<html><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class="">Dear Tasaku,<div class=""><br class=""></div><div class="">Maybe this study would also be of some help: <a target="_blank" href="http://doi.org/10.1075/prag.18049.van" style="box-sizing: inherit; color: rgb(178, 127, 43); text-decoration: none; font-family: vestula, arial, sans-serif; font-size: 14px;" class="">Duijn M.J. van & Verhagen A. (2019), Recursive embedding of viewpoints, irregularity, and the role for a flexible framework, <i style="box-sizing: inherit;" class="">Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA)</i> 29(2): 198 - 225.</a></div><div class=""><br class=""></div><div class="">I’ve read it a while ago, but if I remember correctly, the authors use Nabokov’s <i class="">Lolita </i><span style="font-style: normal;" class="">in their deconstruction of complex perspectives in this novel. </span></div><div class=""><br class=""></div><div class="">Best wishes, </div><div class="">Denys </div><div class=""><br class=""><div><br class=""><blockquote type="cite" class=""><div class="">On 6. Apr 2021, at 07:27, TasakuTsunoda <<a href="mailto:tasakutsunoda@nifty.com" class="">tasakutsunoda@nifty.com</a>> wrote:</div><br class="Apple-interchange-newline"><div class=""><meta charset="UTF-8" class=""><div class="WordSection1" style="page: WordSection1; caret-color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;"><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""> 2021.04.06</span><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">Dear Colleagues,<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""> I am not certain if I am allowed to make such a request on this mailing list, but if I am allowed to, would anyone please enlighten me?<span class="Apple-converted-space"> </span><o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif; text-indent: 27pt;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">My request concerns studies of viewpoint and perspective in the field of literature study. (My request does not concern works in the field of linguistics. I have found works such as those listed at the end of this posting.)<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""> For studies of viewpoint and perspective in the field of literature study, I made searches on the internet and found the following.<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">(i) Niederhoff, Burkhard. 2013. Perspective – Point of view.<span class="Apple-converted-space"> </span><i class="">The living handbook of narratology</i><span class="Apple-converted-space"> </span>(created 11 June 2011, revised 24 September 2012). (Accessed and read 5 April 2021).<span class="Apple-converted-space"> </span><a href="https://www.lhn.uni-hamburg.de/node/26.html" class="">https://www.lhn.uni-hamburg.de/node/26.html</a><o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">(ii) “Point of view” in<span class="Apple-converted-space"> </span><i class="">Encyclopaedia Britannica</i>.<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">(iii) “Narration” found in<span class="Apple-converted-space"> </span><i class="">Wikipedia</i>.<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">(iv) 25 articles, which are intended for students or beginning writers.<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""> Regarding (ii), if I remember correctly, when I was a student, one of my teachers advised me not to cite an article from<span class="Apple-converted-space"> </span><i class="">Encyclopaedia Britannica</i><span class="Apple-converted-space"> </span>in academic works.<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""> Regarding (iii), someone advised me not to cite an article from<span class="Apple-converted-space"> </span><i class="">Wikipedia</i><span class="Apple-converted-space"> </span>in academic works.<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""> Regarding (iv), I suppose some people would advise me not to cite these works in academic works.<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""> Regarding (i), it will be fine to cite this work in academic writing.<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""> My request is the following.<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">Are there any other works:<o:p class=""></o:p></span></div><ol start="1" type="a" style="margin-bottom: 0mm; margin-top: 0mm;" class=""><li class="MsoListParagraph" style="margin: 0mm 0mm 0mm -18pt; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif; text-align: justify;"><span lang="EN-US" style="font-size: 18pt;" class="">that are works in the field of literature study (not in the field of linguistics);<span class="Apple-converted-space"> </span><o:p class=""></o:p></span></li><li class="MsoNormal" style="margin: 0mm 0mm 0mm -18pt; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif; text-align: justify;"><span lang="EN-US" style="font-size: 18pt;" class="">that provide an overview of how viewpoint and/or perspective are/is studied, and;<o:p class=""></o:p></span></li></ol><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">(c) that can be cited in academic works?<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""> I should be very grateful for your advice.<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">Best wishes,<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">Tasaku Tsunoda<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">Examples of works on viewpoint and/or perspective in the field of linguistics<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">Dancygier, Barbara. 2017. Viewpoint phenomena in constructions and discourse.<i class=""><span class="Apple-converted-space"> </span>Glossa<span class="Apple-converted-space"> </span></i>2(1): 37. 1–22.<span class="Apple-converted-space"> </span><o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">Foolen, Ad & Toshiko Yamaguchi. 2016. Perspective: Kawabata’s<span class="Apple-converted-space"> </span><i class="">Beauty and Sadness</i><span class="Apple-converted-space"> </span>and its translations into English, German, and Dutch. In Barbara Dancygier, Wei-lun Lu & Arie Verhagen (eds.),<span class="Apple-converted-space"> </span><i class="">Viewpoint and the fabric of meaning</i>, 191<span style="color: red;" class="">–</span>213. Berlin & Boston: De Gruyter Mouton.<span class="Apple-converted-space"> </span><o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">Lu, Wei-lun & Arie Verhagen. 2016. Shifting view points: How does that actually work across languages? An exercise in parallel text analysis. In Barbara Dancygier, Wei-lun Lu & Arie Verhagen (eds.),<span class="Apple-converted-space"> </span><i class="">Viewpoint and the fabric of meaning</i>, 169–190. Berlin & Boston: De Gruyter Mouton.<span class="Apple-converted-space"> </span><o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">Sweetser, Eve. 2012. Introduction: Viewpoint and perspective in language and gesture, from the Ground down. In Barbara Dancygier & Eve Sweeter (eds.),<span class="Apple-converted-space"> </span><i class="">Viewpoint in language[:] A multimodal perspective</i>, 1–22. Cambridge: Cambridge University Press. <span class="Apple-converted-space"> </span><o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">Vandelanotte, Lieven. 2017. Viewpoint. In Barbara Dancygier (ed.),<span class="Apple-converted-space"> </span><i class="">The Cambridge handbook of cognitive linguistics</i>, 157–171. Cambridge: Cambridge University Press.<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">Vanderbiesen, Jeroen. 2016. Mixed viewpoints and the quotative-reportive cline in German: Reported speech and reportive evidentiality. In Barbara Dancygier, Wei-lun Lu & Arie Verhagen (eds.),<span class="Apple-converted-space"> </span><i class="">Viewpoint and the fabric of meaning</i>, 41–91. Berlin & Boston: De Gruyter Mouton.<o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""><o:p class=""> </o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class="">Verhagen, Arie. 2016. Introduction: On tools for weaving meaning out of viewpoint threads. In Barbara Dancygier, Wei-lun Lu & Arie Verhagen (eds.),<span class="Apple-converted-space"> </span><i class="">Viewpoint and the fabric of meaning</i>, 1–10. Berlin & Boston: De Gruyter Mouton.<span class="Apple-converted-space"> </span><o:p class=""></o:p></span></div><div style="margin: 0mm; font-size: 12pt; font-family: "ＭＳ Ｐゴシック", sans-serif;" class=""><span lang="EN-US" style="font-size: 18pt;" class=""> <o:p class=""></o:p></span></div></div><span style="caret-color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; float: none; display: inline !important;" class="">_______________________________________________</span><br style="caret-color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;" class=""><span style="caret-color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; float: none; display: inline !important;" class="">Lingtyp mailing list</span><br style="caret-color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;" class=""><a href="mailto:Lingtyp@listserv.linguistlist.org" style="font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px;" class="">Lingtyp@listserv.linguistlist.org</a><br style="caret-color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;" class=""><a href="http://listserv.linguistlist.org/mailman/listinfo/lingtyp" style="font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px;" class="">http://listserv.linguistlist.org/mailman/listinfo/lingtyp</a></div></blockquote></div><br class=""></div></body></html>