<div dir="ltr"><p class="gmail-MsoNoSpacing" style="text-align:justify;margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif">Dear Francesca,</span></p>
<p class="gmail-MsoNoSpacing" style="text-align:justify;margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif"> </span></p>
<p class="gmail-MsoNoSpacing" style="text-align:justify;margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif">English “contrastive
reduplications” or “lexical clones” appear to be relevant too. The following
examples are from Ghomeshi et al. 2004 (p.308 for example 1, p.311 (2), and p.312
(3-4), with bolding added): </span></p>
<p class="gmail-MsoNoSpacing" style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif"> </span></p>
<p class="gmail-MsoNoSpacing" style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif">(1) I’ll make the
tuna salad, and you make the <b>SALAD-salad</b>.
</span></p>
<p class="gmail-MsoNoSpacing" style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif">(2) Look at all
the yellow vans on the road. Not vans like ours [i.e.</span></p><p class="gmail-MsoNoSpacing" style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif"> minivans], but <b>VAN-vans</b>. </span></p>
<p class="gmail-MsoNoSpacing" style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif">(3) I had a <b>JOB-job</b> once. [i.e. a “real” 9-to-5
office job, as opposed to an</span></p><p class="gmail-MsoNoSpacing" style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif"> academic job]</span></p>
<p class="gmail-MsoNoSpacing" style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif">(4) A: Are you
nervous?</span></p>
<p class="gmail-MsoNoSpacing" style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif"> B: Yeah, but, you know, not <b>NERVOUS-nervous</b>. [i.e. not “really”</span></p><p class="gmail-MsoNoSpacing" style="margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif"> nervous]</span></p>
<p class="gmail-MsoNoSpacing" style="text-align:justify;margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif"> </span></p>
<p class="gmail-MsoNoSpacing" style="text-align:justify;margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif">Best,</span></p>
<p class="gmail-MsoNoSpacing" style="text-align:justify;margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif">Chao</span></p>
<p class="gmail-MsoNoSpacing" style="text-align:justify;margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif"> </span></p>
<p class="gmail-MsoNoSpacing" style="text-align:justify;margin:0cm;font-size:11pt;font-family:Calibri,sans-serif"><span style="font-size:12pt;font-family:"Times New Roman",serif">Ghomeshi, Jila, Ray Jackendoff, Nicole
Rosen & Kevin Russell. 2004. Contrastive focus reduplication in English
(the salad-salad paper). <i>Natural Language
& Linguistic Theory</i> 22: 307-357.</span></p></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Tue, Jul 9, 2024 at 1:09 PM Francesca Masini via Lingtyp <<a href="mailto:lingtyp@listserv.linguistlist.org">lingtyp@listserv.linguistlist.org</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div class="msg-8341346350662979702">
<div lang="IT" style="overflow-wrap: break-word;">
<div class="m_5553780974493046617WordSection1">
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">Dear Lingtyp community,<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif"><u></u> <u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">I’m looking for examples of evaluative word-formation processes (affixation, compounding, reduplication, etc.) conveying “authenticity/prototypicality” (Grandi & Körtvélyessy 2015:
11). Some relevant examples would be:<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif"><u></u> <u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">(1)<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">Kwaza (van der Voort 2015: 608)<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">kanwa-tete<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">canoe-INT<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">‘real canoe’<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif"><u></u> <u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">(2)<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">Warlpiri (Bowler 2015: 439)<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">warna-nyayirni<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">snake-AUG<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">‘poisonous snake’ [“[i]n central Australia, the characteristic of being poisonous or dangerous is a highly salient feature of many indigenous snakes”]<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif"><u></u> <u></u></span></p>
<p class="MsoNormal"><span style="font-family:Calibri,sans-serif">(3)<u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-family:Calibri,sans-serif">Kikuyu (Komu 2008: 50; quoted in Mattiola & Barotto 2023: 150)<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">irio > irioirio
<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">‘food’ > ‘real food (not junk food)’<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif"><u></u> <u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">I would be extremely grateful for your help!
<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif"><u></u> <u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">Best,<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif">Francesca<u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family:Calibri,sans-serif"><u></u> <u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:10pt;font-family:Calibri,sans-serif">REFERENCES<u></u><u></u></span></p>
<p class="m_5553780974493046617SLITestonorientro" style="margin-right:0cm;margin-bottom:3pt;margin-left:14.2pt;line-height:12pt">
<span lang="EN-US" style="font-size:10pt;font-family:Calibri,sans-serif">Bowler, Margit. 2015. Warlpiri. In Nicola Grandi & Livia Körtvelyessy (eds.),
<i>The Edinburgh handbook of evaluative morphology</i>, 438–447. Edinburgh: Edinburgh University Press.<u></u><u></u></span></p>
<p class="m_5553780974493046617SLITestonorientro" style="margin-right:0cm;margin-bottom:3pt;margin-left:14.2pt;line-height:12pt">
<span lang="EN-US" style="font-size:10pt;font-family:Calibri,sans-serif">Grandi, Nicola & Lívia Körtvelyessy. 2015. Introduction: Why evaluative morphology? In Nicola Grandi & Lívia Körtvelyessy (Eds.), The Edinburgh handbook of evaluative morphology, 3-20.
Edinburgh: Edinburgh University Press. <u></u><u></u></span></p>
<p class="m_5553780974493046617SLITestonorientro" style="margin-right:0cm;margin-bottom:3pt;margin-left:14.2pt;line-height:12pt">
<span lang="EN-US" style="font-size:10pt;font-family:Calibri,sans-serif">Komu, Mary W. 2008. An analysis of Gikuyu reduplication in the light of prosodic morphological approach. Nairobi: Kenyatta University MA thesis.<u></u><u></u></span></p>
<p class="m_5553780974493046617SLITestonorientro" style="margin-right:0cm;margin-bottom:3pt;margin-left:14.2pt;line-height:12pt">
<span lang="EN-US" style="font-size:10pt;font-family:Calibri,sans-serif">Mattiola, Simone & Alessandra Barotto. 2023. Nominal reduplication in cross-linguistic perspective. From PLURALITY to CHANGE OF REFERENTS’ SPECIFICITY.
<i>Studies in Language </i>47(1). 135–189.<u></u><u></u></span></p>
<p class="m_5553780974493046617SLITestonorientro" style="margin-right:0cm;margin-bottom:3pt;margin-left:14.2pt;line-height:12pt">
<span lang="EN-US" style="font-size:10pt;font-family:Calibri,sans-serif">van der Voort, Hein. 2015. Kwaza. In Nicola Grandi& Livia Körtvelyessy (eds.),
<i>The Edinburgh handbook of evaluative morphology</i>, 606–615. Edinburgh: Edinburgh University Press.<u></u><u></u></span></p>
<p class="MsoNormal"><u></u> <u></u></p>
<div>
<p class="MsoNormal"><span lang="EN-US" style="font-size:8pt;font-family:Calibri,sans-serif;color:black">– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –<br>
<b>Prof. Francesca Masini</b><br>
</span><i><span lang="EN-US" style="font-size:8pt;font-family:Calibri,sans-serif;color:rgb(33,33,33)">Rector’s Delegate for Open Science and Research Data</span></i><span lang="EN-US" style="font-size:10pt;color:rgb(33,33,33)"><u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-size:8pt;font-family:Calibri,sans-serif;color:black">Alma Mater Studiorum - Università di Bologna<br>
Dipartimento di Lingue, Letterature e Culture Moderne (LILEC)<br>
Via Cartoleria 5, 40124 Bologna</span><span style="font-size:10pt;color:rgb(33,33,33)"><u></u><u></u></span></p>
<p class="MsoNormal"><span style="font-size:8pt;font-family:Calibri,sans-serif;color:black"><a href="http://www.unibo.it/docenti/francesca.masini" title="http://www.unibo.it/docenti/francesca.masini" target="_blank"><span style="color:rgb(0,120,215)">http://www.unibo.it/docenti/francesca.masini</span></a></span><span style="font-size:10pt;color:rgb(33,33,33)"><u></u><u></u></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:8pt;font-family:Calibri,sans-serif;color:black">– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –– –<br>
Editor-in-chief of<b> </b><i><a href="https://benjamins.com/catalog/cf" title="https://benjamins.com/catalog/cf" target="_blank"><span style="color:rgb(0,120,215)">Constructions and Frames</span></a></i></span><span lang="EN-US" style="font-size:11pt;color:rgb(33,33,33)"> </span><span lang="EN-US" style="font-size:10pt;color:rgb(33,33,33)"><u></u><u></u></span></p>
</div>
<p class="m_5553780974493046617SLITestonorientro" style="margin-bottom:3pt;line-height:12pt">
<span lang="EN-US" style="font-family:Calibri,sans-serif"><u></u> <u></u></span></p>
</div>
</div>
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