<div dir="ltr"><div>This has been a useful discussion and I generally agree with the points made by others already.<br></div><div><br></div><div>But one thought I'd like to add to this discussion is the importance of the third line, the English translation itself (or whatever the language of description is). Whenever any not-at-issue feature is included in an example, we may rely on that third-line translation for an intuitive understanding of the function of the morphemes in an example beyond what the gloss indicates, especially when it is a relationship between morphemes. A basic illustration of this problem would be the choice to render a verb unmarked for tense as past tense in an example (probably corresponding to the context of the original elicitation, even though that may not be indicated when it is used as an isolated example out of context), or similarly the choice of "he" or "she" for a general 3SG pronoun unmarked for gender.</div><div><br></div><div>This is a bigger problem, though, when we consider combinations of morphemes. The glosses can tell us something about the individual morphemes, but they don't indicate how to interpret their combination. For example, could there be some interaction between a tense marker and mood? The gloss doesn't indicate that, only the translation (and possibly some other section in the grammar that addresses it directly, if included).</div><div><br></div><div>The only solution I can suggest for this would be to include two translations, expanding the traditional three-line model to four lines: first a literal translation, and second a more idiomatic English version. For some examples that might seem excessive, but I think often it would be incredibly helpful. English simply doesn't function like many languages it is used to describe, and having an awkward-in-English but more literal translation would help me as a typologist to understand how the language works internally rather than through the lens of English. To some degree the morpheme-by-morpheme gloss is supposed to be used for that purpose, but again it doesn't indicate anything about the semantics of those morphemes when combined. And quite rarely we do have exceptional examples with a literal translation indicated, but almost exclusively when that particular phenomenon is at-issue in that particular section of a grammar, not elsewhere, and often only when there is an obvious lexical mismatch (e.g. in a collocation), not so much for grammatical functions. Personally I would also be comfortable with a less idiomatic English translation, because I think it would be helpful to have the reader pause a moment to try to understand the example in the sense of its usage in the language being described, rather than assuming functional equivalence to an English rendering. Of course that shouldn't go too far as to leave the meaning unintelligible in English.<br></div><div><br></div><div>To illustrate this, here is an excerpt from a recent publication where I mentioned this issue (page 53 of: <a href="https://doi.org/10.1515/9783110692099-002">https://doi.org/10.1515/9783110692099-002</a>). I point out that more familiar purposive forms are often used to translate Prior Associated Motion, because that category is not so familiar for the typical European languages used to write grammars. And even when the language does have a corresponding form like English "go and get" (or "go get"), authors may not be so comfortable using it, despite it actually being a better translation.</div><div><br></div><div><i>"Glosses in English can sometimes be misleading: 'go (in order) to [verb]' should be expected for purposives, whereas 'go and [verb]'[34] should be expected for Prior [Associated Motion],[35] and rarely do grammars specifically describe the semantics of such constructions beyond the glosses.</i></div><div><i><br></i></div><div><i>[34] That is, pseudocoordination..., which problematically is not itself widely recognized for its Prior AM semantics, resulting in potential confusion for both authors and readers of descriptive materials.<br></i></div><div><i>[35] Glosses in languages other than English are often similarly unhelpful, especially when these meanings are not typically distinguished (e.g. Spanish ir 'go' + INF, used to gloss either purposive 'go (in order) to' or Prior AM)."</i></div><div><br></div><div>This meant that in the survey I was not able to confidently distinguish between Purposive and Prior motion in all of my sample languages, so I had to report them together as a single type.</div><div><br></div><div>Daniel<br></div><div><br></div><div><br></div><div><br></div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Wed, Jun 16, 2021 at 10:30 AM Peter Austin <<a href="mailto:pa2@soas.ac.uk">pa2@soas.ac.uk</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div dir="auto">Tamsin Donaldson's grammar of Ngiyampaa (CUP, 1980) is exemplary in providing this kind of sociocultural and utterance context. An oldie but a goodie.<div dir="auto"><br></div><div dir="auto">Best</div><div dir="auto">Peter</div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Wed, 16 Jun 2021, 17:17 Marianne Mithun, <<a href="mailto:mithun@linguistics.ucsb.edu" target="_blank">mithun@linguistics.ucsb.edu</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div dir="ltr">Thanks Francoise and Lena! I heartily agree!<div><br></div><div>(And now that we're not buying so much paper and ink, this really doesn't increase the cost so much.)</div><div><br></div><div>Marianne</div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Wed, Jun 16, 2021 at 3:15 AM Françoise Rose <<a href="mailto:francoise.rose@univ-lyon2.fr" rel="noreferrer" target="_blank">francoise.rose@univ-lyon2.fr</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
<div lang="FR">
<div>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US">Dear all,<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US"><u></u> <u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US">I will send my answers to Eline in a private message, but I would like to share a recent experience regarding examples
in grammars.<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US"><u></u> <u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US">I am presently reviewing Lena Terhart’s grammar of Paunaka (a PhD thesis). The author gives this notice regarding how
examples are introduced in the grammar:<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US"><u></u> <u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US">“</span><span style="font-family:CharisSIL" lang="EN-US">One peculiarity
of this work is that most examples are introduced by briefly providing<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:CharisSIL" lang="EN-US">the extralinguistic context. This is usually not done in grammatical descriptions. I<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:CharisSIL" lang="EN-US">started with this at some point, when I felt that context was necessary for understanding<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:CharisSIL" lang="EN-US">and then extended it further and further. Thus, the reader will not only learn about<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:CharisSIL" lang="EN-US">Paunaka, but also gain knowledge about the narratives and personal life stories of the<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:CharisSIL" lang="EN-US">speakers throughout this work. Whoever is irritated by this is kindly asked to simply<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:CharisSIL">overlook it.</span><span style="font-family:Calibri,sans-serif"> »</span><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US"><u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US"><u></u> <u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US">I generally appreciate a lot when authors add important information on the context of the extract (usually in brackets
before the free translation). I was yet planning to be one of the readers who would just overlook these example introductions because my sense was that these introductions would be useful sometimes only (in my view, mainly in sections concerning discourse
issues). Actually, it turned out that I appreciate this practice very much: knowing the context very often gives a very clear interpretation to the sentence and strong indications on how the linguistic features under scrutiny works. Also, this is a very strong
indication that the linguist perfectly understands what the sentence is about. I can attest that, as a fieldworker on culturally very distinct cultures from mine, I do not always understand the contribution of every sentence to the conversation/narration.
Finally, this gives also a sense of familiarity with the culture involved in the grammar, which is extremely pleasant.<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US"><u></u> <u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US">Here are two randomly-picked examples from the grammar:<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US"><u></u> <u></u></span></p>
<p class="MsoNormal"><span style="font-family:CharisSIL" lang="EN-US">Consider (516), which is about making something fall, just like (510) above. It also comes from a description of the frog story,<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:CharisSIL" lang="EN-US">but this sentence was produced by Miguel and referred to another picture, the one on which the dog has made the beehive (or: wasp nest)
fall.<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:CharisSIL" lang="EN-US"><u></u> <u></u></span></p>
<p class="MsoNormal"><span style="font-family:CharisSIL" lang="EN-US">A similar example comes from Mar</span><span style="font-family:Calibri,sans-serif" lang="EN-US">í</span><span style="font-family:CharisSIL" lang="EN-US">a
S. who had just stated that smoking is bad<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:CharisSIL" lang="EN-US">and now provides the reason:<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:CharisSIL" lang="EN-US"><u></u> <u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US">Best to you all,<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US">Françoise<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US"><u></u> <u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US"><u></u> <u></u></span></p>
<p class="MsoNormal"><span style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(31,73,125)" lang="EN-US"><u></u> <u></u></span></p>
<p class="MsoNormal"><b><span style="font-size:11pt;font-family:Calibri,sans-serif">De :</span></b><span style="font-size:11pt;font-family:Calibri,sans-serif"> Lingtyp <<a href="mailto:lingtyp-bounces@listserv.linguistlist.org" rel="noreferrer" target="_blank">lingtyp-bounces@listserv.linguistlist.org</a>>
<b>De la part de</b> Eline Visser<br>
<b>Envoyé :</b> lundi 31 mai 2021 15:15<br>
<b>À :</b> <a href="mailto:lingtyp@listserv.linguistlist.org" rel="noreferrer" target="_blank">lingtyp@listserv.linguistlist.org</a><br>
<b>Objet :</b> [Lingtyp] How do typologists use examples in grammars?<u></u><u></u></span></p>
<p class="MsoNormal"><u></u> <u></u></p>
<div>
<p class="MsoNormal">Dear typologists,<u></u><u></u></p>
</div>
<div>
<p class="MsoNormal"><u></u> <u></u></p>
</div>
<div>
<p class="MsoNormal">I’d like to learn more about how you use the examples given in grammars. I have just finished a grammar myself, and will continue to do descriptive work in the future, and this is a topic that fascinates me. I'm especially interested in
knowing if one can discern the traits of a good example (for typological use). I’d be glad if some of you could take the time to answer the questions below, either briefly or elaborately. You can email me the answers. Also, if there’s is anything published
on this topic please do let me know.<u></u><u></u></p>
</div>
<div>
<p class="MsoNormal"><u></u> <u></u></p>
</div>
<div>
<p class="MsoNormal">1. In general, do you prefer short (let’s say <1 line) or longer (> 1 line) examples? Elaborate if you wish.<u></u><u></u></p>
</div>
<div>
<p class="MsoNormal"><u></u> <u></u></p>
</div>
<div>
<p class="MsoNormal">2. In general, do you have a preference for examples from a certain genre? Which? You can interpret genre broadly or narrowly, in which ever way you like: monologue, dialogue, anecdotes, recipes, hymns, picture-matching tasks…<u></u><u></u></p>
</div>
<div>
<p class="MsoNormal"><u></u> <u></u></p>
</div>
<div>
<p class="MsoNormal">3. In general, do you have a dispreference for examples of a certain genre?<u></u><u></u></p>
</div>
<div>
<p class="MsoNormal"><u></u> <u></u></p>
</div>
<div>
<p class="MsoNormal">4. Say you have two examples that illustrate your point equally well. What could be a deciding factor for choosing one over another?<u></u><u></u></p>
</div>
<div>
<p class="MsoNormal"><u></u> <u></u></p>
</div>
<div>
<p class="MsoNormal">5. Say you can’t find an example that illustrates your point well. On a scale from 1-5, how likely is it that you will go to the language’s corpus or the attached texts in the grammar to find one yourself? (1= very unlikely, 5 = very likely)<u></u><u></u></p>
</div>
<div>
<p class="MsoNormal"><u></u> <u></u></p>
</div>
<div>
<p class="MsoNormal">6. Anything else you’d like to share about examples in grammars? Feel free to rant.<u></u><u></u></p>
</div>
<div>
<p class="MsoNormal"><u></u> <u></u></p>
</div>
<div>
<p class="MsoNormal">Eline<u></u><u></u></p>
</div>
<div>
<p class="MsoNormal"><u></u> <u></u></p>
</div>
<div>
<p class="MsoNormal">P.s. For those who ordered a Kalamang grammar hard copy - they’re in Sweden, I’m in Norway, traveling isn’t as easy as I thought yet, so this takes a bit longer than I thought, sorry!<u></u><u></u></p>
</div>
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<div>
<p class="MsoNormal"><u></u> <u></u></p>
</div>
<div>
<p class="MsoNormal"><u></u> <u></u></p>
</div>
</div>
<div>
<p class="MsoNormal"><u></u> <u></u></p>
</div>
</div>
</div>
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