<div dir="ltr"><div class="gmail_default" style="font-size:small">As a psycholinguist and child language researcher, issues of processing come to mind,
Clearly, grammatical functions of tone can be served by other means, and this appears to happen in long-contact situations, suggesting some burden to acquiring and using tone to mark grammatical distinctions when alternatives are available. This possibility seems to be supported by the suggestion that tone may be kept in ideophones, where it serves an expressive rather than a grammatical function. Is there research along these lines?</div><div class="gmail_default" style="font-size:small"><br></div><div class="gmail_default" style="font-size:small">Dan Slobin<br></div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Sat, Nov 9, 2019 at 12:44 PM Joo, Ian <<a href="mailto:joo@shh.mpg.de">joo@shh.mpg.de</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
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Dear all,
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<div>Many thanks for providing fruitful comments and insights on the question about the loss of tone, or
<i>tonoexodus</i><span style="font-style:normal"> as it was previously coined by Wayne Lea. Many have pointed out Korean is indeed not the only language whose tonoexodus we can observe, because there are: creole languages in contact with
non-tonal European superstrata (Kofi Yakpo); certain Chinese dialects in Indonesia (David Gil); certain Slavic and Baltic languages (Ilja Ser</span>žant); Quiaviní Zapotec (Hiroto Uchihara); Chacobo (Adam James Ross Tallman); and others. It seems that the
general pattern is not an abrupt shift from tonal to atonal, but rather a gradual shift from completely tonal to tonal only in certain phonotactic or lexical boundaries (e. g. only in long syllables or only in ideophones). So perhaps tono “exodus” is a better
term with the term I tried to coin, tono “thanasia”, because exodus is gradual whereas death is (more or less) abrupt.</div>
<div>Also thanks to Don Killian for pointing out that tones survive in certain Korean dialects. I wasn’t sure if they had tones or pitch-accent, but thanks for sharing literature on the tonality of these dialects.</div>
<div>Needless to say, it would be a great paper to write an overviewing summary of the typology of tonoexodus.</div>
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<div>From Jena, Germany,</div>
<div>Ian</div>
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</blockquote></div><br clear="all"><br>-- <br><div dir="ltr" class="gmail_signature"><div dir="ltr"><div><font size="3" face="Times New Roman">
</font><p style="margin:0in 0in 0pt"><i><span style="font-size:8pt"><font face="Times New Roman"><><><><><><><><><><><><><><><><><><><> </font></span></i></p><font size="3" face="Times New Roman">
</font><p style="margin:0in 0in 0pt"><i><span style="font-size:8pt"><font face="Times New Roman">Dan I. Slobin </font></span></i></p><font size="3" face="Times New Roman">
</font><p style="margin:0in 0in 0pt"><i><span style="font-size:8pt"><font face="Times New Roman">Professor Emeritus of
Psychology and Linguistics</font></span></i></p><font size="3" face="Times New Roman">
</font><p style="margin:0in 0in 0pt"><i><span style="font-size:8pt"><font face="Times New Roman">University of California,
Berkeley</font></span></i></p><font size="3" face="Times New Roman">
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