Fwd: A Book of the Century
Zenon M. Feszczak
feszczak at sas.upenn.edu
Thu May 7 13:40:07 UTC 1998
London Telegraph
24 January 1998
Book of the Century
Brian Aldiss makes his choice
ALEKSANDR Solzhenitsyn says that he is speaking for
"mute Russia". The phrase crops up in his great work,
The Gulag Archipelago, published in Britain in three
volumes between 1974 and 1978. Yet this "history and
geography" of the Soviet Union's prison and forced
labour camp system is addressed to a wider audience than
mute Russia; it strikes at the heart and intellect of
everyone.
The opening of the book detains us like one of the great
Russian novels:
How do people get to this clandestine Archipelago? Hour
by hour planes fly there, ships steer their course
there, and trains thunder off to it - but all with nary
a mark on them to tell of their destination.
So we travel under the wing of Solzhenitsyn's metaphor
to encompass that chain of camps scattered across the
wildernesses of the Soviet Union, and meet the
inhabitants.
The author himself was a zek (prisoner) in the Kolyma
camp, "the pole of ferocity". He brought away the
material for his work, as he says, "on the skin of my
back, and with my eyes and ears". Every word was forged
by labour, exile, starvation.
One of the most vivid and scathing chapters, "What the
Archipelago Stands On", comes in the middle of the
second volume. Here, in the forced labour camps, the
principle of tukhta is introduced. The timber-fellers
are set impossibly high production targets. So the boss
credits his teams with fictitious cubic yards of wood
cut, thus increasing the zeks' bread allowance. The
log-rafters, who launch the timber down river, do not
denounce this mistake. It helps their production figures
to pass on the fictitious amount. The lumber yards
downstream do the same, adding a little to the figure.
Eventually, the Ministry of the Timber Industry makes
serious use of these fictitiously inflated figures in
their reports. Thus the entire GNP of the Soviet Empire
becomes founded on a fiction. "They simply could not
stand up against people's pressure to live."
Gulag, though, is not merely an account of the lies and
injustice on which the Soviet system was founded; it
addresses the human condition. Solzhenitsyn is a
moralist writing with savage irony. How do you survive
uncorrupted in this world? Those who are free, living in
cities, are also at risk.
Gulag is a long and vivid meditation on the good and
evil in men's hearts. We who live out our lives in
better circumstances must still confront its relevance.
There is no book like it in the world.
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