23.4051, Books: The Discourse of Italian Cinema and Beyond: Piazza

Mon Oct 1 16:17:19 UTC 2012

LINGUIST List: Vol-23-4051. Mon Oct 01 2012. ISSN: 1069 - 4875.

Subject: 23.4051, Books: The Discourse of Italian Cinema and Beyond: Piazza

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Date: Mon, 01 Oct 2012 12:16:21
From: Ellena Moriarty [Ellena.Moriarty at bloomsbury.com]
Subject: The Discourse of Italian Cinema and Beyond: Piazza

E-mail this message to a friend:
http://linguistlist.org/issues/emailmessage/verification.cfm?iss=23-4051.html&submissionid=4554318&topicid=2&msgnumber=1
 Title: The Discourse of Italian Cinema and Beyond 
Subtitle: Let Cinema Speak 
Series Title: Advances in Stylistics  

Publication Year: 2012 
Publisher: Continuum International Publishing Group Ltd
	   http://www.continuumbooks.com

Book URL: http://www.continuumbooks.com/books/detail.aspx?BookId=169397&SearchType=Basic 

Author: Roberta Piazza

Paperback: ISBN: 1441178872 9781441178879 Pages: 272 Price: U.K. £ 27.99

Abstract:

Roberta Piazza's book is a linguistic investigation of the dialogue of Italian cinema covering a selection of films from the 1950s to the present day. It looks at how speech is dealt with in studies of the cinema and tackles the lack of engagement with dialogue in film studies.

It explores the representation of discourse in cinema --  the way particular manifestations of verbal interaction are reproduced in film. Whereas 'representation' generally refers to the language used in texts to assign meaning to a group and its social practices, here discourse representation more directly refers to the relationship between real-life and cinematic discourse. Piazza analyses how fictional dialogue reinterprets authentic interaction in order to construe particular meanings.

Beginning by exploring the relationship between discourse and genre, the second half of the book takes a topic-based approach and reflects on the themes of narrative and identity. The analysis carried out takes on board the multi-semiotic and multimodal components of film discourse. The book uses also uses concepts and methodologies from pragmatics, conversation analysis and discourse analysis.

Contents:1. Background and Introduction \ 2. The verbal-visual interrelation in cinema \ 3. The focus on the representation of conflict in film \ 4. Confrontational discourse in comedy and the disengagement of dramatic talk \ 5. Spaghetti and American westerns: textual conflict marking the clash between opposing masculinities \ 6. The struggle for narrative autonomy in Antonioni's When Love Fails \ 7. The discourse of identity and confrontation in Mohsen Melliti's Me, the Other \ 8. Conclusions \ 9. References and filmography \ Index 

Linguistic Field(s): Discourse Analysis
                     Pragmatics
                     Stylistics

Written In: English  (eng)

See this book announcement on our website: 
http://linguistlist.org/pubs/books/get-book.cfm?BookID=62354

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