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<p class="elementToProof" style="margin-top: 0px; margin-bottom: 0px;"><span style="font-family: Calibri, sans-serif; font-size: 14pt; color: black;">The latest issue of
<i>Québec Studies </i>is now available online.</span><span style="font-family: Calibri, sans-serif; font-size: 12pt; color: black;"> </span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: black;"> </span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: black;">Liverpool University Press is pleased to inform you of the latest content in
</span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><i><a href="https://www.liverpooluniversitypress.co.uk/journal/qs" id="OWA87b188c0-38ae-dc27-15b9-d823e9c56736" class="OWAAutoLink" data-loopstyle="linkonly" style="margin-top: 0px; margin-bottom: 0px;">QUÉBEC
STUDIES</a></i></span><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: black;">, a highly regarded publication that is essential reading for those working in and researching all aspects of Québec society and Francophone Canadian culture. </span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">In the absence of a special dossier, Volume 76 serendipitously offers three articles all related to media studies in and about Québec and francophone
North America. Jacob Albert and Susan Pinette describe for us a significant, recently completed project that catalogs Franco-American newspapers published in New England. Pierre-Olivier Bouchard then examines how the long-running American magazine of scientific
vulgarization, National Geographic, depicts Québec in several articles from the 1930s. Finally, Miléna Santoro asks (and answers) a pertinent question in her consideration of “Does it Matter Who Directs the Story? Comparing Québec’s Immigrant Cinema and the
Cinema of Immigration Through Case Studies of Karaman and Deraspe, Villeneuve, and Bensaddek.” This issue also includes two analyses of contemporary literary works: Nadra Hebouche’s examination of a developing ecofeminist ethics in Louis Hamelin’s 2016 novel
<i>Autour d’Éva</i> and Michèle A. Schaal’s application of the concept of “liquid modernity” to the first Québec-set novel of Claire Legendre,
<i>Bermudes</i> (2020). </span></p>
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all articles > </a></span></p>
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<p align="center" style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: black;">--------------------------------------------------------------------------------------------------------- </span></p>
<p class="elementToProof" style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><u><br>
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<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><u>Table of contents </u></span></p>
<p class="elementToProof" style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><i><u><br>
</u></i></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b><i><a href="https://liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.15" id="OWA6655f47e-7f56-52c5-2016-a40fd376567b" class="OWAAutoLink" style="margin-top: 0px; margin-bottom: 0px;">EDITOR’S
NOTE</a> </i></b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">AMY J. RANSOM </span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b> </b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b>MEDIA STUDIES </b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b><i><a href="https://liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.16" id="OWA35ab7c96-b777-f2c7-d3be-6ed6cef88e51" class="OWAAutoLink" style="margin-top: 0px; margin-bottom: 0px;">FRANCO-AMERICAN
NEWSPAPERS AND PERIODICALS IN THE NORTHEAST: AN INVENTORY</a> </i></b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">JACOB ALBERT | SUSAN PINETTE </span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b><i> </i></b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b><i><a href="https://liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.17" id="OWA82bffc19-a794-8471-c732-032e23c71577" class="OWAAutoLink" style="margin-top: 0px; margin-bottom: 0px;">“THIS
WAS A LITTLE WORLD AT WHICH I WAS LOOKING”: LE QUÉBEC DES ANNÉES 1930 VU PAR LE NATIONAL GEOGRAPHIC MAGAZINE</a> </i></b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">PIERRE-OLIVIER BOUCHARD </span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b> </b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b><i><a href="https://liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.18" id="OWAd8ce01f1-2226-900a-e4b3-b9066cf11016" class="OWAAutoLink" style="margin-top: 0px; margin-bottom: 0px;">DOES
IT MATTER WHO DIRECTS THE STORY? COMPARING QUÉBEC’S IMMIGRANT CINEMA AND THE CINEMA OF IMMIGRATION THROUGH CASE STUDIES OF KARAMAN AND DERASPE, VILLENEUVE AND BENSADDEK</a> </i></b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">MILÉNA SANTORO </span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b> </b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b>LITERATURE </b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b><i><a href="https://liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.19" id="OWA6f597c35-d0e6-f8f2-fc47-66e007eb775e" class="OWAAutoLink" style="margin-top: 0px; margin-bottom: 0px;">D’UNE
ÉTHIQUE ÉCOFÉMINISTE: ÉMANCIPATION ET PARTENARIAT DANS AUTOUR D’ÉVA DE LOUIS HAMELIN</a> </i></b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">NADRA HEBOUCHE </span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b><i> </i></b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b><i><a href="https://liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.20" id="OWA338284ee-ac1d-c666-76ed-f46e533f82a2" class="OWAAutoLink" style="margin-top: 0px; margin-bottom: 0px;">BERMUDES DE
CLAIRE LEGENDRE: (S’)ÉCHOUER DANS LA MODERNITÉ LIQUIDE</a> </i></b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">MICHÈLE A. SCHAAL </span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b> </b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b>NOTES </b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><b><i><a href="https://liverpooluniversitypress.co.uk/doi/10.3828/qs.2023.21" id="OWA33cd72b0-5eb6-bd77-d66d-fd2d0a88d65a" class="OWAAutoLink" style="margin-top: 0px; margin-bottom: 0px;">NOTES
ON CONTRIBUTORS</a> </i></b></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"><i> </i></span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">All best wishes, </span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">Alice Burns </span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">alice.burns@liverpool.ac.uk </span></p>
<p style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);"> </span></p>
<p class="elementToProof" style="margin: 0cm;"><span style="font-family: Calibri, sans-serif; font-size: 11pt; color: rgb(0, 0, 0);">On behalf of Liverpool University Press </span></p>
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