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--></style></head><body lang=JA link="#0563C1" vlink="#954F72" style='word-wrap:break-word'><div class=WordSection1><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> 2021.04.10</span><span lang=EN-US style='font-size:18.0pt'><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Dear Colleagues,<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>The colleagues listed below kindly provided information on the works listed below. I wish to thank them all for their help.<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Many thanks and best wishes,<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Tasaku Tsunoda<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>1.<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>John Du Bois <o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Ad Foolen<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Ekkehard König<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Randy J. LaPolla<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Ilana Mushin<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Frans Plank<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Denys Teptiuk<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>2.<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Bakhtin, M. M. 1982. <i>The dialogic imagination: Four essays</i>. Edited by Michael Holquist. Translated by Caryl Emerson and Michael Holquist. Austin and London: University of Texas Press.<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt;color:black'>Banfield, Ann. 1982. <i>Unspeakable sentences[:] Narration and representation in the language of fiction</i>. Boston, London, Melbourne & Henley: Routledge & Kegan Paul.<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Chafe, Wallace. 1994. <i>Discourse, consciousness, and time[:] The flow and displacement of conscious experience in speaking and writing</i>. Chicago: The University of Chicago Press. (Chapters 17-20 are relevant to viewpoint.)<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Cohn, Dorrit. 1978.<i> Transparent minds: Narrative modes for presenting consciousness in fiction</i>. Princeton, NJ: Princeton University Press.<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Duchan, Judith F., Gail A. Bruder & Lynne E. Hewitt (eds.). 1995. <i>Deixis in narrative: A Cognitive science perspective.</i> Hillsdale, NJ: Lawrence Erlbaum.<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Duijn M. J. van & Verhagen A. 2019. Recursive embedding of viewpoints, irregularity, and the role for a flexible framework. <i>Pragmatics</i>. <i>Quarterly Publications of the International Pragmatics Association (IPrA) </i>29(2): 198-225. <o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Fludernik, Monika. 1993. <i>The fictions of language and the languages of fiction</i>. London and New York: Routledge.<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Genette, Gerard. 1979. <i>Narrative discourse: An essay in method</i>. (Translated by Jane E. Lewin) Ithaca: Cornell University Press.<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Halliday, M. A. K. 1971. Linguistic function and literary style: An inquiry into the language of William Golding’s <i>The Inheritors</i>. In Seymour Chatman (ed.), <i>Literary style: A symposium</i>, 362-400. New York: Oxford University Press.<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>König, Ekkehard & Manfred Pfister. 2017. <i>Literacy analysis and linguistics</i>. Berlin: Erich Schmidt Verlag. (Chapter 5 Narration, Deixis and the Creation of Perspectives is relevant to viewpoint.)<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal style='text-autospace:none'><span lang=EN-US style='font-size:18.0pt'>Kuroda, Sige-Yuki. 1973. Where epistemology, style and grammar meet: A case study of Japanese. In Stephen R. Anderson & Paul Kiparsky (eds.), <i>A Festschrift for Morris Halle</i>, 377-391. New York: Holt, Rinehart and Winston. <o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Li, Naicong. 1991. <i>Perspective-taking in Mandarin discourse</i>. PhD thesis. The State University of New York at Buffalo.<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Simpson, Paul. 1993. <i>Language, ideology and point of view</i>. London: Routledge.<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Uspenskij, Boris A. 1970. <i>Poetika komposicii. </i>Moskva. Translated: <i>A poetics of composition: The structure of the artistic text and typology of a compositional form.</i> Berkeley: University of California Press. 1973. <o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Zubin, David A., Soon Ae Chun & Naicong Li. 1990. Misbehaving reflexives in Korean and Mandarin. BLS 16: 338-352.<o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Zubin, David A. & Naicong Li. (Pobly1986) Topic, contrast, and word order in Mandarin. BLS 12: 292-304.<o:p></o:p></span></p><p class=MsoNormal><b><span lang=EN-US style='font-size:16.0pt;font-family:"lr oSVbN";color:black'><o:p> </o:p></span></b></p><p class=MsoNormal><b><span lang=EN-US style='font-size:16.0pt;font-family:"lr oSVbN";color:black'><o:p> </o:p></span></b></p><div style='border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0mm 0mm 0mm'><p class=MsoNormal><b><span style='color:black'>送信元</span></b><b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>: </span></b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>TasakuTsunoda <tasakutsunoda@nifty.com><br></span><b><span style='color:black'>日付</span></b><b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>: </span></b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>2021</span><span style='color:black'>年</span><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>4</span><span style='color:black'>月</span><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>6</span><span style='color:black'>日</span><span style='font-family:"Calibri",sans-serif;color:black'> </span><span style='color:black'>火曜日</span><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'> 13:44<br></span><b><span style='color:black'>宛先</span></b><b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>: </span></b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'><LINGTYP@listserv.linguistlist.org>, TasakuTsunoda <tasakutsunoda@nifty.com><br></span><b><span style='color:black'>件名</span></b><b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>: </span></b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>Re: Viewpoint and perspective<o:p></o:p></span></p></div><div><p class=MsoNormal><span lang=EN-US><o:p> </o:p></span></p></div><p class=MsoNormal><span lang=EN-US style='font-size:16.0pt;color:black'>Dear Colleagues,</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:16.0pt;color:black'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:16.0pt;color:black'> I wish to emphasize </span><span style='font-size:16.0pt;color:black'>“<span lang=EN-US>an overview</span>”<span lang=EN-US>.</span></span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal style='text-indent:8.0pt'><span lang=EN-US style='font-size:16.0pt;color:black'> To read a book will be beyond the aim of my work.</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:16.0pt;color:black'> The length of Niederhoff</span><span style='font-size:16.0pt;color:black'>’<span lang=EN-US>s work is suitable.</span></span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:16.0pt;color:black'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:16.0pt;color:black'> Thank you again. </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:16.0pt;color:black'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:16.0pt;color:black'>Tasaku Tsunoda</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><b><span lang=EN-US style='font-size:16.0pt;font-family:"lr oSVbN";color:black'> </span></b><span lang=EN-US><o:p></o:p></span></p><div style='border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0mm 0mm 0mm'><p class=MsoNormal><b><span style='color:black'>送信元</span></b><b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>: </span></b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>TasakuTsunoda <tasakutsunoda@nifty.com><br></span><b><span style='color:black'>日付</span></b><b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>: </span></b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>2021</span><span style='color:black'>年</span><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>4</span><span style='color:black'>月</span><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>6</span><span style='color:black'>日</span><span style='font-family:"Calibri",sans-serif;color:black'> </span><span style='color:black'>火曜日</span><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'> 13:27<br></span><b><span style='color:black'>宛先</span></b><b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>: </span></b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'><LINGTYP@listserv.linguistlist.org>, TasakuTsunoda <tasakutsunoda@nifty.com><br></span><b><span style='color:black'>件名</span></b><b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>: </span></b><span lang=EN-US style='font-family:"Calibri",sans-serif;color:black'>Viewpoint and perspective</span><span lang=EN-US><o:p></o:p></span></p></div><div><p class=MsoNormal><span lang=EN-US> <o:p></o:p></span></p></div><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> 2021.04.06</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Dear Colleagues,</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> I am not certain if I am allowed to make such a request on this mailing list, but if I am allowed to, would anyone please enlighten me? </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal style='text-indent:27.0pt'><span lang=EN-US style='font-size:18.0pt'>My request concerns studies of viewpoint and perspective in the field of literature study. (My request does not concern works in the field of linguistics. I have found works such as those listed at the end of this posting.)</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> For studies of viewpoint and perspective in the field of literature study, I made searches on the internet and found the following.</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>(i) Niederhoff, Burkhard. 2013. Perspective </span><span style='font-size:18.0pt'>–<span lang=EN-US> Point of view. <i>The living handbook of narratology</i> (created 11 June 2011, revised 24 September 2012). (Accessed and read 5 April 2021). https://www.lhn.uni-hamburg.de/node/26.html</span></span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>(ii) </span><span style='font-size:18.0pt'>“<span lang=EN-US>Point of view</span>”<span lang=EN-US> in <i>Encyclopaedia Britannica</i>.</span></span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>(iii) </span><span style='font-size:18.0pt'>“<span lang=EN-US>Narration</span>”<span lang=EN-US> found in <i>Wikipedia</i>.</span></span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>(iv) 25 articles, which are intended for students or beginning writers.</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> Regarding (ii), if I remember correctly, when I was a student, one of my teachers advised me not to cite an article from <i>Encyclopaedia Britannica</i> in academic works.</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> Regarding (iii), someone advised me not to cite an article from <i>Wikipedia</i> in academic works.</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> Regarding (iv), I suppose some people would advise me not to cite these works in academic works.</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> Regarding (i), it will be fine to cite this work in academic writing.</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> My request is the following.</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Are there any other works:</span><span lang=EN-US><o:p></o:p></span></p><ol style='margin-top:0mm' start=1 type=a><li class=MsoListParagraph style='margin-left:-18.0pt;mso-para-margin-left:0gd;text-align:justify;mso-list:l0 level1 lfo3'><span lang=EN-US style='font-size:18.0pt'>that are works in the field of literature study (not in the field of linguistics); </span><span lang=EN-US><o:p></o:p></span></li><li class=MsoNormal style='margin-left:-18.0pt;text-align:justify;mso-list:l0 level1 lfo3'><span lang=EN-US style='font-size:18.0pt'>that provide an overview of how viewpoint and/or perspective are/is studied, and;</span><span lang=EN-US><o:p></o:p></span></li></ol><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>(c) that can be cited in academic works?</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> I should be very grateful for your advice.</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Best wishes,</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Tasaku Tsunoda</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Examples of works on viewpoint and/or perspective in the field of linguistics</span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt;color:black'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Dancygier, Barbara. 2017. Viewpoint phenomena in constructions and discourse.<i> Glossa </i>2(1): 37. 1</span><span style='font-size:18.0pt'>–<span lang=EN-US>22. </span></span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt;color:black'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Foolen, Ad & Toshiko Yamaguchi. 2016. Perspective: Kawabata</span><span style='font-size:18.0pt'>’<span lang=EN-US>s <i>Beauty and Sadness</i> and its translations into English, German, and Dutch. In Barbara Dancygier, Wei-lun Lu & Arie Verhagen (eds.), <i>Viewpoint and the fabric of meaning</i>, 191</span><span style='color:red'>–</span><span lang=EN-US>213. Berlin & Boston: De Gruyter Mouton. </span></span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt;color:black'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Lu, Wei-lun & Arie Verhagen. 2016. Shifting view points: How does that actually work across languages? An exercise in parallel text analysis. In Barbara Dancygier, Wei-lun Lu & Arie Verhagen (eds.), <i>Viewpoint and the fabric of meaning</i>, 169</span><span style='font-size:18.0pt'>–<span lang=EN-US>190. Berlin & Boston: De Gruyter Mouton. </span></span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Sweetser, Eve. 2012. Introduction: Viewpoint and perspective in language and gesture, from the Ground down. In Barbara Dancygier & Eve Sweeter (eds.), <i>Viewpoint in language[:] A multimodal perspective</i>, 1</span><span style='font-size:18.0pt'>–<span lang=EN-US>22. Cambridge: Cambridge University Press. </span></span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Vandelanotte, Lieven. 2017. Viewpoint. In Barbara Dancygier (ed.), <i>The Cambridge handbook of cognitive linguistics</i>, 157</span><span style='font-size:18.0pt'>–<span lang=EN-US>171. Cambridge: Cambridge University Press.</span></span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Vanderbiesen, Jeroen. 2016. Mixed viewpoints and the quotative-reportive cline in German: Reported speech and reportive evidentiality. In Barbara Dancygier, Wei-lun Lu & Arie Verhagen (eds.), <i>Viewpoint and the fabric of meaning</i>, 41</span><span style='font-size:18.0pt'>–<span lang=EN-US>91. Berlin & Boston: De Gruyter Mouton.</span></span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> </span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'>Verhagen, Arie. 2016. Introduction: On tools for weaving meaning out of viewpoint threads. In Barbara Dancygier, Wei-lun Lu & Arie Verhagen (eds.), <i>Viewpoint and the fabric of meaning</i>, 1</span><span style='font-size:18.0pt'>–<span lang=EN-US>10. Berlin & Boston: De Gruyter Mouton. </span></span><span lang=EN-US><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-US style='font-size:18.0pt'> </span><span lang=EN-US><o:p></o:p></span></p></div></body></html>