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    Yes – Jeffrey is right that we shouldn't use fuzzy concepts (of any
    sort, whether comparative or language-particular), but precise
    concepts.<br>
    <br>
    But there is no reason why comparative concepts based on form should
    be less precise than concepts based on function. For example, I
    proposed a concept <font size="2"><span style="font-size:10pt">"obligatorily
        duplicated forms that can be used as adverbials", as a way of
        reconstructing the intuition that many people have with respect
        to the term "ideophone".</span></font> This seems pretty precise
    to me (though "adverbial" is perhaps too vague, so there is room for
    improvement).<br>
    <br>
    <div class="moz-cite-prefix">Mark Dingemanse says that "ideophones
      are easy to identify, but difficult to define", but I don't see
      how identification could be independent of definition. What is
      easy is to think of a sterotypical example, but it is not easy to
      distinguish ideophones from non-ideophones. In general, I think
      it's never difficult to define a (clear) concept/term, but it's
      often difficult to find a clear concept that corresponds
      reasonably to most people's stereotypes.<br>
      <br>
      Now what about Jeffrey's "onomatopoeias" and "greetings"? Again,
      it's easy to think of examples, but can we distinguish
      non-onomatopoeias from onomatopoeias? And non-greetings from
      greetings? (Or rhyming jingles from non-rhyming-jingles, to take
      Andrew Pawley's case?)  <br>
      <br>
      I'm not sure – and back in 2010, we actually tried to define
      "greeting" for the Atlas of Pidgin and Creole Languages
      (<a class="moz-txt-link-freetext" href="https://apics-online.info/">https://apics-online.info/</a>), because we felt that there were
      interesting distinctions between the types of greetings that
      different languages use (good day! how are you? have you eaten?
      etc.). But we were unable to come up with a clear a concept that
      corresponds to the "greeting" stereotype, so we gave up.<br>
      <br>
      Martin<br>
      <br>
      On 20.03.19 23:37, Heath Jeffrey wrote:<br>
    </div>
    <blockquote
cite="mid:BL0PR04MB5137B9B572A97587EF7DF122BD410@BL0PR04MB5137.namprd04.prod.outlook.com"
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        An alternative superior to fuzzy "comparative concepts" is to
        start with well-defined functions rather than form classes.
        Consider the following phenomena, some of which have been lumped
        together as ideophones:</div>
      <div style="font-family: Calibri, Helvetica, sans-serif;
        font-size: 12pt; color: rgb(0, 0, 0);">
        <br>
      </div>
      <div style="font-family: Calibri, Helvetica, sans-serif;
        font-size: 12pt; color: rgb(0, 0, 0);">
        a) onomatopoieas (thud, thwap, cock-a-doodle-doo);</div>
      <div style="font-family: Calibri, Helvetica, sans-serif;
        font-size: 12pt; color: rgb(0, 0, 0);">
        b) lexicalized forms denoting striking visual and other
        nonauditory sensory patterns, whether verbs or other stem-types
        (twinkle, glimmer, zigzag, cross-hatch; stench, putrid)</div>
      <div style="font-family: Calibri, Helvetica, sans-serif;
        font-size: 12pt; color: rgb(0, 0, 0);">
        c) intensifiers for verbs or adjectives, e.g. brand new and stop
        in one's tracks, along with special (truncated or otherwise
        modified) forms of adjectives and verbs with similar effect;</div>
      <div style="font-family: Calibri, Helvetica, sans-serif;
        font-size: 12pt; color: rgb(0, 0, 0);">
        d) extreme quantifiers, e.g. zero (zilch), a meager amount ([not
        even] a plug nickel), and 'all' (the whole enchilada)</div>
      <div style="font-family: Calibri, Helvetica, sans-serif;
        font-size: 12pt; color: rgb(0, 0, 0);">
        e) loaded epithets, slurs</div>
      <div style="font-family: Calibri, Helvetica, sans-serif;
        font-size: 12pt; color: rgb(0, 0, 0);">
        f) diminutives (and other hypocoristics), augmentatives</div>
      <div style="font-family: Calibri, Helvetica, sans-serif;
        font-size: 12pt; color: rgb(0, 0, 0);">
        g) greetings</div>
      <div style="font-family: Calibri, Helvetica, sans-serif;
        font-size: 12pt; color: rgb(0, 0, 0);">
        h) emphatic positive and negative polarity (yes I can, not on
        your life!, over my dead body)</div>
      <div style="font-family: Calibri, Helvetica, sans-serif;
        font-size: 12pt; color: rgb(0, 0, 0);">
        <br>
      </div>
      <div style="font-family: Calibri, Helvetica, sans-serif;
        font-size: 12pt; color: rgb(0, 0, 0);">
        All of these are "expressive" or "affective"<span style="color:
          rgb(0, 0, 0); font-family: Calibri, Helvetica, sans-serif;
          font-size: 12pt; background: var(--white);"> in one way or
          another, but they are fundamentally distinct semantically and
          they do not usually coalesce into a single form class. Instead
          of starting by equating form classes in different languages
          as "ideophones" and then comparing their lexical inventories,
          how about starting with a comprehensive set of potentially
          "expressive" or "emphatic" functions and examining how they
          are realized in various languages? </span></div>
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        font-size: 12pt; color: rgb(0, 0, 0);">
        <span style="color: rgb(0, 0, 0); font-family: Calibri,
          Helvetica, sans-serif; font-size: 12pt; background:
          var(--white);"><br>
        </span></div>
      <div style="font-family: Calibri, Helvetica, sans-serif;
        font-size: 12pt; color: rgb(0, 0, 0);">
        <span style="color: rgb(0, 0, 0); font-family: Calibri,
          Helvetica, sans-serif; font-size: 12pt; background:
          var(--white);">For one thing, this would reveal that some
          languages/cultures are much more oriented toward expressivity
          overall or in specific contexts than others. For example,
          there are remarkable cross-linguistic differences in the
          extent to which diminutives and other hypocoristics are
          developed.  Western European languages (English, Dutch,
          Basque), some Arabic varieties, and west coast Amerindian
          languages are high on the list, Australian Aboriginal
          languages dead last. Likewise with greetings and other forms
          of conversation-starting "phatic communion" which are highly
          variable (West Africans are champions, Arabs pretty good,
          western Europeans mediocre, Australian Aboriginals again dead
          last). These are anthropologically profound issues that are
          rarely addressed by typologists.</span></div>
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      <div id="divRplyFwdMsg" dir="ltr"><font style="font-size:11pt"
          color="#000000" face="Calibri, sans-serif"><b>From:</b>
          Lingtyp <a class="moz-txt-link-rfc2396E" href="mailto:lingtyp-bounces@listserv.linguistlist.org"><lingtyp-bounces@listserv.linguistlist.org></a> on
          behalf of Dingemanse, Mark <a class="moz-txt-link-rfc2396E" href="mailto:Mark.Dingemanse@mpi.nl"><Mark.Dingemanse@mpi.nl></a><br>
          <b>Sent:</b> Wednesday, March 20, 2019 10:49 AM<br>
          <b>To:</b> <a class="moz-txt-link-abbreviated" href="mailto:lingtyp@listserv.linguistlist.org">lingtyp@listserv.linguistlist.org</a><br>
          <b>Subject:</b> [Lingtyp] Re: A "Swadesh List" of Ideophone
          semantic categories</font>
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            <p><span style="font-size:12pt"> (Hoping this </span><span
                style="font-size:12pt">reply to the
              </span><span style="font-size:12pt">digest ends up at </span><span
                style="font-size:12pt">the right thread.) </span></p>
            <p><span style="font-size:12pt"><br>
              </span></p>
            <p><span style="font-size:12pt">1.</span></p>
            <p><span style="font-size:12pt"></span><span
                style="font-size:12pt">Regarding Ian Joo's initial query
                about </span><span style="font-size:12pt">ideophone
                semantic categories, you might want to have a look at
                Samarin's work on West-African ideophone systems. They
                look a lot like the broad categories </span><span
                style="font-size:12pt">Guillaume posted before, and are
                likely to be useful beyond
              </span><span style="font-size:12pt">African languages. One
                doubt one may have about the ones published so far is
                that they are fairly top down and haphazard; one just
                has to compare Samarin's categories to those from his
                French contemporary Alexandre to see differences that
                say more about their respective metalanguages (English
                and French) than about the ideophone systems they're
                meant to capture. Perhaps the Concepticon can provide a
                way out here.</span></p>
            <p><span style="font-size:12pt"><br>
              </span></p>
            <p><span style="font-size:12pt">2.</span></p>
            <p><span style="font-size:12pt"></span></p>
            <div><span style="font-size:12pt">Regarding the question of
                a </span><i style="font-size:12pt">cross-linguistic </i><span
                style="font-size:12pt">definition of ideophones, I agree
                with Jeff and Martin that ideophones seem special in
                that they are "easy to identify, but difficult to
                define" (as I wrote in my 2012 review).
                Nonetheless, the issues are not so different from those
                we've seen with many other major word classes, including
                fuzzy boundaries, diachronic diversions, and languages
                that seem to lack an instantiation of the category. A</span><span
                style="font-size:12pt"> recurring temptation in this
                space is to take </span>definitions intended for
              cross-linguistic comparison (comparative concepts) and <span
                style="font-size:12pt">require of them the precision
                offered by language-specific definitions (descriptive
                categories). The latter are always going to offer more
                precision, but they pay for this in lack of
                generalizability. </span></div>
            <div><span style="font-size:12pt"><br>
              </span></div>
            <div><span style="font-size:12pt">Hindi ideophones as
                described by Kellersman are clearly different from mots
                idéophonique in Bambara as defined by Dumestre, Japanese
                mimetics as defined by Akita, or Semelai expressives as
                defined by Kruspe. One reason all of these are
                different is that they are (quite sensibly) grammatical
                definitions rooted in language-specific facts.
              </span><span style="font-size:12pt">We need </span><span
                style="font-size:12pt">such </span><span
                style="font-size:12pt">language-specific
              </span><span style="font-size:12pt">grammatical
                definitions </span><span style="font-size:12pt">to do
                justice to the attested </span><span
                style="font-size:12pt">linguistic diversity.</span><span
                style="font-size:12pt"> </span></div>
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            <span style="font-size:12pt"></span><span
              style="font-size:12pt">But why stop there? For the
              comparative linguist a natural next question is to </span><span
              style="font-size:12pt">what extent
            </span><span style="font-size:12pt">these </span><span
              style="font-size:12pt"></span><span style="font-size:12pt">categories</span><span
              style="font-size:12pt"> </span><span
              style="font-size:12pt">might be
            </span><span style="font-size:12pt">linkable to a common
              comparative concept that may help explain
              recurrent similarities across languages</span><span
              style="font-size:12pt">.</span><span
              style="font-size:12pt">
              <span
                style="font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
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                Paraphrasing Dryer (1998), "when we do find such
                similarities, it is at least convenient to employ labels
                that have been employed for similar word classes". The
                term 'ideophone', understood as a typological notion,
                is just such a label</span><span
                style="font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
                Color Emoji","Segoe UI
                Emoji",NotoColorEmoji,"Segoe UI
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            <span style="font-size:12pt"><span style="font-size:12pt"><br>
              </span></span></div>
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            <span style="font-size:12pt"><span
                style="font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
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                font-size:12pt"></span></span><span
              style="font-size:12pt"><span style="font-size:12pt">One
                demonstration of the utility of this label is that it
                has helped to unify findings from disparate languages. </span></span><span
              style="font-size:12pt">For instance, we've pointed
              to remarkable convergence in morphosyntactic behaviour for
              ideophone-like categories </span><span
              style="font-size:12pt">in 10 disparate languages in our
              2017 Journal of Linguistics paper, a finding that is
              directly related to their proposed definition as words
              depictive of sensory imagery, and that has since been
              replicated in Basque, Luhya, Amazonian Kichwa, and Wao
              Terero.</span></div>
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            That said, I think the definition introduced in my 2012
            paper can be improved upon. One formal feature <span
              style="font-size:12pt">I've recently proposed to add is
              that </span><span style="font-size:12pt">ideophones </span><span
              style="font-size:12pt">tend to be an open lexical class.
              This captures the ideophone systems of Basque, Japanese,
              Zulu, Siwu, Gbaya, etc</span><span style="font-size:12pt">,
              while excluding</span><span style="font-size:12pt"> adjacent
              or orthogonal </span><span style="font-size:12pt">phenomena

              like phonaesthemes, depicting constructions in signed
              languages, and (in some languages) onomatopoeia. According
              to this </span><span style="font-size:12pt">revised
              comparative </span><span style="font-size:12pt">definition,
              a canonical ideophone is a member of an open lexical class
              of marked words that depict sensory imagery. It can
              no doubt be further sharpened and improved, but </span><span
              style="font-size:12pt">it captures 5 important dimensions
              of ideophone-like categories across languages and
              so allows for a more objective systematic comparative
              treatment of ideophones and adjacent phenomena than would
              be allowed by sticking only to language-specific
              descriptive categories.</span></div>
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            style="font-size:12pt; color:rgb(0,0,0);
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            Symbol","Android Emoji",EmojiSymbols">
            <div><br>
            </div>
            <div><span style="font-size:12pt"></span></div>
          </div>
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            style="font-size:12pt; color:rgb(0,0,0);
            font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
            Color Emoji","Segoe UI
            Emoji",NotoColorEmoji,"Segoe UI
            Symbol","Android Emoji",EmojiSymbols">
          </div>
          <div id="x_divtagdefaultwrapper" dir="ltr"
            style="font-size:12pt; color:rgb(0,0,0);
            font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
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            Emoji",NotoColorEmoji,"Segoe UI
            Symbol","Android Emoji",EmojiSymbols">
            <span style="font-size:12pt"></span></div>
          <div id="x_divtagdefaultwrapper" dir="ltr"
            style="font-size:12pt; color:rgb(0,0,0);
            font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
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            Symbol","Android Emoji",EmojiSymbols">
            I write about these matters in a <span
              style="font-size:12pt">forthcoming chapter on "'Ideophone'
              as a comparative concept" (</span>happy to share
            the uncorrected proofs if you send me an email).<span
              style="font-size:12pt"> </span></div>
          <div id="x_divtagdefaultwrapper" dir="ltr"
            style="font-size:12pt; color:rgb(0,0,0);
            font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
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            Symbol","Android Emoji",EmojiSymbols">
            <p><span style="font-size:12pt"><br>
              </span></p>
            <p><span style="font-size:12pt">Best,</span></p>
            <p><span style="font-size:12pt"><br>
              </span></p>
            <p><span style="font-size:12pt">Mark Dingemanse</span></p>
            <p><br>
            </p>
            <p><span style="font-size:12pt">Refs cited:</span><br>
            </p>
            <p><span style="font-size:12pt"><br>
              </span></p>
            <p><span style="font-size:12pt"></span></p>
            <div
              style="font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
              Color Emoji","Segoe UI
              Emoji",NotoColorEmoji,"Segoe UI
              Symbol","Android Emoji",EmojiSymbols;
              font-size:16px">
              Alexandre, Pierre. 1966. Préliminaire à une présentation
              des idéophones Bulu. In J. Lukas (ed.), Neue Afrikanische
              Studien, Hamburger Beiträge zur Afrika-Kunde, 9–28.
              Hamburg: Deutsches Institut für Afrika-Forschung.</div>
            <div
              style="font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
              Color Emoji","Segoe UI
              Emoji",NotoColorEmoji,"Segoe UI
              Symbol","Android Emoji",EmojiSymbols;
              font-size:16px">
              <div><br>
              </div>
              <div>
                <div
                  style="font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
                  Color Emoji","Segoe UI
                  Emoji",NotoColorEmoji,"Segoe UI
                  Symbol","Android Emoji",EmojiSymbols;
                  font-size:16px">
                  Dingemanse, Mark & Kimi Akita. 2017. An inverse
                  relation between expressiveness and grammatical
                  integration: on the morphosyntactic typology of
                  ideophones, with special reference to Japanese.
                  Journal of Linguistics 53(3). 501–532. DOI:
                  <a class="moz-txt-link-freetext" href="https://doi.org/10.1017/S002222671600030X">https://doi.org/10.1017/S002222671600030X</a></div>
                <div
                  style="font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
                  Color Emoji","Segoe UI
                  Emoji",NotoColorEmoji,"Segoe UI
                  Symbol","Android Emoji",EmojiSymbols;
                  font-size:16px">
                  <br>
                </div>
                <div
                  style="font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
                  Color Emoji","Segoe UI
                  Emoji",NotoColorEmoji,"Segoe UI
                  Symbol","Android Emoji",EmojiSymbols;
                  font-size:16px">
                  <span style="font-size:12pt">Dingemanse, Mark. 2019.
                    ‘Ideophone’ as a comparative concept. In Kimi Akita
                    & Prashant Pardeshi (eds.), Ideophones,
                    Mimetics, Expressives, 13–34. Amsterdam: John
                    Benjamins.</span><span style="font-size:12pt"> </span></div>
              </div>
              <br>
            </div>
            <div
              style="font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
              Color Emoji","Segoe UI
              Emoji",NotoColorEmoji,"Segoe UI
              Symbol","Android Emoji",EmojiSymbols;
              font-size:16px">
              <span>Dryer, Matthew S. 1997. Are grammatical relations
                universal? In Joan Bybee, John Haiman, & Sandra A.
                Thompson (eds.), Essays on Language Function and
                Language Type, 115–143. Amsterdam: John Benjamins.</span><br>
            </div>
            <div
              style="font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
              Color Emoji","Segoe UI
              Emoji",NotoColorEmoji,"Segoe UI
              Symbol","Android Emoji",EmojiSymbols;
              font-size:16px">
              <span><br>
              </span></div>
            <div
              style="font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
              Color Emoji","Segoe UI
              Emoji",NotoColorEmoji,"Segoe UI
              Symbol","Android Emoji",EmojiSymbols;
              font-size:16px">
              <span style="font-size:12pt">Samarin, William J. 1965.
                Perspective on African ideophones. African Studies
                24(2). 117–121.</span><br>
            </div>
            <div
              style="font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
              Color Emoji","Segoe UI
              Emoji",NotoColorEmoji,"Segoe UI
              Symbol","Android Emoji",EmojiSymbols;
              font-size:16px">
              <span style="font-size:12pt"><br>
              </span></div>
            <p
              style="font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
              Color Emoji","Segoe UI
              Emoji",NotoColorEmoji,"Segoe UI
              Symbol","Android Emoji",EmojiSymbols;
              font-size:16px">
            </p>
            <div
              style="font-family:Calibri,Helvetica,sans-serif,EmojiFont,"Apple
              Color Emoji","Segoe UI
              Emoji",NotoColorEmoji,"Segoe UI
              Symbol","Android Emoji",EmojiSymbols;
              font-size:16px">
              Samarin, William J. 1967. Determining the meaning of
              ideophones. Journal of West African Languages 4(2). 35–41.</div>
            <br>
            <div style="color:rgb(0,0,0)">
              <div>
                <hr tabindex="-1" style="display:inline-block;
                  width:98%">
                <div id="x_x_divRplyFwdMsg" dir="ltr"><font
                    style="font-size:11pt" color="#000000"
                    face="Calibri, sans-serif"><b>From:</b> Lingtyp
                    <a class="moz-txt-link-rfc2396E" href="mailto:lingtyp-bounces@listserv.linguistlist.org"><lingtyp-bounces@listserv.linguistlist.org></a> on
                    behalf of <a class="moz-txt-link-abbreviated" href="mailto:lingtyp-request@listserv.linguistlist.org">lingtyp-request@listserv.linguistlist.org</a>
                    <a class="moz-txt-link-rfc2396E" href="mailto:lingtyp-request@listserv.linguistlist.org"><lingtyp-request@listserv.linguistlist.org></a><br>
                    <b>Sent:</b> Tuesday, March 19, 2019 7:11 PM<br>
                    <b>To:</b> <a class="moz-txt-link-abbreviated" href="mailto:lingtyp@listserv.linguistlist.org">lingtyp@listserv.linguistlist.org</a><br>
                    <b>Subject:</b> Lingtyp Digest, Vol 54, Issue 10</font>
                  <div> </div>
                </div>
              </div>
              <font size="2"><span style="font-size:10pt">
                  <div class="x_PlainText">Today's Topics:<br>
                    <br>
                       1. Re: A "Swadesh List" of Ideophone semantic
                    categories<br>
                          (Martin Haspelmath)<br>
                       2. R:  A "Swadesh List" of Ideophone semantic
                    categories<br>
                          (Paolo Ramat)<br>
                    <br>
                    <br>
----------------------------------------------------------------------<br>
                    <br>
                    Message: 1<br>
                    Date: Tue, 19 Mar 2019 18:55:09 +0100<br>
                    From: Martin Haspelmath
                    <a class="moz-txt-link-rfc2396E" href="mailto:haspelmath@shh.mpg.de"><haspelmath@shh.mpg.de></a><br>
                    To: <a class="moz-txt-link-rfc2396E" href="mailto:lingtyp@listserv.linguistlist.org"><lingtyp@listserv.linguistlist.org></a><br>
                    Subject: Re: [Lingtyp] A "Swadesh List" of Ideophone
                    semantic<br>
                            categories<br>
                    Message-ID: <a class="moz-txt-link-rfc2396E" href="mailto:5C912CFD.405@shh.mpg.de"><5C912CFD.405@shh.mpg.de></a><br>
                    Content-Type: text/plain; charset="utf-8";
                    Format="flowed"<br>
                    <br>
                    Jeffrey Heath makes a very important point here.
                    It's easy to think of a <br>
                    typical exemplar of an ideophone, and this is so
                    different from other <br>
                    types of words that the special term "ideophone"
                    seems useful. But <br>
                    exemplar-based concepts give us subjective
                    stereotypes, not comparative <br>
                    concepts that can be used for objective
                    cross-linguistic comparison.<br>
                    <br>
                    There are other terms of this kind in linguistics
                    ("word", "clitic", <br>
                    "agglutination", "agreement") – they seem useful
                    because everyone can <br>
                    think of a salient exemplar, but they are undefined,
                    so we cannot really <br>
                    use them for quantitative cross-linguistic
                    comparison.<br>
                    <br>
                    (The only definition of "ideophone" that I could
                    think of is <br>
                    "obligatorily duplicated forms that can be used as
                    adverbials" – this <br>
                    would include the most typical cases, and would
                    exclude cases like Greek <br>
                    sighá-sighá 'slowly', because sighá on its own is
                    possible as well, if I <br>
                    remember correctly. The definition would exclude
                    many of the cases <br>
                    included by Dingemanse, of course.)<br>
                    <br>
                    Martin<br>
                    <br>
                    <br>
                    On 19.03.19 12:07, Heath Jeffrey wrote:<br>
                    > How do you define "ideophone"? Are English
                    verbs twinkle and sputter <br>
                    > ideophones? Are onomatopoeias ideophones? What
                    about adjectival <br>
                    > intensifiers like brand in brand new?<br>
                    ><br>
                    > There is no cross-linguistically applicable
                    grammatical definition of <br>
                    > this concept, i.e. with necessary and
                    sufficient morphosyntactic <br>
                    > properties. Dingemanse's universal definition
                    of ideophones is, for <br>
                    > good reason, limited to the convergence of
                    phonological and semantic <br>
                    > markedness. Both of these are intrinsically
                    vague and subjective. His <br>
                    > definition makes no mention of morphosyntactic
                    properties. In specific <br>
                    > languages, morphosyntactically valid word-class
                    categories often <br>
                    > include some (intuitively) ideophone-like stems
                    along with some <br>
                    > (intuitively) non-ideophone-like stems, and
                    exclude other <br>
                    > (intuitively) ideophone-like stems. For
                    example, onomatopoeias <br>
                    > (sometimes claimed to be the universal bedrock
                    of ideophones) often <br>
                    > constitute a morphosyntactic class of their
                    own, distinct from the <br>
                    > class containing many (intuitively)
                    ideophone-like stems. So there is <br>
                    > no universal core for ideophone, comparable to
                    that often claimed for <br>
                    > adjective or numeral.<br>
                    ><br>
                    > Any crosslinguistic survey of ideophone
                    semantics or phonology, even <br>
                    > if limited to West Africa, will have to wrestle
                    with the vagueness of <br>
                    > the concept.<br>
                    >
                    ------------------------------------------------------------------------<br>
                    > *From:* Lingtyp
                    <a class="moz-txt-link-rfc2396E" href="mailto:lingtyp-bounces@listserv.linguistlist.org"><lingtyp-bounces@listserv.linguistlist.org></a> on
                    behalf <br>
                    > of Johann-Mattis List
                    <a class="moz-txt-link-rfc2396E" href="mailto:mattis.list@lingulist.de"><mattis.list@lingulist.de></a><br>
                    > *Sent:* Tuesday, March 19, 2019 5:47 AM<br>
                    > *To:* <a class="moz-txt-link-abbreviated" href="mailto:lingtyp@listserv.linguistlist.org">lingtyp@listserv.linguistlist.org</a><br>
                    > *Subject:* Re: [Lingtyp] A "Swadesh List" of
                    Ideophone semantic <br>
                    > categories<br>
                    > I'd recommend all of you to see if the concepts
                    you want to use there<br>
                    > appear (already) in Concepticon at <br>
                    > <a moz-do-not-send="true"
href="https://eur02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fconcepticon.clld.org&data=02%7C01%7C%7C14ca4b75a75448e1e38d08d6ad436cf1%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636886902479438681&sdata=ERgpFlexm3bLBjSQ0SPvncLN3QpdJrrgeFZbUKhY2Ak%3D&reserved=0"
                      originalsrc="https://concepticon.clld.org"
shash="lcG29Zjpp5/q/s1nOQBr2Dc0j8xX9DJ2vs+DiMw1aYXfmxPHzIMbmnjAYinEbCGSfhJ/V4IPk+hDY2TmVQGVmbNg5ldaUbd2biRsqMl3r/DE/SRDg1vc30QOwCuXTgBghJPZvh8FOsgQ2yKJDBdHjI7qrDgu/Nbqu2s6pnfEw4U="
                      id="LPlnk604251">
https://nam01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fconcepticon.clld.org&amp;data=02%7C01%7C%7C2da20e444a544c06124008d6ac4feb60%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636885856584198686&amp;sdata=q158Ogy4Tt9jd78oRc8wYeFa9kPTNDlHsbG7Au9jwP0%3D&amp;reserved=0</a>.
                    <br>
                    > If not,<br>
                    > and you publish your list, we'll gladly add
                    them, if they are not too<br>
                    > idiosyncratic, but I'd expect they won't if you
                    go for cross-linguistic<br>
                    > studies as a goal.<br>
                    ><br>
                    > Best,<br>
                    ><br>
                    > Mattis<br>
                    ><br>
                    > On 19/03/2019 10.32, Françoise Rose wrote:<br>
                    > > Hi Ian,<br>
                    > ><br>
                    > > Here is a list of general actions or
                    states that are expressed (often<br>
                    > > more specifically) by Teko ideophones and
                    that do not seem to fit in<br>
                    > > your current list.<br>
                    > ><br>
                    > ><br>
                    > ><br>
                    > > Blowing<br>
                    > ><br>
                    > > Be dark<br>
                    > ><br>
                    > > Closed eyes / Open eyes<br>
                    > ><br>
                    > > Grimace<br>
                    > ><br>
                    > > Snoaring<br>
                    > ><br>
                    > > Tearing<br>
                    > ><br>
                    > > Entering /exiting<br>
                    > ><br>
                    > > Winking<br>
                    > ><br>
                    > > Shooting<br>
                    > ><br>
                    > > Falling<br>
                    > ><br>
                    > > Slip<br>
                    > ><br>
                    > > Jumping<br>
                    > ><br>
                    > > Go up/down<br>
                    > ><br>
                    > > Push<br>
                    > ><br>
                    > > Bubbles<br>
                    > ><br>
                    > ><br>
                    > ><br>
                    > > You can read about Teko ideophones in my
                    grammar. P. 400-409<br>
                    > ><br>
                    > > Ros  Rose, Françoise. /Grammaire de
                    l’émérillon Teko, Une Langue<br>
                    > > Tupi-Guarani de Guyane Française/. Langues
                    et Sociétés d’Amérique<br>
                    > > Traditionnelle 10. Louvain: Peeters, 2011.<br>
                    > ><br>
                    > ><br>
                    > ><br>
                    > > Very best,<br>
                    > ><br>
                    > > Françoise<br>
                    > ><br>
                    > ><br>
                    > ><br>
                    > > *De :* Lingtyp
                    <a class="moz-txt-link-rfc2396E" href="mailto:lingtyp-bounces@listserv.linguistlist.org"><lingtyp-bounces@listserv.linguistlist.org></a>
                    *De la part<br>
                    > > de* Joo Ian<br>
                    > > *Envoyé :* mardi 19 mars 2019 09:20<br>
                    > > *À :* <a class="moz-txt-link-abbreviated" href="mailto:lingtyp@listserv.linguistlist.org">lingtyp@listserv.linguistlist.org</a><br>
                    > > *Cc :* <a class="moz-txt-link-abbreviated" href="mailto:caroljuan27@gmail.com">caroljuan27@gmail.com</a>;
                    <a class="moz-txt-link-abbreviated" href="mailto:mariaflax@gmail.com">mariaflax@gmail.com</a><br>
                    > > *Objet :* [Lingtyp] A "Swadesh List" of
                    Ideophone semantic categories<br>
                    > ><br>
                    > ><br>
                    > ><br>
                    > > Dear all,<br>
                    > ><br>
                    > ><br>
                    > ><br>
                    > > I am currently trying to make a list of
                    semantic categories of<br>
                    > > ideophones, in order to do a
                    cross-linguistic comparison (for example,<br>
                    > > do ideophones whose meanings are related
                    to brightness show similarity<br>
                    > > across different languages?)<br>
                    > ><br>
                    > ><br>
                    > ><br>
                    > > Here’s my list so far, created out of my
                    intuition and previous <br>
                    > literature.<br>
                    > ><br>
                    > > I wonder if you have any meanings that you
                    would like to add to or<br>
                    > > remove from the list.<br>
                    > ><br>
                    > > The goal is to make a list of ideophone
                    meanings so that most languages<br>
                    > > that have a sizeable ideophone inventory
                    would have at least several<br>
                    > > ideophones that belong to each category.<br>
                    > ><br>
                    > ><br>
                    > ><br>
                    > > *Semantic Categories*<br>
                    > ><br>
                    > > Air<br>
                    > ><br>
                    > > Anxiety<br>
                    > ><br>
                    > > Bright<br>
                    > ><br>
                    > > Clean<br>
                    > ><br>
                    > > Clear-cut/Vivid<br>
                    > ><br>
                    > > Crying<br>
                    > ><br>
                    > > Dirty/Messy<br>
                    > ><br>
                    > > Dry<br>
                    > ><br>
                    > > Eating/Drinking<br>
                    > ><br>
                    > > Fast<br>
                    > ><br>
                    > > Flow<br>
                    > ><br>
                    > > Friction<br>
                    > ><br>
                    > > Hitting/Beating<br>
                    > ><br>
                    > > Hungry/Thirsty<br>
                    > ><br>
                    > > Laughter<br>
                    > ><br>
                    > > Looking<br>
                    > ><br>
                    > > Plenty<br>
                    > ><br>
                    > > Ringing<br>
                    > ><br>
                    > > Ripping/Cutting<br>
                    > ><br>
                    > > Romantic<br>
                    > ><br>
                    > > Rotation<br>
                    > ><br>
                    > > Rough<br>
                    > ><br>
                    > > Rupture<br>
                    > ><br>
                    > > Scattering<br>
                    > ><br>
                    > > Secretly<br>
                    > ><br>
                    > > Shaking/Vibration<br>
                    > ><br>
                    > > Slow/Lazy<br>
                    > ><br>
                    > > Soft<br>
                    > ><br>
                    > > Solid<br>
                    > ><br>
                    > > Speaking<br>
                    > ><br>
                    > > Stop<br>
                    > ><br>
                    > > Walking/Running<br>
                    > ><br>
                    > > Wet<br>
                    > ><br>
                    > ><br>
                    > ><br>
                    > > I would appreciate any comments or
                    advices.<br>
                    > ><br>
                    > ><br>
                    > ><br>
                    > > From Seoul,<br>
                    > ><br>
                    > > Ian<br>
                    > ><br>
                    > ><br>
                    > ><br>
                    > ><br>
                    > >
                    _______________________________________________<br>
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                    <br>
                    -- <br>
                    Martin Haspelmath (<a class="moz-txt-link-abbreviated" href="mailto:haspelmath@shh.mpg.de">haspelmath@shh.mpg.de</a>)<br>
                    Max Planck Institute for the Science of Human
                    History<br>
                    Kahlaische Strasse 10   <br>
                    D-07745 Jena<br>
                    &<br>
                    Leipzig University<br>
                    Institut fuer Anglistik<br>
                    IPF 141199<br>
                    D-04081 Leipzig<br>
                    <br>
                    <br>
                    <br>
                    <br>
                    <br>
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                    <br>
                    ------------------------------<br>
                    <br>
                    Message: 2<br>
                    Date: Tue, 19 Mar 2019 19:10:35 +0100<br>
                    From: "Paolo Ramat" <a class="moz-txt-link-rfc2396E" href="mailto:paoram@unipv.it"><paoram@unipv.it></a><br>
                    To: "'Martin Haspelmath'"
                    <a class="moz-txt-link-rfc2396E" href="mailto:haspelmath@shh.mpg.de"><haspelmath@shh.mpg.de></a>,<br>
                            <a class="moz-txt-link-rfc2396E" href="mailto:lingtyp@listserv.linguistlist.org"><lingtyp@listserv.linguistlist.org></a><br>
                    Subject: [Lingtyp] R:  A "Swadesh List" of Ideophone
                    semantic<br>
                            categories<br>
                    Message-ID:
                    <a class="moz-txt-link-rfc2396E" href="mailto:000701d4de7f$0d16fc10$2744f430$@unipv.it"><000701d4de7f$0d16fc10$2744f430$@unipv.it></a><br>
                    Content-Type: text/plain; charset="utf-8"<br>
                    <br>
                    As a contribution to the ideophones discussion I’m
                    attaching a very interesting article by the
                    ethnolinguist Maurizio Gnerre which will appear in
                    the next issue of  the “Archivio Glottologico
                    Italiano” (a monographic issue dedicated to
                    ‘deixis’)<br>
                    <br>
                     <br>
                    <br>
                    Paolo<br>
                    <br>
                     <br>
                    <br>
                    Da: Lingtyp [<a moz-do-not-send="true"
                      href="mailto:lingtyp-bounces@listserv.linguistlist.org">mailto:lingtyp-bounces@listserv.linguistlist.org</a>]
                    Per conto di Martin Haspelmath<br>
                    Inviato: martedì 19 marzo 2019 18:55<br>
                    A: <a class="moz-txt-link-abbreviated" href="mailto:lingtyp@listserv.linguistlist.org">lingtyp@listserv.linguistlist.org</a><br>
                    Oggetto: Re: [Lingtyp] A "Swadesh List" of Ideophone
                    semantic categories<br>
                    <br>
                     <br>
                    <br>
                    Jeffrey Heath makes a very important point here.
                    It's easy to think of a typical exemplar of an
                    ideophone, and this is so different from other types
                    of words that the special term "ideophone" seems
                    useful. But exemplar-based concepts give us
                    subjective stereotypes, not comparative concepts
                    that can be used for objective cross-linguistic
                    comparison.
                    <br>
                    <br>
                    There are other terms of this kind in linguistics
                    ("word", "clitic", "agglutination", "agreement") –
                    they seem useful because everyone can think of a
                    salient exemplar, but they are undefined, so we
                    cannot really use them for quantitative
                    cross-linguistic comparison.<br>
                    <br>
                    (The only definition of "ideophone" that I could
                    think of is "obligatorily duplicated forms that can
                    be used as adverbials" – this would include the most
                    typical cases, and would exclude cases like Greek
                    sighá-sighá 'slowly', because sighá on its own is
                    possible as well, if I remember correctly. The
                    definition would exclude many of the cases included
                    by Dingemanse, of course.)<br>
                    <br>
                    Martin<br>
                    <br>
                    <br>
                    <br>
                    On 19.03.19 12:07, Heath Jeffrey wrote:<br>
                    <br>
                    How do you define "ideophone"? Are English verbs
                    twinkle and sputter ideophones? Are onomatopoeias
                    ideophones? What about adjectival intensifiers like
                    brand in brand new?<br>
                    <br>
                     <br>
                    <br>
                    There is no cross-linguistically applicable
                    grammatical definition of this concept, i.e. with
                    necessary and sufficient morphosyntactic properties.
                    Dingemanse's universal definition of ideophones is,
                    for good reason, limited to the convergence of
                    phonological and semantic markedness. Both of these
                    are intrinsically vague and subjective. His
                    definition makes no mention of morphosyntactic
                    properties. In specific languages,
                    morphosyntactically valid word-class categories
                    often include some (intuitively) ideophone-like
                    stems along with some (intuitively)
                    non-ideophone-like stems, and exclude other
                    (intuitively) ideophone-like stems. For example,
                    onomatopoeias (sometimes claimed to be the universal
                    bedrock of ideophones) often constitute a
                    morphosyntactic class of their own, distinct from
                    the class containing many (intuitively)
                    ideophone-like stems. So there is no universal core
                    for ideophone, comparable to that often claimed for
                    adjective or numeral.<br>
                    <br>
                     <br>
                    <br>
                    Any crosslinguistic survey of ideophone semantics or
                    phonology, even if limited to West Africa, will have
                    to wrestle with the vagueness of the concept.
                    <br>
                    <br>
                      _____  <br>
                    <br>
                    From: Lingtyp  <<a moz-do-not-send="true"
                      href="mailto:lingtyp-bounces@listserv.linguistlist.org">mailto:lingtyp-bounces@listserv.linguistlist.org</a>>
                    <a class="moz-txt-link-rfc2396E" href="mailto:lingtyp-bounces@listserv.linguistlist.org"><lingtyp-bounces@listserv.linguistlist.org></a> on
                    behalf of Johann-Mattis List  <<a
                      moz-do-not-send="true"
                      href="mailto:mattis.list@lingulist.de">mailto:mattis.list@lingulist.de</a>>

                    <a class="moz-txt-link-rfc2396E" href="mailto:mattis.list@lingulist.de"><mattis.list@lingulist.de></a><br>
                    Sent: Tuesday, March 19, 2019 5:47 AM<br>
                    To: <a class="moz-txt-link-abbreviated" href="mailto:lingtyp@listserv.linguistlist.org">lingtyp@listserv.linguistlist.org</a> <<a
                      moz-do-not-send="true"
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                    <br>
                    Subject: Re: [Lingtyp] A "Swadesh List" of Ideophone
                    semantic categories <br>
                    <br>
                     <br>
                    <br>
                    I'd recommend all of you to see if the concepts you
                    want to use there<br>
                    appear (already) in Concepticon at <a
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                    If not,<br>
                    and you publish your list, we'll gladly add them, if
                    they are not too<br>
                    idiosyncratic, but I'd expect they won't if you go
                    for cross-linguistic<br>
                    studies as a goal.<br>
                    <br>
                    Best,<br>
                    <br>
                    Mattis<br>
                    <br>
                    On 19/03/2019 10.32, Françoise Rose wrote:<br>
                    > Hi Ian,<br>
                    > <br>
                    > Here is a list of general actions or states
                    that are expressed (often<br>
                    > more specifically) by Teko ideophones and that
                    do not seem to fit in<br>
                    > your current list.<br>
                    > <br>
                    >  <br>
                    > <br>
                    > Blowing<br>
                    > <br>
                    > Be dark<br>
                    > <br>
                    > Closed eyes / Open eyes<br>
                    > <br>
                    > Grimace<br>
                    > <br>
                    > Snoaring<br>
                    > <br>
                    > Tearing<br>
                    > <br>
                    > Entering /exiting<br>
                    > <br>
                    > Winking<br>
                    > <br>
                    > Shooting<br>
                    > <br>
                    > Falling<br>
                    > <br>
                    > Slip<br>
                    > <br>
                    > Jumping<br>
                    > <br>
                    > Go up/down<br>
                    > <br>
                    > Push<br>
                    > <br>
                    > Bubbles<br>
                    > <br>
                    >  <br>
                    > <br>
                    > You can read about Teko ideophones in my
                    grammar. P. 400-409<br>
                    > <br>
                    > Ros  Rose, Françoise. /Grammaire de l’émérillon
                    Teko, Une Langue<br>
                    > Tupi-Guarani de Guyane Française/. Langues et
                    Sociétés d’Amérique<br>
                    > Traditionnelle 10. Louvain: Peeters, 2011.<br>
                    > <br>
                    >  <br>
                    > <br>
                    > Very best,<br>
                    > <br>
                    > Françoise<br>
                    > <br>
                    >  <br>
                    > <br>
                    > *De :* Lingtyp  <<a moz-do-not-send="true"
                      href="mailto:lingtyp-bounces@listserv.linguistlist.org">mailto:lingtyp-bounces@listserv.linguistlist.org</a>>
                    <a class="moz-txt-link-rfc2396E" href="mailto:lingtyp-bounces@listserv.linguistlist.org"><lingtyp-bounces@listserv.linguistlist.org></a>
                    *De la part<br>
                    > de* Joo Ian<br>
                    > *Envoyé :* mardi 19 mars 2019 09:20<br>
                    > *À :* <a class="moz-txt-link-abbreviated" href="mailto:lingtyp@listserv.linguistlist.org">lingtyp@listserv.linguistlist.org</a> <<a
                      moz-do-not-send="true"
                      href="mailto:lingtyp@listserv.linguistlist.org">mailto:lingtyp@listserv.linguistlist.org</a>>
                    <br>
                    > *Cc :* <a class="moz-txt-link-abbreviated" href="mailto:caroljuan27@gmail.com">caroljuan27@gmail.com</a> <<a
                      moz-do-not-send="true"
                      href="mailto:caroljuan27@gmail.com">mailto:caroljuan27@gmail.com</a>>
                    ; <a class="moz-txt-link-abbreviated" href="mailto:mariaflax@gmail.com">mariaflax@gmail.com</a> <<a moz-do-not-send="true"
                      href="mailto:mariaflax@gmail.com">mailto:mariaflax@gmail.com</a>>
                    <br>
                    > *Objet :* [Lingtyp] A "Swadesh List" of
                    Ideophone semantic categories<br>
                    > <br>
                    >  <br>
                    > <br>
                    > Dear all,<br>
                    > <br>
                    >  <br>
                    > <br>
                    > I am currently trying to make a list of
                    semantic categories of<br>
                    > ideophones, in order to do a cross-linguistic
                    comparison (for example,<br>
                    > do ideophones whose meanings are related to
                    brightness show similarity<br>
                    > across different languages?)<br>
                    > <br>
                    >  <br>
                    > <br>
                    > Here’s my list so far, created out of my
                    intuition and previous literature.<br>
                    > <br>
                    > I wonder if you have any meanings that you
                    would like to add to or<br>
                    > remove from the list.<br>
                    > <br>
                    > The goal is to make a list of ideophone
                    meanings so that most languages<br>
                    > that have a sizeable ideophone inventory would
                    have at least several<br>
                    > ideophones that belong to each category.<br>
                    > <br>
                    >  <br>
                    > <br>
                    > *Semantic Categories*<br>
                    > <br>
                    > Air<br>
                    > <br>
                    > Anxiety<br>
                    > <br>
                    > Bright<br>
                    > <br>
                    > Clean<br>
                    > <br>
                    > Clear-cut/Vivid<br>
                    > <br>
                    > Crying<br>
                    > <br>
                    > Dirty/Messy<br>
                    > <br>
                    > Dry<br>
                    > <br>
                    > Eating/Drinking<br>
                    > <br>
                    > Fast<br>
                    > <br>
                    > Flow<br>
                    > <br>
                    > Friction<br>
                    > <br>
                    > Hitting/Beating<br>
                    > <br>
                    > Hungry/Thirsty<br>
                    > <br>
                    > Laughter<br>
                    > <br>
                    > Looking<br>
                    > <br>
                    > Plenty<br>
                    > <br>
                    > Ringing<br>
                    > <br>
                    > Ripping/Cutting<br>
                    > <br>
                    > Romantic<br>
                    > <br>
                    > Rotation<br>
                    > <br>
                    > Rough<br>
                    > <br>
                    > Rupture<br>
                    > <br>
                    > Scattering<br>
                    > <br>
                    > Secretly<br>
                    > <br>
                    > Shaking/Vibration<br>
                    > <br>
                    > Slow/Lazy<br>
                    > <br>
                    > Soft<br>
                    > <br>
                    > Solid<br>
                    > <br>
                    > Speaking<br>
                    > <br>
                    > Stop<br>
                    > <br>
                    > Walking/Running<br>
                    > <br>
                    > Wet<br>
                    > <br>
                    >  <br>
                    > <br>
                    > I would appreciate any comments or advices.<br>
                    > <br>
                    >  <br>
                    > <br>
                    > From Seoul,<br>
                    > <br>
                    > Ian<br>
                    > <br>
                    >  <br>
                    > <br>
                    > <br>
                    > _______________________________________________<br>
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                    <br>
                    <br>
                    <br>
                    <br>
                    <br>
                    -- <br>
                    Martin Haspelmath (<a class="moz-txt-link-abbreviated" href="mailto:haspelmath@shh.mpg.de">haspelmath@shh.mpg.de</a> <<a
                      moz-do-not-send="true"
                      href="mailto:haspelmath@shh.mpg.de">mailto:haspelmath@shh.mpg.de</a>>
                    )<br>
                    Max Planck Institute for the Science of Human
                    History<br>
                    Kahlaische Strasse 10  <br>
                    D-07745 Jena  <br>
                    &<br>
                    Leipzig University<br>
                    Institut fuer Anglistik <br>
                    IPF 141199<br>
                    D-04081 Leipzig    <br>
                     <br>
                     <br>
                     <br>
                     <br>
                     <br>
                    <br>
                    <br>
                    ---<br>
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                    <br>
                    ------------------------------<br>
                    <br>
                    Subject: Digest Footer<br>
                    <br>
                    _______________________________________________<br>
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                    <br>
                    ------------------------------<br>
                    <br>
                    End of Lingtyp Digest, Vol 54, Issue 10<br>
                    ***************************************<br>
                  </div>
                </span></font></div>
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      </div>
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      <br>
      <pre wrap="">_______________________________________________
Lingtyp mailing list
<a class="moz-txt-link-abbreviated" href="mailto:Lingtyp@listserv.linguistlist.org">Lingtyp@listserv.linguistlist.org</a>
<a class="moz-txt-link-freetext" href="http://listserv.linguistlist.org/mailman/listinfo/lingtyp">http://listserv.linguistlist.org/mailman/listinfo/lingtyp</a>
</pre>
    </blockquote>
    <br>
    <pre class="moz-signature" cols="72">-- 
Martin Haspelmath (<a class="moz-txt-link-abbreviated" href="mailto:haspelmath@shh.mpg.de">haspelmath@shh.mpg.de</a>)
Max Planck Institute for the Science of Human History
Kahlaische Strasse 10   
D-07745 Jena  
&
Leipzig University
Institut fuer Anglistik 
IPF 141199
D-04081 Leipzig    





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