Cross-dressing in Stalinist film

Tribble, Keith keith.tribble at OKSTATE.EDU
Mon Nov 23 04:41:57 UTC 2009


In Vladimir Bortko's film of Bulgakov's novella Heart of a Dog one of the members of the Domkom is so well cross-dressed in a leather jacket etc. that Professor Preoobrazhensky has to ask him/her "Are you a man or a woman" (chapter 2 of the novella). 
Keith Tribble

-----Original Message-----
From: SEELANGS: Slavic & East European Languages and Literatures list [mailto:SEELANGS at bama.ua.edu] On Behalf Of Nicola Kuchta
Sent: Sunday, November 22, 2009 6:30 PM
To: SEELANGS at bama.ua.edu
Subject: Re: [SEELANGS] Cross-dressing in Stalinist film

Fantastic. Thank you very much.

Best,
Nicola Kucht
Dear Helena,

Fantastic. Thank you very much.

Best,
Nicola Kuchta




________________________________
From: Helena Tolstoy <tolstoy at MSCC.HUJI.AC.IL>
To: SEELANGS at bama.ua.edu
Sent: Sun, November 22, 2009 5:41:11 PM
Subject: Re: [SEELANGS] Cross-dressing in Stalinist film

The pre-war "Treasure Island" where Jim is a girl

-----Original Message-----
From: SEELANGS: Slavic & East European Languages and Literatures list
[mailto:SEELANGS at bama.ua.edu] On Behalf Of Nicola Kuchta
Sent: Saturday, November 21, 2009 7:00 PM
To: SEELANGS at bama.ua.edu
Subject: [SEELANGS] Cross-dressing in Stalinist film

Dear col
*Cross-listed. My apologies to those who receive this twice.*

Dear colleagues, 


I am trying to locate instances of cross-dressing in Stalinist film
(1929-1953) but am having trouble moving beyond the obvious: Volga Volga, My
iz Kronshtadta, Ivan the Terrible (all parts), and the "masculine" attire of
women in particular moments of Aleksandr Nevskii, Traktoristy, Zhdi menia,
etc. Your help would be much appreciated.

I am looking for any example of cross-dressing regardless of context. By
"cross-dressing," I mean moments in which a character (principle or
otherwise) appears in or adopts clothing that gender-codes them differently
from other characters of the same sex. So, for example, in addition to
Orlova's comedic sartorial "manliness"  in Volga Volga, I include the less
obvious "frontovaia zhena" character in Zhdi menia and the times when
Ladynina and her kolkhoznitsy appear to be coded "male" or "female" by their
dress in Traktoristy. The mannequins in Medvedkin's Schast'e also qualify. 

Please reply off list with any suggestions or insights to
nicolakuchta at yahoo.com. 


Thank you very much.

Nicola Kuchta
U Pittsburgh


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