33.3, TOC: Neohelicon 48 / 1 (2021)

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LINGUIST List: Vol-33-3. Sun Jan 02 2022. ISSN: 1069 - 4875.

Subject: 33.3, TOC:  Neohelicon 48 / 1 (2021)

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Date: Sun, 02 Jan 2022 18:31:19
From: Cameron de Kreij [cameron.dekreij at Springernature.com]
Subject: Neohelicon Vol. 48, No. 1 (2021)

 
Publisher:	Springer Nature
			http://www.springer.com 
			
Journal Title:  Neohelicon 
Volume Number:  48 
Issue Number:  1 
Issue Date:  2021 


Subtitle:  Litterae Caducae   


Main Text:  

Introduction: Ephemerality in the digital age—creating, preserving, and
sharing practices across media
Pignagnoli, V., Sapino, R.
pages 1-6
 
The ephemerae of digital literature
Bootz, P.
pages 7-22
 
Virtual museums: interpreting and recreating digital cultural content
Bovcon, N.
pages 23-38
 
Ephemerality in the digital world: Estonian case studies of digital literature
and digital literary heritage projects
Viires, P., Laak, M.
pages 39-52
 
The mushrooms of the Nibelung: how Twitter-paratexts about Friedrich Hebbel’s
staging at Rheinisches Landestheater Neuss deal with ephemera
Ulrich, S.
pages 53-74
 
Genre ambiguity and (ephemeral) digital epitexts: co-constructing Michael
Chabon’s Moonglow
Pignagoll, V.
pages 75-93
 
Ephemeral identities, blurred geographies, and social media in
twenty-first-century French fiction: a reading of Licorne by Nora Sandor and
Un amour d’espion by Clément Bénech
Sapino, R.
pages 95-111
 
Landscape/mindscape/langscape: The ephemerality of the digital and of the real
in Marlene Creates’s video-poems for ice and snow (OA)
Concilio, C.
pages 113-125
 
Post-global and post-digital children’s literature: some users’ legitimation
strategies on the Net
Author(s) Pérez, I., Sanz, A. 
pages 127-141
 
Writing the history of “you”: second-person narration and the plight of the
Nubian in Idris Ali’s Below the poverty line
DiMeo, D.F.
pages 143-159
 
An experience of in-betweenness: Translation as border writing in Gene Luen
Yang’s American Born Chinese
Wang, Y.
pages 161-178
 
Landscapes and Taoism in Ezra Pound’s Cantos
Su, K.
pages 179-210
 
Tracing Huxley’s orientalism: the European ‘Oriental’ background and Jesting
Pilate as intellectual travelogue
Redondo-Olmedilla, JC.
pages 211-226
 
Das Bild der arabischen Welt in der deutschen Gegenwartsliteratur als
Reflexionsfläche politischer Umbrüche im 21. Jahrhundert
Asaad, H.
pages 227-243
 
Similar archetypes and different narratives: a comparative study of Chinese
“Yeh Hsien” and European Cinderella stories
Wang, X., Hu, C.
pages 245-255
 
The spatialized narratives in Alain Robbe-Grillet’s “The secret room” and Wang
Anyi’s “The public kitchen”
Sun, L.
pages 257-266
 
A Bourdieusian and Simmelian analysis of the doomed interpersonal
relationships in Eileen Chang’s “Red rose, white rose” and Elfriede Jelinek’s
Die Liebhaberinnen
Jiang, X.
pages 267-280
 
Jelena Dimitrijević et Pierre Loti : l’Orient et l’Occident en contact
Đurić, V.
pages 281-297
 
Transmedia principles in impressionism spanning painting, music and literature
Radomil Novák 
Pages 299 - 312 

Conscious application of creativity dynamics as an approach to the formation
and appreciation of literary creativity
Khaled Mostafa Karam 
Pages 313 - 338 

Universality, heterogeneity, and worlding: meanings of comparison in Chinese
comparative literature
Peina Zhuang and Dian Li 
Pages 339 - 354 

The empire as the embodiment of modern intellect: a critical reading of
Coetzee’s Waiting for the Barbarians through Levinas
Mahdi Teimouri 
Pages 355 - 366 

“Writing as enlightenment”: Don DeLillo’s Buddhism and postsecular writing
Jie Yuan 
Pages 367 - 385 

>From the margins of the National Centre: two plays by Native American
playwright Hanay Geiogamah
Danica Čerče 
Pages 387 - 401 

Une Étude critique de Madame la présidente de Fatou Fanny-Cissé
Ngozi Obiajulum Iloh 
Pages 403 - 414 

Various voices in dialect and the frequency issue in the Chinese translations
of Tess of the d’Urbervilles
Jing Yu 
Pages 415 - 429 

RETRACTED ARTICLE: Wassily Kandinsky’s The Yellow Sound as a total work of art
R. J. Cardullo 
Pages 431 - 431 

Erratum to: Wassily Kandinsky’s The Yellow Sound as a total work of art
R. J. Cardullo 
Pages 433 - 433
 



Linguistic Field(s): Applied Linguistics
                     Discipline of Linguistics
                     Discourse Analysis
                     Language Documentation
                     Ling & Literature
                     Text/Corpus Linguistics



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