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<p><a href="http://www.benjamins.com/cgi-bin/t_bookview.cgi?bookid=LFAB%202">http://www.benjamin<wbr>s.com/cgi-<wbr>bin/t_bookview.<wbr>cgi?bookid=<wbr>LFAB%202</a><br>
<br>
Towards a Typology of Poetic Forms. From language to metrics and beyond<br>
Edited by Jean-Louis Aroui ( Université Paris 8) and Andy Arleo (Université de<br>
Nantes)<br>
John Benjamins [Language Faculty and Beyond, 2] 2009. xiv, 428 pp.<br>
HB 978 90 272 0819 4 EUR 105.00<br>
<br>
Metrics is often defined as a discipline that concerns itself with the study<br>
of meters. In this volume the term is used in a broader sense that more or<br>
less coincides with the traditional notion of “versification”. Understood<br>
this way, metrics is an eminently complex object that displays variation over<br>
time and in space, that concerns forms of a great variety and with different<br>
statuses (meters, rhymes, stanzas, prescribed forms, syllabification rules,<br>
nursery rhymes, slogans, musical textsetting, ablaut reduplication etc.), and<br>
that as a cultural manifestation is performed in a variety of ways (sung,<br>
chanted, spoken, read) that can have direct consequences on how it is<br>
structured. This profusion of forms is thought to correspond, at the level of<br>
perception, to a limited number of cognitive mechanisms that allow us to<br>
perceive and to represent regularly iterating forms. This volume proposes a<br>
relatively coherent overall vision by distinguishing four main families of<br>
metrical forms, each clearly independent of the others and amenable to<br>
separate typologies.<br>
<br>
“There are very few books of high quality in the field of metrical study, and<br>
even fewer which bring together leading experts focusing on specific problems<br>
of verse- form; this wide-ranging volume is therefore to be warmly welcomed.”<br>
Derek Attridge, University of York<br>
<br>
Table of contents<br>
Contributors<br>
Acknowledgments<br>
<br>
Introduction: Proposals for metrical typology<br>
Jean-Louis Aroui<br>
<br>
Part I. Isochronous metrics<br>
Textsetting as constraint conflict<br>
Bruce Hayes<br>
Comparing musical textsetting in French and in English songs<br>
Francois Dell and John Halle<br>
Bavarian Zwiefache: Investigating the interface between rhythm, metrics and<br>
song<br>
Patrizia Noel Aziz Hanna and Robert Vetterle<br>
Natural Versification in French and German counting-out rhymes<br>
Andreas Dufter and Patrizia Noel Aziz Hanna<br>
Minimal chronometric forms: On the durational metrics of 2-2-stroke groups<br>
Benoît de Cornulier<br>
Symmetry and children’s poetry in sign languages<br>
Marion Blondel and Christopher Miller<br>
<br>
Part II. Prosodic metrics<br>
Pairs and triplets: A theory of metrical verse<br>
Nigel Fabb and Morris Halle<br>
Generative linguistics and Arabic metrics<br>
Bruno Paoli<br>
On the meter of Middle English alliterative verse<br>
Donka Minkova<br>
The Russian Auden and the Russianness of Auden: Meaning and form in a<br>
translation by Brodsky<br>
Nila Friedberg<br>
Towards a universal definition of the caesura<br>
Marc Dominicy and Mihai Nasta<br>
Metrical alignment<br>
Kristin Hanson<br>
Rephrasing line-end restrictions<br>
Carlos Piera<br>
<br>
Part III. Para-metrical phenomena<br>
Pif paf poof: Ablaut reduplication in children’s counting-out rhymes<br>
Andy Arleo<br>
The phonology of elision and metrical figures in Italian versification<br>
Oreste Floquet<br>
<br>
Part IV. Macrostructural metrics<br>
Convention and parody in the rhyming of Tristan Corbière<br>
Dominique Billy<br>
The metrics of Sephardic song<br>
José Domínguez Caparrós<br>
A rule of metrical uniformity in old Hungarian poetry<br>
Iván Horváth<br>
Metrical structure of the European sonnet<br>
Jean-Louis Aroui<br>
<br>
Persons index<br>
Languages index<br>
Subjects index<br>
-- <br>
Jean-Louis AROUI<br>
Université Paris 8<br>
UFR des Sciences du Langage<br>
2, rue de la liberté<br>
93200 Saint-Denis<br>
FRANCE<br>
<a href="http://www.umr7023.cnrs.fr/spip.php?rubrique77">http://www.umr7023.<wbr>cnrs.fr/spip.<wbr>php?rubrique77</a><br>
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