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<p class="MsoNormal" align="center" style="text-align:center;"><b><span style="color:
#FF6600;">Séminaire croisé "Voies de l'oralité" <br>
Centre Interlangues TIL (axes "Langage & Discours" et "Filiations")</span></b><span style="color:#FF6600;"><o></o></span></p>
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<p class="MsoNormal" align="center" style="text-align:center;"><b><span style="color:#339966;">Programme détaillé de la séance d'ouverture informelle<br>
</span></b><span style="color:#339966;">Lundi 8 avril 2013, 10h-12h.<b> <br>
</b>Lieu : MSH (Esplanade Erasme)- RDC, salle 02<o></o></span></p>
<p class="MsoNormal" style="text-align:justify;"><b>10h00
: Ouverture <o></o></b></p>
<p class="MsoNormal"><b>10h10 :
Présentation du séminaire </b><o></o></p>
<p class="MsoNormal" style="text-align:justify;"><span style="font-size:11.0pt;font-family:"Arial Narrow";">Le programme défini pour
2013 mettant l'accent sur les "Approches interactionnelles des
discours sur les savoirs spécialisés", le séminaire fonctionnera pour
cette saison sous forme d'atelier, avec des interventions de collègues locaux
destinées à exposer des questions de méthodologie, en fournissant des
échantillons de corpus -textes, audio, multimedia, selon les cas.<o></o></span></p>
<p class="MsoNormal" style="text-align:justify;"><span style="font-size:11.0pt;font-family:"Arial Narrow";">Un temps important sera consacré
à l'échange qui suivra (collègues prenant une part active et continue au
séminaire, étudiants ou simples curieux) dans un souci d'interactivité
constructive (en vue notamment de mieux définir un projet de corpus numérique collectif
multilingue et multimédia sur la thématique du séminaire). <o></o></span></p>
<p class="MsoNormal"><b>10h15 : Stéphanie
BENOIST </b>(uB – TIL)<b> :
« Entre oralité et écriture : la critique musicale dans les émissions
radiophoniques spécialisées »</b><o></o></p>
<p class="MsoNormal" style="text-align:justify;"><span style="font-size:11.0pt;font-family:"Arial Narrow";">Selon qu’elles prennent la
forme de monologues, de dialogues ou de tables rondes, les émissions des
stations de radio culturelles consacrées à la critique musicale prennent plus
ou moins leurs distances par rapport à leur modèle, qui est issu de la presse
écrite. <o></o></span></p>
<p class="MsoNormal" style="text-align:justify;"><span style="font-size:11.0pt;font-family:"Arial Narrow";">A partir d'un corpus
d’émissions diffusées sur <i>Deutschlandradio</i>
entre 2007 et 2013, l'étude analysera les stratégies mises en œuvre pour
adapter – ou non – le modèle écrit de la critique musicale au média oral ou
semi-oral qu’est la radio. <o></o></span></p>
<p class="MsoNormal" style="text-align:justify;"><b>11h00 : Cécile IGLESIAS </b>(uB
- TIL)<b> "Transcrire des enquêtes de terrain folkloriques : retour sur
quelques expériences épistémologiques et approche comparée de choix éditoriaux
(domaine hispanique)" <o></o></b></p>
<p class="MsoNormal" style="text-align:justify;"> <span style="font-size:11.0pt;font-family:"Arial Narrow";">Cette réflexion critique<i>
</i>prendra comme support concret le
corpus de travaux de recherche antérieurs (<i>romancero</i> de tradition orale
de la zone de El Rebollar, Salamanque, étudié en Maîtrise<a href="#_ftn1" name="_ftnref1" title><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 11pt;">[1]</span></span><!--[endif]--></span></a>,
DEA et thèse de doctorat entre 1994 et 1999), complété par des enquêtes
plus récentes (<i>cancionero </i>enfantin recueilli et édité en 2011<a href="#_ftn2" name="_ftnref2" title><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 11pt;">[2]</span></span><!--[endif]--></span></a>.
L'étude vise à comparer d'une part la technique de <span class="zmsearchresult">transcription</span>
différenciée et intégrale mise au point dans le sillage des travaux de
dialectologie d'Angel Iglesias Ovejero, et d'autre part les méthodes classiques
de <span class="zmsearchresult">transcription</span> des musicologues et
folkloristes de Castille<a href="#_ftn3" name="_ftnref3" title><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 11pt;">[3]</span></span><!--[endif]--></span></a>.<o></o></span></p>
<p class="MsoNormal" style="text-align:justify;"><span style="font-size:11.0pt;font-family:"Arial Narrow";">Le caractère littéraire, poétique et souvent
musical des textes recueillis lors de ces enquêtes ainsi que le nombre
important de gloses spontanées de la part des contributeurs qui ont participé
aux collectes de terrain (entre 1972 et 2010) rendent ce corpus rébollan
particulièrement signifiant pour présenter la thématique de ce <span class="zmsearchresult">séminaire</span> qui vise à creuser les questions
méthodologiques et critiques autour des interférences réciproques entre oralité
et écriture dans des discours spécifiques.<o></o></span></p>
<p class="MsoNormal" style="text-align:justify;"><span style="font-size:11.0pt;font-family:"Arial Narrow";"> Supports multimedia pour l'atelier : documents d'archives
sonores et copies de différents choix de transcription parmi les éditeurs
d'anthologie de poèmes traditionnels oraux en Castille. <o></o></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt;font-family:"Arial Narrow";"> </span></b></p>
<p class="MsoNormal" style="text-align:justify;"><b><span style="font-size:11.0pt;font-family:
"Arial Narrow";">11h45</span></b><span style="font-size:11.0pt;font-family:"Arial Narrow";">
: <b>Maria MOHLER</b> (M2 REVI, UFR Langues
& Communication, dir. Laurent Gautier). <b>Etat des lieux
bibliographique : études scientifiques sur l'oralité en SHS. <o></o></b></span></p>
<p class="MsoNormal" style="text-align:justify;"><span style="font-size:
11.0pt;font-family:"Arial Narrow";"> Présentation
de son mémoire de veille bibliographique</span>.<o></o></p>
<p class="MsoNormal" style="text-align:justify;"><o> </o></p>
<div><!--[if !supportFootnotes]--><br clear="all">
<hr align="left" size="1" width="33%">
<!--[endif]-->
<div id="ftn1">
<p class="MsoNormal" style="text-align:justify;"><a href="#_ftnref1" name="_ftn1" title><span class="MsoFootnoteReference"><span style="font-size:9.0pt;font-family:"Arial Narrow";"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 9pt;">[1]</span></span><!--[endif]--></span></span></a><span style="font-size:9.0pt;font-family:"Arial Narrow";"> Ce corpus a donné lieu à
une édition critique publiée en collaboration avec Angel <span class="zmsearchresult">Iglesias</span> Ovejero : <i>Romances y coplas de El Rebollar</i>,
Salamanque, Centro de Estudios Salmantinos, 1998 (316 p.). La possibilité
matérielle et juridique d'une numérisation de ce corpus sur le portail PANDOR
de la MSH est actuellement à l'étude.<o></o></span></p>
</div>
<div id="ftn2">
<p class="MsoNormal" style="text-align:justify;"><a href="#_ftnref2" name="_ftn2" title><span class="MsoFootnoteReference"><span style="font-size:9.0pt;font-family:"Arial Narrow";"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 9pt;">[2]</span></span><!--[endif]--></span></span></a><span style="font-size:9.0pt;font-family:"Arial Narrow";"> Recueil critique de
chansons et comptines enfantines publié sous la direction d'Angel <span class="zmsearchresult">Iglesias</span> Ovejero, fondateur de l'Associacion de
Documentacion y Estudio de El Rebollar et des colloques internationaux du
PROHEMIO -Programme de Recherche sur Oralité, Histoire et Ecriture dans le
Monde Ibérique, d'Orléans-, Université d'Orléans) : <i>Cancionero y formulario
ludico de tradicion infantil en El Rebollar y otros lugares del occidente
salmantino</i> (dir. </span><span lang="ES" style="font-size:9.0pt;font-family:
"Arial Narrow";">A. <span class="zmsearchresult">Iglesias</span>
Ovejero, con la colaboracion de F. Giraud y C. <span class="zmsearchresult">Iglesias</span>),
Salamanque, Diputacion de Salamanca /Instituto de las Identidades, 2011 (258
p.).<o></o></span></p>
</div>
<div id="ftn3">
<p class="MsoFootnoteText" style="text-align:justify;"><a href="#_ftnref3" name="_ftn3" title><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size:10.0pt;font-family:"Times New Roman";">[3]</span></span><!--[endif]--></span></a>
Anthologies et/ou éditions critiques éditées par Ledesma -pionnier en
ethno-musicologie-, R. Menéndez Pidal -fondateur des travaux sur le <i>Romancero
- </i>de tradition orale, Caro Baroja -un des premiers à valoriser la littérature
de colportage en Espagne-, J. et JL Diaz -fondateur du Centre
d'Ethnomusicologie d'Urueña, Valladolid-, D. Catalan -directeur du Centre
d'Etudes sur le Romancero de l'Université Complutense de Madrid-, et, plus
récemment, avec les outils multimedia, Pedrosa -directeur des éditions et de la
revue de l'Université d'Alcala de Henares.<o></o></p>
</div>
</div>
<!--EndFragment--><br><div><span name="x"></span>Laurent Gautier<div style="color: rgb(0, 0, 0);">Centre Interlangues Texte Image Langage EA 4182 - uB</div><div style="color: rgb(0, 0, 0);"><br></div><div style="color: rgb(0, 0, 0);">Master LEA - Traduction MultiMedia : <a href="http://www.facebook.com/MasterT2M" style="font-size: 12pt;">http://www.facebook.com/MasterT2M</a></div><div style="color: rgb(0, 0, 0);"><br></div><div style="color: rgb(0, 0, 0);">Page perso : <a href="http://sites.google.com/site/lglingall/">http://sites.google.com/site/lglingall/</a> ; <span style="font-size: 12pt;">Blog : </span><a href="http://laugautier.wordpress.com/" style="font-size: 12pt;">http://laugautier.wordpress.com</a></div><div style="color: rgb(0, 0, 0);">Sur Academia :<a href="http:// http://u-bourgogne.academia.edu/LaurentGautier"> http://u-bourgogne.academia.edu/LaurentGautier</a></div><div>Twitter: <a href="http://twitter.com/lgautier21"><font color="#3333ff">http://twitter.com/lgautier21</font></a></div><span name="x"></span><br></div></div></p>
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