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<p><b>Vendredi 16 janvier 2015 (Université Paris 3, salle 420B, Campus Censier, 13 rue Santeuil 75005 Paris)</b><br>
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11h00-13h00 : Discussion de l’article suivant :</p>
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OBERMEIER, Christian <i>et al.</i> (2013): Aesthetic and Emotional Effects of Meter and Rhyme in Poetry. <i>Frontiers in Psychology</i>, 4:10, 10 pp.</p>
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Article téléchargeable ici pendant 20 jours :</p>
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<a href="https://bigfiles.univ-paris8.fr/wacjdn">https://bigfiles.univ-paris8.fr/wacjdn</a></p>
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</p>
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14h30-16h30 :</p>
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Exposé de Jean-Louis Aroui (Université Paris 8, UMR 7023):</p>
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<font size="4" style="font-size: 14pt;"><b>« Métrique du <font face="Liberation Serif, serif">vers régulier </font><font face="Liberation Serif, serif"><i>(lushi</i></font><font face="Liberation Serif, serif">)</font><font face="Liberation Serif, serif"><i> </i></font><font face="Liberation Serif, serif">du chinois moyen tardif »</font></b></font></p>
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<font face="Liberation Serif, serif">(reprise d’un exposé du 21 mai 21014)</font></p>
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<span style="font-size:16px;"><i><font face="Liberation Serif, serif">Résumé </font></i><font face="Liberation Serif, serif"><span style="font-style: normal;">:</span></font></span></p>
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<span style="font-size:16px;"><span style="font-style: normal;">Sur la base des travaux de </span><font style="font-size: 12pt;"><span style="font-style: normal;"><span style="font-weight: normal;">Downer & Graham (1963), Jakobson (1969) et Chen (1979), sera présentée la structure métrique interne du </span></span></font><i><font style="font-size: 12pt;"><span style="font-weight: normal;">lushi</span></font></i><font style="font-size: 12pt;"><span style="font-style: normal;"><span style="font-weight: normal;">, forme fixe chinoise de l'époque Tang, couramment appelée en français </span></span></font><i><font style="font-size: 12pt;"><span style="font-weight: normal;">vers régulier</span></font></i><font style="font-size: 12pt;"><span style="font-style: normal;"><span style="font-weight: normal;">. Son mètre fondamentalement basé sur la forme tonale des syllabes. L'analyse proposée apporte des nouvea
utés substantielles par rapport à Chen (1979), mais n'utilise pas les études ultérieures, qui ne sont pas centrées sur la structure tonale de cette forme poétique,et ne concernent donc pas directement notre problématique.</span></span></font></span></p>
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<span style="font-size:16px;"><font style="font-size: 12pt;"><span style="font-style: normal;"><span style="font-weight: normal;">On parviendra ainsi à rendre compte de la structure tonale interne des pieds métriques sur la base de principes aussi simples que ceux de Chen, mais en se passant de la transformation de l'ouput qui lui est nécessaire. Plus fondamentalement, sera proposé un principe général qui permet d'expliquer la structure interne de l'ensemble des constituants métriques formant le </span></span></font><i><font style="font-size: 12pt;"><span style="font-weight: normal;">lushi</span></font></i><font style="font-size: 12pt;"><span style="font-style: normal;"><span style="font-weight: normal;"> et de prédire toutes et rien que les variations tonales observées en surface.</span></span></font></span></p>
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<span style="font-size:16px;"><font style="font-size: 12pt;">La lecture de l'article de Chen préalablement à l'exposé n'est pas obligatoire. Celui-ci est néanmoins téléchargeable ici pendant 20 jours :</font></span></p>
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<span style="font-size:16px;"><font style="font-size: 12pt;"><a href="https://bigfiles.univ-paris8.fr/7xkqumy6">https://bigfiles.univ-paris8.fr/7xkqumy6</a></font></span></p>
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</p>
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<span style="font-size:16px;"><font style="font-size: 12pt;"><span style="font-style: normal;"><span style="font-weight: normal;">CHEN, M. (1979): Metrical Structure: Evidence from Chinese Poetry. </span></span><i><span style="font-weight: normal;">Linguistic Inquiry</span></i><span style="font-style: normal;"><span style="font-weight: normal;">, 10:3, 371-420.</span></span></font></span></p>
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<span style="font-size:16px;"><font style="font-size: 12pt;"><span style="font-style: normal;"><span style="font-weight: normal;">DOWNER, G. B. & A. C. GRAHAM (1963): Tone Patterns in Chinese Poetry. </span></span><i><span style="font-weight: normal;">Bulletin of the School of Oriental and African Studies</span></i><span style="font-style: normal;"><span style="font-weight: normal;">, 26, 145-148.</span></span></font></span></p>
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<span style="font-size:16px;"><font style="font-size: 12pt;">JAKOBSON, Roman (1969): Le dessin prosodique ou le principe modulaire dans le Vers Régulier chinois. <i>Change</i>, 2, 39-48.</font></span></p>
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-- <strong>"Un homme est riche en proportion des choses dont il peut se passer."</strong>--<br>
<em>H.D. Thoreau</em><br>
----------------<br>
Jean-Louis AROUI<br>
Université Paris 8<br>
UFR des Sciences du langage<br>
2, rue de la liberté<br>
93200 Saint-Denis<br>
FRANCE<br>
(+33) 149 40 73 40<br>
<a href="http://www.umr7023.cnrs.fr/-Aroui-Jean-Louis-.html">http://www.umr7023.cnrs.fr/-Aroui-Jean-Louis-.html</a>
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