<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>Chers collègues,</div><div>nous espérons vous voir nombreux à notre symposium international pluridisiciplinaire co-organisé par l'EA4398 PRISMES Sorbonne Nouvelle - Paris 3 et l'EA370 le CREA Paris Ouest Nanterre la Défense.</div><div>(programme et affiches ci-joint).</div><div>Merci de faire circuler l'information au sein de vos équipes.</div><div>Aliyah</div><div><br></div><div><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 24.0px Candara; color: #db1113"><span style="letter-spacing: 0.0px"><b>A VOYAGE TOWARDS WORDS</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 14.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px"><b>Representing </b></span><span style="letter-spacing: 0.0px"><b>the Sensations of Early Childhood </b></span><b>and the Acquisition of Language</b></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 9.0px Candara; color: #515151; min-height: 11.0px"><span style="letter-spacing: 0.0px"></span><br></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 13.0px Candara; color: #553403"><span style="letter-spacing: 0.0px">International Symposium </span><span class="Apple-style-span" style="color: rgb(83, 62, 3); font-size: 12px; ">December 13th and 14th, 2013</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 9.0px Candara; color: #cf8514; min-height: 11.0px"><span style="letter-spacing: 0.0px"><b></b></span><br></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 12.0px Candara; color: #cf8514"><span style="letter-spacing: 0.0px"><b>Special guests</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 12.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px"><b>Karen Lury</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 12.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px"><b>Susie Morgenstern</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 12.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px"><b>Michel Ocelot</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 12.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px"><b>Jean Perrot</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 9.0px Candara; color: #533e03; min-height: 11.0px"><span style="letter-spacing: 0.0px"><b></b></span><br></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px"><b>Organizing Committee</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">Catherine Lanone</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">Aliyah Morgenstern</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">Anne-Marie Paquet-Deyris</span></p><div><br></div></div><div><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 12.0px Candara; color: #db1113"><span style="letter-spacing: 0.0px"><b>Friday December 13th</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 10.0px Candara; color: #db1113"><span style="letter-spacing: 0.0px"><b>Campus Paris Ouest Nanterre - Room VR14 </b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 9.0px Candara; color: #533e03; min-height: 11.0px"><span style="letter-spacing: 0.0px"><b></b></span><br></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">9h30<b> Opening</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">9h45-10h15<b> Jeremy Tambling. </b>Dickens and S/Z</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">10h15-10h45<b> Dennis Tredy. </b>Henry James’s <i>What Maisie Knew</i>: Portrait of the Artist as a young girl Mastering Language</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">10h45-11h15 <b>Marina Poisson. </b>From childhood to manhood: the magic, pleasure and pain of words in <i>The Ordeal of Richard Feverel </i>(1859) and <i>The Adventures of Harry Richmond </i>(1871) by George Meredith </span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 10.0px Candara; color: #cf8514"><span style="letter-spacing: 0.0px"><b>Coffee Break</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">11h30-12h <b>Claire Hélie. </b>A poetic voyage towards a child's dialect: revisiting Northern England</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">12h-12h25 <b>Catherine Lanone. </b>From book to film: the unspeakable sensations of childhood in <i>Wuthering Heights</i></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">12h25-12h45 <b>Françoise Thau</b>. Translating the unspeakable</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 10.0px Candara; color: #cf8514"><span style="letter-spacing: 0.0px"><b>Buffet Lunch</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">14h15-15h<b> KEYNOTE SPEAKER Karen Lury. </b>Dumb shows: early amateur films, the home movie and the child without a voice </span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">15h-15h30 <b>Gilles Menegaldo. </b>The Ambivalence of the Child Motif in Horror Films </span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 10.0px Candara; color: #cf8514"><span style="letter-spacing: 0.0px"><b>Coffee Break</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">15h45-16h15 <b>Anne-Marie Paquet Deyris & Laetitia Boccanfuso.</b> Serial childhood: troubled children in Dexter </span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">16h15-16h45<b> Elsa Colombani. </b>Tim Burton's Peculiar Children: Ogres and innocent preys</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">16h45-17h15<b> Catherine Pesso-Miquel. </b>Killing the joy of language: Arundhati Roy's depiction of childhood in <i>The God of Small Things</i></span></p></div><div><span style="letter-spacing: 0.0px"><i><br></i></span></div><div><span style="letter-spacing: 0.0px"><i><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 12.0px Candara; color: #db1113"><span style="letter-spacing: 0.0px"><b>Saturday December 14th</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 10.0px Candara; color: #db1113"><span style="letter-spacing: 0.0px"><b>Campus Sorbonne Nouvelle - IMA Room 16</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 9.0px Candara; color: #533e03; min-height: 11.0px"><span style="letter-spacing: 0.0px"></span><br></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">9h30<b> Opening</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">9h45-10h15<b> Pauline Beaupoil. </b>The influence of Story-telling on Children’s Language Development</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">10h15-10h45 <b>Aliyah Morgenstern. </b>Children’s language blossoms: from sensations to words</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 10.0px Candara; color: #cf8514"><span style="letter-spacing: 0.0px"><b>Coffee Break</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">11h-11H30 <b>Jean-Pierre Naugrette. </b>Sensations of adventure: Reading the first chapter of Treasure island</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">11h30-12h<b> Jean-Jacques Lecercle. </b>Mais qu’apprend donc Alice?</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">12h-12h45<b> Jean-Perrot (with the participation of Susie Morgenstern). </b>From Maisie to Susie: "Oh I know!" the child replied</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 10.0px Candara; color: #cf8514"><span style="letter-spacing: 0.0px"><b>Buffet Lunch</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">14h-14h30<b> Leslie de Bont. </b>Making sense of words and worlds: the representation of language acquisition in Mary Olivier: A Life (1919)</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">14h30-15h<b> Emily Eels. </b>Proust and Nabokov: the Enchanting Colour of New Words and Names</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">15h-15h30 <b>Naomie Toth. </b>Shock, sensation and words in Virginia Wolf’s <i>A Sketch of the Past</i></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: center; font: 10.0px Candara; color: #cf8514"><span style="letter-spacing: 0.0px"><b>Coffee Break</b></span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">15h45-16h15 <b>Béatrice Pire. </b>Young characters and language disorders in contemporary American literature</span></p><p style="margin: 0.0px 0.0px 7.0px 0.0px; text-align: justify; font: 10.0px Candara; color: #533e03"><span style="letter-spacing: 0.0px">16h15-17h15<b> A dialogue with Michel Ocelot: the language of Kirikou</b></span></p></i></span></div></body></html>