34.2529, Confs: "I tell, therefore I am!" Narration(s) of Identity in Mediatised Everyday Culture.

[The LINGUIST List]

LINGUIST List: Vol-34-2529. Mon Aug 21 2023. ISSN: 1069 - 4875.

Subject: 34.2529, Confs: "I tell, therefore I am!" Narration(s) of Identity in Mediatised Everyday Culture.

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Date: 21-Aug-2023
From: Sascha Michel [s.michel at isk.rwth-aachen.de]
Subject: "I tell, therefore I am!" Narration(s) of Identity in Mediatised Everyday Culture.


Full Title: "I tell, therefore I am!" Narration(s) of Identity in
Mediatised Everyday Culture.

Date: 27-Sep-2023 - 30-Sep-2023
Location: Universität des Saarlandes, Saarbrücken, Germany
Contact Person: Sascha Michel
Meeting Email: s.michel at isk.rwth-aachen.de

Linguistic Field(s): Applied Linguistics

Call Deadline: 30-May-2023

Meeting Description:

Storytelling can be seen as a media-cultural practice for (the
creation of) mediatised identities. “Digital storytelling” conveys
authenticity and suggests closeness and proves to be indispensable for
a "virtual bonding" of different user groups. However, storytelling in
mediatised contexts differs fundamentally from the classical concept
of narrative (cf. Labov/Waletzky 1967) since everyday
narratives/stories are often fragmentary and interactive or
cooperative. The consequence is that the narrative process is usually
delayed, i.e. asynchronous in time. Georgakopoulou (2006, 2007, 2016)
refers to such digital everyday narratives as "small stories", which
serve the constant maintenance and expansion of identities shaped by
media culture, for example in online social networks.

Longer-term serial storytelling, such as takes place in TV formats,
has also found its way into the social media world through Youtuber or
TikTok/Instagram activists. These posts, stories and clips receive
serial coherence via narrative identity stagings of 'personal
publishing' by influencers, but also by so-called 'sense influencers'.
Everyday narratives/stories become genre-oriented formats in the
fields of beauty, games, sports, travel, fitness, nutrition,
do-it-yourself, law, politics, science and education. These genres are
often framed or perspectivised with messages of sustainability and
diversity, entertainment or mobilisation and agitation. Own experience
is thus used narratively not only as a resource for entertainment, but
also in argumentations (cf. Schwarze 2019). Through the (strategic and
continuous) narration of 'own' experiences, authenticity-suggesting
performances of identity emerge. The recipients can participate in the
supposedly personal impressions, emotions and attitudes of the social
media activists. Their supposed openness makes them appear credible,
as they even seem to be willing to endure fierce contradiction and
even a shitstorm. Political as well as (supposedly) apolitical
narratives thus also allow certain argumentation topoi to be realised
in discursive contexts (cf. Girnth/Burggraf 2019). In this context,
the perspective on the less explicit messages of narratives, which are
conveyed through the presentation of preferred everyday practices, is
also interesting. Here persuasions come into play that are based on
new forms of stardom and parasocial relationships between social media
activists and recipients. Thus, new pop(ulary)cultural analytical
perspectives and descriptive models are necessary.

Recently, the described aspects of digital narrativization have also
been supplemented by AI applications such as chatbots or
algorithmically generated (moving) images. Thus, there is a new
practice of digital identity construction that is no longer based on
direct human authorship but on algorithmically generated personality
profiling and thus challenges media-mediated interaction to be
reconceptualised. AI-supported narrative practices in the context of
natural language processing, avatar creation and social media
communication have not yet been researched much, if at all.
Starting from this micro and meso perspective, the next step is to
focus on the macro level, which captures narrative processes that are
characteristic of mediatised "small life worlds" (cf. Shibutany 1955)
or "mediatised worlds" (cf. Hepp 2013).

2nd Call for Papers:

The program is now available under the following link: https://kwg-ev.
org/wp-content/uploads/2023/08/Programmschema-KWG-09082023.pdf

For more information (abstracts etc.) visit also the website:
https://kwg-ev.org/populaere-kulturen-2023/

The section is hybrid. If you would like to participate digitally,
please send us a short mail to st.meier at uni-koblenz.de or
s.michel at isk.rwth-aachen.de.
We will then send you the access link.



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