelling as Narrative Practice</i></span></a> |

</span><a href="https://indiana.academia.edu/KathrynGraber" title="https://indiana.academia.edu/KathrynGraber"><span style="color: rgb(134, 17, 6);">downloadable things</span></a><br>

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