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<span class="ContentPasted0" style="font-size: 14pt; color: black;">The latest issue of<span class="apple-converted-space ContentPasted0"> </span><i class="ContentPasted0">Québec Studies
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<span class="ContentPasted0" style="color: black;">Liverpool University Press is pleased to inform you of the latest content in<span class="apple-converted-space ContentPasted0"> </span></span><a href="https://www.liverpooluniversitypress.co.uk/journal/qs" data-auth="NotApplicable" class="ContentPasted0" data-loopstyle="linkonly"><i>QUÉBEC
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<span class="ContentPasted0" style="">Volume 75 is a special issue celebrating 40<sup class="ContentPasted0">th</sup> Anniversary of Québec Studies. It contains a special dossier in which past editorial staff members, Jane Moss, Kevin J. Christiano, and Roseanna
Dufault discuss their various roles, the challenges they faced, and how the journal (and the discipline it reflects) has evolved over the years. It also addresses a serious, and not uncontroversial, lacuna: the Indigenous presence in contemporary Québec. Ultimately,
the editors decided that in order to facilitate the academic community’s acquaintance with the works of these Indigenous artists, we must face this ethical dilemma and take on the role of intermediaries,
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<u class="ContentPasted0">Table of contents </u></p>
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<a href="https://www.liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.1" data-auth="NotApplicable" title="Editor’s Note" class="ContentPasted0" data-loopstyle="linkonly"><b><i>EDITOR’S NOTE</i></b></a><b><i><u><span style="color: rgb(5, 99, 193);"> </span></u></i></b></p>
<p class="MsoPlainText ContentPasted0" style="margin-top: 0px; margin-bottom: 0px;margin:0cm; font-size:11pt; font-family:Calibri,sans-serif">
AMY J. RANSOM </p>
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<b><i><a href="https://www.liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.2" data-auth="NotApplicable" title="Forty Years of Québec Studies: Editors’ Perspectives" class="ContentPasted0" data-loopstyle="linkonly">FORTY YEARS OF QUÉBEC STUDIES: EDITORS’
PERSPECTIVES</a> </i></b></p>
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JANE MOSS | KEVIN J. CHRISTIANO| ROSEANNA L. DUFAULT </p>
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<b><span class="ContentPasted0" style="">SPECIAL DOSSIER </span></b></p>
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<b><i><span style="font-family: Calibri, sans-serif; color: rgb(33, 33, 33);"><a href="https://www.liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.3" data-auth="NotApplicable" title="Introduction: La relève autochtone: Voix contemporaines au Québec / Young Indigenous Authors from Québec" class="ContentPasted0" data-loopstyle="linkonly">INTRODUCTION:
LA RELÈVE AUTOCHTONE: VOIX CONTEMPORAINES AU QUÉBEC / YOUNG INDIGENOUS AUTHORS FROM QUÉBEC</a> </span></i></b></h5>
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<span class="ContentPasted0" style="font-family: Calibri, sans-serif; color: black;">JOËLLE PAPILLON
</span><span class="ContentPasted0" style="font-family:"Calibri",sans-serif">| </span>
<span class="ContentPasted0" style="font-family: Calibri, sans-serif; color: black;">TANIA GRÉGOIRE</span><span style="font-family: Calibri, sans-serif; color: rgb(33, 33, 33);"> </span></h5>
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<b><i><u><span style="font-family: Calibri, sans-serif; color: rgb(33, 33, 33);"><a href="https://www.liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.4" data-auth="NotApplicable" title="«La liberté d’imaginer le monde autrement »: Entretien avec J.D. Kurtness" class="ContentPasted0" data-loopstyle="linkonly">‘LA
LIBERTÉ D’IMAGINER LE MONDE AUTREMENT’: ENTRETIEN AVEC J.D. KURTNESS</a> </span></u></i></b></h5>
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<span class="ContentPasted0" style="font-family: Calibri, sans-serif; color: black;">JOËLLE PAPILLON</span><span style="font-family:"Calibri",sans-serif"> </span></h5>
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<b><i><u><span style="color: rgb(5, 99, 193);"><a href="https://www.liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.5" data-auth="NotApplicable" title="«Un barrage dans la gorge»: Théorie du castor dans Okinum d’Émilie Monnet" class="ContentPasted0" data-loopstyle="linkonly">«UN
BARRAGE DANS LA GORGE»: THÉORIE DU CASTOR DANS OKINUM D’ÉMILIE MONNET</a> </span></u></i></b></p>
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<span class="ContentPasted0" style="">ISABELLA HUBERMAN </span></p>
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<b><i><u><span style="color: rgb(5, 99, 193);"><a href="https://www.liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.6" data-auth="NotApplicable" title="Violence coloniale et récits d’abondance dans le cinéma documentaire de Kim O’Bomsawin" class="ContentPasted0" data-loopstyle="linkonly">VIOLENCE
COLONIALE ET RÉCITS D’ABONDANCE DANS LE CINÉMA DOCUMENTAIRE DE KIM O’BOMSAWIN</a> </span></u></i></b></p>
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<span class="ContentPasted0" style="">KARINE BERTRAND </span></p>
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<b><i><u><span style="color: rgb(5, 99, 193);"><a href="https://www.liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.7" data-auth="NotApplicable" title="La traversée de l’archipel: Mouvement décolonial dans Nanimissuat Île-tonnerre de Natasha Kanapé Fontaine" class="ContentPasted0" data-loopstyle="linkonly">LA
TRAVERSÉE DE L’ARCHIPEL: MOUVEMENT DÉCOLONIAL DANS NANIMISSUAT ÎLE-TONNERRE DE NATASHA KANAPÉ FONTAINE</a> </span></u></i></b></p>
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<span class="ContentPasted0" style="">TANIA GRÉGOIRE </span></p>
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<b><i><u><span style="color: rgb(5, 99, 193);"><a href="https://www.liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.8" data-auth="NotApplicable" title="(In)visible Borders in Beans by Tracey Deer" class="ContentPasted0" data-loopstyle="linkonly">(IN)VISIBLE
BORDERS IN BEANS BY TRACEY DEER</a> </span></u></i></b></p>
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<span class="ContentPasted0" style="">KIRSTEN SMITH </span></p>
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<b><i><u><span style="color: rgb(5, 99, 193);"><a href="https://www.liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.9" data-auth="NotApplicable" title="Le trash comme réponse au kitsch raciste et colonial: Les Chroniques de Kitchike de Louis-Karl Picard-Sioui" class="ContentPasted0" data-loopstyle="linkonly">LE
TRASH COMME RÉPONSE AU KITSCH RACISTE ET COLONIAL: LES CHRONIQUES DE KITCHIKE DE LOUIS-KARL PICARD-SIOUI</a> </span></u></i></b></p>
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ISABELLE KIROUAC MASSICOTTE </p>
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<b><i><u><span style="color: rgb(5, 99, 193);"><a href="https://www.liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.10" data-auth="NotApplicable" title="Mothering and Care Work in Indigenous Cinema from Québec" class="ContentPasted0" data-loopstyle="linkonly">MOTHERING
AND CARE WORK IN INDIGENOUS CINEMA FROM QUÉBEC</a> </span></u></i></b></p>
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<span class="ContentPasted0" style="">IOANA V. PRIBIAG </span></p>
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<b><i><u><span style="color: rgb(5, 99, 193);"><a href="https://www.liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.11" data-auth="NotApplicable" title="Displacing the Colonial Gaze in Louis-Karl Picard-Sioui’s Chroniques de Kitchike
" class="ContentPasted0" data-loopstyle="linkonly">DISPLACING
THE COLONIAL GAZE IN LOUIS-KARL PICARD-SIOUI’S CHRONIQUES DE KITCHIKE</a> </span></u></i></b></p>
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ZISHAD LAK </p>
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<b><i><a href="https://www.liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.12" data-auth="NotApplicable" title="La vague celtique, Cultural Heritage, and the Creative Economy in Rural Southern Québec" class="ContentPasted0" data-loopstyle="linkonly">LA VAGUE
CELTIQUE, CULTURAL HERITAGE, AND THE CREATIVE ECONOMY IN RURAL SOUTHERN QUÉBEC</a> </i></b></p>
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PATRICK R. IRELAND </p>
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<b class="ContentPasted0">REVIEWS AND NOTES </b></p>
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<b> </b></p>
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<b><i><u><span style="color: rgb(5, 99, 193);"><a href="https://www.liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.13" data-auth="NotApplicable" title="Book Reviews" class="ContentPasted0" data-loopstyle="linkonly">BOOK REVIEWS</a> </span></u></i></b></p>
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JULIETTE ROGERS | PATRICIA GODBOUT | WARREN MOTTE | TAYLOR D. STARR | ELIZABETH BLOOD </p>
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<a href="https://www.liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.14" data-auth="NotApplicable" title="Notes on Contributors" class="ContentPasted0" data-loopstyle="linkonly"><b><i>NOTES ON CONTRIBUTORS</i></b></a><b><i><u><span style="color: rgb(5, 99, 193);"> </span></u></i></b></p>
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<span class="MsoHyperlink" style="color: rgb(5, 99, 193);"><span class="ContentPasted0" style="color: rgb(0, 0, 0);">All best wishes,</span></span></p>
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<span class="MsoHyperlink" style="color: rgb(5, 99, 193);"><span class="ContentPasted0" style="color: rgb(0, 0, 0);">Alice Burns</span></span><span class="MsoHyperlink" style="color: rgb(5, 99, 193);"><span><span style="color: rgb(0, 0, 0);"> </span></span></span></p>
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<span class="MsoHyperlink" style="color: rgb(5, 99, 193);"><span class="ContentPasted0" style="color: rgb(0, 0, 0);">On behalf of Liverpool University Press</span><span class="ContentPasted0" style=""><span style="color: rgb(0, 0, 0);"> </span></span></span></p>
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