<div>Dear list members,</div>
<div>This is to add information to Prof. Behr's reply.</div>
<div>An excerpt from Tom Hudak's 1990 work on <strong><em>The Indigenization of Pali Meters in Thai Poetry.</em></strong> (Monographs in International Studies. <br>Southeast Asia Series No. 87. Athens: Ohio University.) <br>
can be found at:</div>
<div><a href="http://thaiarc.tu.ac.th/poetry/poem.html">http://thaiarc.tu.ac.th/poetry/poem.html</a></div>
<div><br>The Thai rhyming scheme closest to the "hook-rhyme" as described in Joshua's query is the ร่าย "raay"</div>
<div> </div>
<div>--------------</div>
<div>Yuphaphann Hoonchamlong<br>Associate Professor of Thai<br>Department of Indo Pacific Languages<br>University of Hawaii at Manoa<br>2540 Maile Way, Spalding 255<br>Honolulu, Hawaii 96822<br>Tel: (808) 956-8948<br>Web: <a href="http://www.hawaii.edu/thai">www.hawaii.edu/thai</a></div>
<div> </div>
<div class="gmail_quote">On Fri, Oct 2, 2009 at 3:24 AM, rodo pfister <span dir="ltr"><<a href="mailto:rodoX@gmx.net">rodoX@gmx.net</a>></span> wrote:<br>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div text="#000000" bgcolor="#ffffff">Dear list members,<br><br>On behalf of Wolfgang Behr (University of Zurich) I post below his answer to Joshua's question. rodo<br><br>--------------------<br><pre>I have a faint recollection, that this is sometimes called "andiplostic rhyme", after the rhethorical figure which describes the repetition of something occuring at the end of a sentence at the beginning of the next. For "hook rhyme", you might wish to check, whether it occurs in one of these terminological catalogues:
Rickert, William E. (1978), “Rhyme Terms”, Style 122 (1): 35-46.
Shahed, Syed Mohammad (1995), “Nomenclatures for Traditional Rhymes”, Asian Folklore Studies 54 (2): 308-14.
For the areal phenomenon cf. also
Hudak, Thomas John (1987), “Internal rhyme patterns in classical Thai poetry”, Crossroads 3 (2-3): 94-105.
My understanding was always, that what is more widespread in SE Asia is the so-called "climbing rhyme", esp. popular in Burmese poetry, where the rhyme word moves back gradually, "step by step", from the end to the beginning of a line within a poem or stanza. If you write anything on rhyming in Chamic, I would be certainly interested in reading it. Say hello to Jerry Edmondson, best wishes,
Wolfgang Behr
</pre>----------------------<br><br><br><br><br>Joshua and Amy schrieb:
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<div class="h5">
<blockquote type="cite">I've been looking at a rhyme scheme in Jarai (Chamic; Vietnam/Cambodia), where the last word of one line rhymes with a word near the beginning of the next line, as in the following, where we have the rhyming pairs hra - rəpa, asəi - tələi (from Dournes 1976):<br>
<br>ʔbhɨt ʔbong <u>hra</u><br><u>rəpa</u> ʔbong <u>asəi</u><br><u>tələi</u> ʔbu mao<br>(jealousy eat salt / hungry eat rice / issue not exist)<br><br>I've heard this called <i>hook-rhyme</i>, but I can't find that term (or any other) in any books or articles. I understand this is fairly common in SEA languages (I've been given an example in Khmer, and I've seen instances in a dissertation on Rengao and an article on Halang).<br>
<br>Can anyone point me to any sources that talk about or name this rhyme pattern? So far I've come up short in my search.<br><br>Thanks!<br><br>Joshua Jensen<br>PhD Linguistics Student<br>GRA for Linguistics Lab and Website<br>
Department of Linguistics & TESOL<br>The University of Texas at Arlington<br><a href="http://ling.uta.edu/~josh/" target="_blank">http://ling.uta.edu/~josh/</a><br>817-522-4383<br>________________________________________________________</blockquote>
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