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<font color="#000000"><font face="Liberation Serif, serif">Le groupe de recherche en Métrique Générale de l'UMR 7023 a le plaisir de vous convier, dans le cadre des séances de son séminaire (<a href="http://www.umr7023.cnrs.fr/-Metrique-generale-.html">http://www.umr7023.cnrs.fr/-Metrique-generale-.html</a>),</font></font></p>
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<font color="#000000"><font face="Liberation Serif, serif"><b>le mercredi 21 mai</b><span style="font-style: normal;"><b> 2014</b></span></font></font></p>
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<font color="#000000"><font face="Liberation Serif, serif"><span style="font-style: normal;">C.N.R.S., 59 rue Pouchet, 75017 Paris (métros : Guy Moquet ou Brochant, ligne 13), </span><span style="font-style: normal;"><span style="font-weight: normal;">de 11h00 à 13h00 et de 14h30 à 16h30</span></span></font></font> (le numéro de salle sera indiqué sur l'écran TV dans le hall d'entrée)</p>
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<font color="#000000"><font face="Liberation Serif, serif">à sa prochaine journée de travail. <span style="font-style: normal;">Un exposé-débat le matin, une discussion d'article l'après-midi.</span></font></font></p>
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<font color="#000000"><font face="Liberation Serif, serif"><b>Programme :</b></font></font></p>
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<em><strong>11h00-13h00, exposé-débat :</strong></em></p>
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<span lang="fr-FR">Jean-Louis AROUI (Universitré Paris 8, UMR SFL) : </span><span lang="fr-FR"><span style="font-weight: normal;"><span style="background: transparent;">
</span></span></span>« Métrique du <font face="Liberation Serif, serif">vers régulier </font><font face="Liberation Serif, serif"><i>(lushi</i></font><font face="Liberation Serif, serif">)</font><font face="Liberation Serif, serif"><i> </i></font><font face="Liberation Serif, serif">du chinois moyen tardif »</font></p>
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<span lang="fr-FR"><span style="font-weight: normal;"><span style="background: transparent;"> </span></span></span><span lang="fr-FR"><i>Résumé :</i></span><span lang="fr-FR"> </span></p>
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<span style="font-size:12px;"><font face="Liberation Serif, serif"><span style="font-style: normal;">Sur la base des travaux de </span></font><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">Downer & Graham (1963), Jakobson (1969) et Chen (1979), sera présentée la structure métrique interne du </span></span></font><i><font face="Liberation Serif, serif"><span style="font-weight: normal;">lushi</span></font></i><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">, forme fixe chinoise de l'époque Tang, couramment appelée en français </span></span></font><i><font face="Liberation Serif, serif"><span style="font-weight: normal;">vers régulier</span></font></i><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">. Son mètre fondamentalement basé sur
la forme tonale des syllabes. L'analyse proposée apporte des nouveautés substantielles par rapport à Chen (1979), mais n'utilise pas les études ultérieures, qui ne sont pas centrées sur la structure tonale de cette forme poétique,et ne concernent donc pas directement notre problématique.</span></span></font></span></p>
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<span style="font-size:12px;"><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">On parviendra ainsi à rendre compte de la structure tonale interne des pieds métriques sur la base de principes aussi simples que ceux de Chen, mais en se passant de la transformation de l'ouput qui lui est nécessaire. Plus fondamentalement, sera proposé un principe général qui permet d'expliquer la structure interne de l'ensemble des constituants métriques formant le </span></span></font><i><font face="Liberation Serif, serif"><span style="font-weight: normal;">lushi</span></font></i><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;"> et de prédire toutes et rien que les variations tonales observées en surface.</span></span></font></span></p>
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<span style="font-size:12px;"><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">La lecture de l'article de Chen préalablement à l'exposé n'est pas obligatoire.</span></span></font></span></p>
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<span style="font-size:12px;"><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">CHEN, M. (1979): Metrical Structure: Evidence from Chinese Poetry. </span></span></font><font face="Liberation Serif, serif"><i><span style="font-weight: normal;">Linguistic Inquiry</span></i></font><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">, 10:3, 371-420.</span></span></font></span></p>
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<span style="font-size:12px;"><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">DOWNER, G. B. & A. C. GRAHAM (1963): Tone Patterns in Chinese Poetry. </span></span></font><font face="Liberation Serif, serif"><i><span style="font-weight: normal;">Bulletin of the School of Oriental and African Studies</span></i></font><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">, 26, 145-148.</span></span></font></span></p>
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<span style="font-size:12px;"><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">JAKOBSON, Roman (1969): Le dessin prosodique ou le principe modulaire dans le Vers Régulier chinois. </span></span></font><font face="Liberation Serif, serif"><i><span style="font-weight: normal;">Change</span></i></font><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">, 2, 39-48.</span></span></font></span></p>
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<i><span style="font-weight: normal;">Références</span></i><span style="font-style: normal;"> </span></p>
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<span style="font-size:12px;"><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">CHEN, M. (1979): Metrical Structure: Evidence from Chinese Poetry. </span></span></font><font face="Liberation Serif, serif"><i><span style="font-weight: normal;">Linguistic Inquiry</span></i></font><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">, 10:3, 371-420. (téléchargeable ici pendant 20 jours : <a href="https://bigfiles.univ-paris8.fr/qujxo">https://bigfiles.univ-paris8.fr/qujxo</a>)</span></span></font></span></p>
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<span style="font-size:12px;"><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">DOWNER, G. B. & A. C. GRAHAM (1963): Tone Patterns in Chinese Poetry. </span></span></font><font face="Liberation Serif, serif"><i><span style="font-weight: normal;">Bulletin of the School of Oriental and African Studies</span></i></font><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">, 26, 145-148.</span></span></font></span></p>
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<span style="font-size:12px;"><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">JAKOBSON, Roman (1969): Le dessin prosodique ou le principe modulaire dans le Vers Régulier chinois. </span></span></font><font face="Liberation Serif, serif"><i><span style="font-weight: normal;">Change</span></i></font><font face="Liberation Serif, serif"><span style="font-style: normal;"><span style="font-weight: normal;">, 2, 39-48.</span></span></font></span></p>
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<em><strong>14h30-16h30, discussion d'article :</strong></em></p>
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</p>
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ZWICKY, A. & A. ZWICKY (1987): <span style="background: transparent;">Patterns First, Exceptions Later. In</span> Channon, R. & L. Shockey (eds), <i>To Honor Ilse Lehiste</i>, De Gruyter (Netherlands Phonetics Archives), 525-537.</p>
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L'article est téléchargeable ici pendant 20 jours :</p>
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<a href="https://bigfiles.univ-paris8.fr/cngmplf">https://bigfiles.univ-paris8.fr/cngmplf</a></p>
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-- Jean-Louis AROUI Université Paris 8 UFR des Sciences du langage 2, rue de la liberté 93200 Saint-Denis FRANCE (+33) 149 40 73 40 http://www.umr7023.cnrs.fr/-Aroui-Jean-Louis-.html
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