<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><br><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="3" style="font: normal normal normal 12px/normal Helvetica; ">L'UMR 7023, l'UMR 7018 et la Fédération "Typologie & Universaux Linguistiques"</font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="3" style="font: normal normal normal 12px/normal Helvetica; ">ont le plaisir de vous inviter à la conférence-concert du</font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="4" style="font: normal normal normal 14px/normal Helvetica; "><b>Professeur K. G. Vijayakrishnan, </b></font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="4" style="font: normal normal normal 14px/normal Helvetica; "><b>phonologue </b></font><font face="Helvetica" size="3" style="font: normal normal normal 12px/normal Helvetica; "><b> </b>(Professor, Centre for Linguistics,School for Language Sciences, CIEFL, Hyderabad, India) </font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="4" style="font: normal normal normal 14px/normal Helvetica; "><b>et maître du Veena </b></font><font face="Helvetica" size="3" style="font: normal normal normal 12px/normal Helvetica; ">(instrument à cordes du sud de l'Inde</font><font face="Helvetica" size="4" style="font: normal normal normal 14px/normal Helvetica; ">)</font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="3" style="font: normal normal normal 12px/normal Helvetica; ">le mardi 29 avril 2008, amphi D 003, Université Paris 8 (Vincennes St Denis) de 14h à 17H30</font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="3" style="font: normal normal normal 12px/normal Helvetica; "><b>14h à 16h : Conférence " Markedness in Language and Music" (pdf joint)</b></font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="3" style="font: normal normal normal 12px/normal Helvetica; "><b>16h30-17h30 : Concert de Veena</b></font></div><p align="justify" style="margin-top: 0px; margin-right: 0px; margin-bottom: 12px; margin-left: 0px; text-align: justify; "><font face="Helvetica" size="3" style="font: normal normal normal 11px/normal Helvetica; ">1. Varnam: A two part composition, performed at the beginning of a recital which has minimal language text, facilitating unimpeded vocalism.Composer : Veenai Kuppa Iyer (1798 - 1860), one of the most distinguished disciples of the great <span class="Apple-tab-span" style="white-space: pre; "> </span><span class="Apple-tab-span" style="white-space: pre; "> </span>composer Tyaagaraajaa (1767 – 1847<b>)</b></font></p><p align="justify" style="margin-top: 0px; margin-right: 0px; margin-bottom: 12px; margin-left: 0px; text-align: justify; "><font face="Helvetica" size="3" style="font: normal normal normal 11px/normal Helvetica; ">2. Niilaayadaakshi: on the goddess at Tiruvaaruur temple. Composer: Shyaamaa Shaastri (1762-1827)</font></p><p align="justify" style="margin-top: 0px; margin-right: 0px; margin-bottom: 12px; margin-left: 0px; text-align: justify; "><font face="Helvetica" size="3" style="font: normal normal normal 11px/normal Helvetica; ">3. Santaana goopaalakrishNam: on the deity at the temple in MannaarguDi. Composer: Muttuswaami Dikshitar (1775 – 1835)</font></p><p align="justify" style="margin-top: 0px; margin-right: 0px; margin-bottom: 12px; margin-left: 0px; text-align: justify; "><font face="Helvetica" size="3" style="font: normal normal normal 11px/normal Helvetica; ">4. Mahimateliya naa taramaa: on the female diety Composer: R. Venugopal (contemporary)</font></p><p align="justify" style="margin-top: 0px; margin-right: 0px; margin-bottom: 12px; margin-left: 0px; text-align: justify; "><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 11px; "><br></span></font></p><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 12px; margin-left: 0px; text-align: justify; "><font class="Apple-style-span" size="3"><span class="Apple-style-span" style="font-size: 11px; "></span></font><br class="webkit-block-placeholder"></div></div></div></div></body></html>