Tribal teens use film to tell the stories of who they are (fwd)
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Thu Aug 10 04:19:21 UTC 2006
Published: Tuesday, August 8, 2006
Tribal teens use film to tell the stories of who they are
By Krista J. Kapralos
Herald Writer
http://www.heraldnet.com/stories/06/08/08/100loc_b1film001.cfm
EVERETT - The spotlight was on Aaron Jones, 13, and he shifted from one
foot to another.
"Um, thanks," he said, and thrust the hand-held microphone back
toward the podium onstage at the Historic Everett Theatre.
He and his brother, Derek Jones, 17, collected their armfuls of
awards and hurried toward a small keyboard at stage left. Derek sat down
and began playing a musical diversion during intermission at the
first-ever Tulalip Film Festival awards ceremony.
For many American Indians, attention from the world outside the
reservation boundaries can be fearsome. Mainstream video cameras capture
poverty, suicide or corruption.
When Indians turn their own cameras on themselves, the picture is
very different.
The 20 films submitted to the Tulalip Film Festival, which ended
Friday, refused to gloss over the challenges on reservations, but they
didn't abandon their characters there.
In one film, young Indians escape to Montana's backcountry for a
leadership camp. In another, women discuss how they look and feel
different than non-Indians.
Puppets share the tribal legend of "Deer and Changer" in both English
and Lushootseed, the traditional language of the Tulalip Tribes.
A boy's father turns to alcohol to cope with the death of a friend.
One by one, stereotypes of tribal culture are challenged.
"By charging the youth with the skills necessary to tell their own
stories and to put those images out in the media in our own way, the
broader public will see native persons the way we see ourselves, with
all the cultural complexities," American Indian filmmaker Tracy Rector
said.
Rector is director of Longhouse Media/Native Lens, a Seattle-based
nonprofit that trains American Indian teenagers around the state in
digital film.
Her organization submitted three of the festival's 20 films.
The Tulalip Film Festival was born out of a conference that suggested
that distance learning students use digital media to submit projects and
connect with their professors. Daniel Jones, Tulalip site manager for
Northwest Indian College, discovered that students could learn
filmmaking skills with the same technology.
Jones received a $15,000 grant from the Tulalip Tribes to help fund a
week's worth of filmmaking classes for 25 students. Students also took a
drum-making class. The drums were featured in several of the films they
created.
Both of Jones' sons, Tulalip tribal members Aaron and Derek Jones,
participated in the class.
"I just picked up a camera in March and started filming," Derek said.
"I continued that with this class."
Sam Longoria, who has worked on Oscar-nominated movies during a long
career in Hollywood, volunteered to help train the students. Longoria,
who has a home in Lake Stevens, said he wanted to help because his
first feature film was shot on the Muckleshoot Indian Reservation south
of Seattle.
Stephen Jiminez, an instructor at Northwest Indian College in
Bellingham, also taught the students.
On Friday, several of the students gathered at the Historic Everett
Theatre on Colby Avenue to see their work on the big screen. There were
technical hiccups and muffled dialogue, but also a deep sense of pride.
Their lives, for so long mundane, joyful and sometimes painful
collections of daily tasks, were suddenly in the spotlight.
"Often times communities don't want to air their dirty laundry, but
when it comes from the youth, the youth are honest by saying, 'This is
my story, this is who I am,'" Rector said. "Once they're able to
express that and acknowledge who they are, both good and bad, they're
able to move on."
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