Follow the Drinking Gourd song

[Wilson Gray]

On Oct 14, 2004, at 3:44 PM, Jonathan Lighter wrote:

> ---------------------- Information from the mail header
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> Sender:       American Dialect Society <ADS-L at LISTSERV.UGA.EDU>
> Poster:       Jonathan Lighter <wuxxmupp2000 at YAHOO.COM>
> Subject:      Re: Follow the Drinking Gourd song
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> --------
>
> ISTR that Harold Courlander expressed some skepticism about the
> genuineness song in his 1963 book, "American Negro Folk Music."  Now
> that I think about it, I'm getting skeptical too. In addition to Jim
> Landau's insightful analysis, isn't it also peculiar that H. B. Parks
> is apparently the only collector to report this song in any form? At
> least the "drinkin' gou'd" refrain might be expected to have turned up
> again.
>
> If, as Jim suggests, the song was extremely local, isn't also odd that
> Parks (and Parks alone) should have picked up one stanza in North
> Carolina and several more a thousand miles away in Texas

FWIW, my ancestors were slaves in North Carolina before being
transported to Texas after Stephen F. Austin, a former slave-holder
from Missouri, was successful in re-establishing slavery in Texas. When
Texas was part of Mexico, slavery had been outlawed.

Fortunately, my ancestors were able to get out of North Carolina before
the development of the glottal stop in Carolina Black English. As the
old saw goes, "It's an ill wind that blows nobody good."

-Wilson Gray

>  - stanzas that no one else, including John and Alan Lomax on their
> extensive collecting trips through the South, seems to have
> encountered anywhere?
>
> It's a great song with a great story attached. I too wish I knew more
> about its origin.
>
> JL
>
>
>
>
>
> "James A. Landau" <JJJRLandau at AOL.COM> wrote:
> ---------------------- Information from the mail header
> -----------------------
> Sender: American Dialect Society
> Poster: "James A. Landau"
> Subject: Re: Follow the Drinking Gourd song
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> --------
>
> In a message dated Sun, 10 Oct 2004 13:14:55 -0400, Joel Bresler
> asks:
>
>> I am researching the song, "Follow the Drinking Gourd", and hope
>> someone on
>> the list might be able to assist with a part of my work. The lyrics
>> of this
>> song ostensibly were created by the Underground Railroad, and are
>> said to
>> contain a coded escape route from the south for fleeing slaves. It is
>> variously known as "Follow the Drinking Gourd" (the drinking gourd
>> being
>> the Big Dipper) "The Drinking Gourd", "The Drinking Gourd Song",
>> "Foller de
>> Drinking Gou'd", etc. The song supposedly dates from the Civil War or
>> earlier, possibly as a camp song, "Follow (Foller) the Risen Lord."
>> In an
>> arrangement by the Weavers (with notably different lyrics and music)
>> it was
>> a staple of the civil rights and folk song revival movements of the
>> 1950s/1960s.
>>
>> Here's the issue. So far, I have been unable to find any traditional
>> recordings or mentions of the song -- it does not appear in the
>> standard
>> sources for black songs of that era. I've heard speculation that the
>> song
>> was actually made up by its supposed discoverer, Texas folklorist H.B.
>> Parks. And that is where you may be able to help.
>>
>> Perhaps there is something to be gleaned from the text of the song,
>> as he
>> reported it in 1928, from "an old Negro at College Station, Texas".
>> As I
>> say, any analysis will be clouded by the fact that the lyrics were
>> supposedly made up by members of the Underground Railroad in
>> pre-Civil War
>> days and it was "collected" 50 to 60 years later.
>>
>> FOLLOW THE DRINKING GOURD
>>
>> When the sun come back,
>> When the firs' quail call, Foller the drinkin' gou'd.
>>
>> Chorus: Foller the drinkin' gou'd,
>> Foller the drinkin' gou'd;
>> For the ole man say,
>> 'Foller the drinkin' gou'd.'
>>
>> The riva's bank am a very good road,
>> The dead trees show the way,
>> Lef' foot, peg foot goin' on,
>> Foller the drinkin' gou'd.
>>
>> Chorus
>>
>> The riva ends a-tween two hills,
>> Foller the drinkin' gou'd;
>> 'Nuther riva on the other side
>> Follers the drinkin' gou'd.
>>
>> Chorus
>>
>> Wha the little riva
>> Meet the grea' big un,
>> The ole man waits--
>> Foller the drinkin' gou'd.
>
> If the song does contain "a coded escape route from the south for
> fleeing
> slaves", then it must have been sung among slaves in a very limited
> geographical
> area, as moving a few miles east or west would make the coded
> references
> meaningless. This perhaps explains why no one other than H. B. Parks
> ever heard
> the song---being restricted to a single stream valley, it simply never
> had wide
> distribution.
>
> The lyrics quoted above are no help. They imply a relatively small
> "riva",
> which could be something as small as a creek, which flows between two
> hills and
> then empties into another relatively small sttream, which in turn
> empties
> into a relatively large "grea' big riva". Even considering that the
> Underground Railroad rarely reached more than a hundred miles into
> slave territory,
> there must be hundreds of stream valleys that fit the above
> description.
>
> If the lyrics are directions, they are hardly "coded" but are quite
> clear.
> But they are also quite incomplete. How does the runaway slave
> recognize the
> "ole man"? Is he white or black? (Probably white. A black man who
> remains
> stationary at a river crossing is soon going to attract the attention
> of the
> Patrol.) Most likely the "ole man" lives in a house that is a station
> on the
> Underground Railroad. (There is one such just down the street from
> where I
> live, complete with a hidden room for hiding slaves.) The song must
> therefore
> mention that the "ole man" can be found in a house. But unless there
> is only a
> single house at the stream mouth, the runaways need explicit
> instructions as to
> which house to go to, and these instructions are not in the lyrics you
> quote.
>
> Conclusion: either "Drinking Gourd" is NOT a set of instructions, or
> else a
> considerable amount of the original lyrics have been lost.
>
> - James A. Landau
>
>
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