[lg policy] Unlearning to Tawk Like a New Yorker

[Harold Schiffman]

Unlearning to Tawk Like a New Yorker
By SAM ROBERTS

ANDREW RAMOS always believed it made him more charming, an endearing
characteristic integral to his identity. But, finally, after too many
people mocked him, he began seeing a therapist. Patrick Mullin had the
same problem. “People were complaining,” he said. He started weekly
therapy sessions 11 years ago and still goes about once a month.
Lauren LoGiudice sought help for similar symptoms. “I would have
sessions and I started to cry,” she said.

In all three cases, therapists reached the same discomfiting
conclusion. “I was diagnosed with a New York accent,” Mr. Ramos said.
The classic New York accent is not as distinct or as prevalent as it
once was, but there are plenty of native “New Yawkers” who not only
have it but consider it a curse. “It humbled me,” Mr. Ramos, a
television reporter at WPIX-TV, said of his diagnosis.

Those who seek professional help to conquer their accents make similar
complaints, like, “ ‘People don’t understand what I’m saying,’ ” said
Sam Chwat, who is considered the dean of speech therapists. “ ‘I’m
stigmatized by the way I speak.’ ‘I’m tired of people imitating or
ridiculing the way I speak, or saying I sound “cute.” ’ ‘My accent
seems to imply negative characteristics.’ ”

Miss LoGiudice’s accent didn’t matter when she was growing up in
Howard Beach, a heavily Italian neighborhood in Queens where dropping
r’s in words like doctor (doctuh) and water (wawtuh) just happens to
be the way many people talk.“I grew up with people who could be the
cast of ‘Jersey Shore,’ ” Miss LoGiudice, 27, said. It was not until
she got to Wesleyan University that she realized how much her speech
pigeonholed her. And as a young actress who is “tall and
Anglican-looking,” she worried her accent would be a roadblock. “If I
had looked like Meadow Soprano,” Miss LoGiudice said, “I wouldn’t have
had to worry about my accent.”

The accent was rarely an asset but has become more of a handicap in an
era of globalization, when people and jobs are more mobile and a more
generic identity can be seen as an advantage (think Michael R.
Bloomberg shedding his Boston twang). “A New York accent makes you
sound ignorant,” said Lynn Singer, a speech therapist who works with
Miss LoGiudice. “People listen to the accent, but not to what you’re
saying.”

Another of Ms. Singer’s clients, Alan Steinfeld, who was born in
Brooklyn, agreed. He hosts a New Age program on local access cable
television channels in New York that is also streamed over the
Internet, and he fears his accent prevents him from appealing to a
wider audience. “People put you in a category when they hear a
particular accent and don’t hear the message,” Mr. Steinfeld, 52,
said.

The online Yellow Pages includes more than a dozen listings for “New
York accent reduction” specialists, and searching “New York accent”
and reduction or elimination on Google generates about 4,000 hits. The
process typically takes at least several months, with as many as three
sessions a week, and can cost from a few hundred to a few thousand
dollars.

Mr. Chwat described his school, the Sam Chwat Speech Center in
Manhattan, as the largest practice of therapists specializing in
accents, with six licensed speech therapists and more than 100 clients
a week.

“I have seen a notable rise in the number of self-referred corporate
execs who are trying to retain their competitive edge within their
corporations, be clearly understood by customers or clients who
typecast or stigmatize them by their speech patterns,” Mr. Chwat said.

Ms. Singer, who runs Voiceworks, starts her sessions by working on the
sounds a client finds the most difficult to pronounce. She works with
clients on proper breathing, pronouncing vowels that use the back of
the tongue and conscious sound substitution that replace “glottal
clicks and swallowed vowels” until it becomes routine — a laborious
process that takes months, even years.

Some clients also find it unnerving. “I felt if I lost my accent I’d
lose part of who I was,” Miss LoGiudice said. “Almost no one thinks
I’m from Queens anymore.”

The New York accent is a distinctive amalgam of Irish, German, Yiddish
and Italian — now infused with black and Hispanic dialects and a
Caribbean lilt — that was identified at least as far back as the early
19th century. In 1896, E. H. Babbitt wrote about “The Language of the
Lower Classes in New York and Vicinity” whose voices O. Henry later
captured in his short stories.

In 1928, when radio became a factor in a national political campaign
for the first time, the president of CBS wrote unflatteringly that
Gov. Alfred E. Smith of New York pronounced the word first as “foist.”
A 1940 study by two New York University professors found that the New
York accent was the most widely disliked style of speech in the United
States. And in 1966, William Labov, a sociolinguist, identified what
he called “linguistic self-hatred in New York.”

Of course, plenty of actors still turn to instructors to teach them
the accent, and feigning one can sometimes be useful. “Some people
fake New York accents when they work on Wall Street because they want
to come off as tougher,” said Lynn Bo, a speech therapist in Bayside,
Queens.

But Edith Bunker (played by Jean Stapleton), Tony Soprano (James
Gandolfini) and Fran Fine (Fran Drescher) notwithstanding, few New
Yorkers these days would take naturally to the chorus of a popular
1946 song by Bobby Gregory: “Who is de toughest goil in dis whole
woild?/Moitle from Thoidy-Thoid and Thoid.”

“That has vanished without a trace,” said George Jochnowitz, a
professor emeritus of linguistics at City University’s College of
Staten Island.

That type of stereotypical accent, which survives mostly in
black-and-white movies and television reruns, has been diluted by the
influx of what linguists describe as Standard American English
speakers from across the country, along with a decline in the city’s
white working-class population, whose members tended to have some of
the thickest accents.

Still, you don’t have to be a speech therapist to identify New Yorkers
by their accents, to hear the dropped “r” in park and car, or the
monosyllabic luncheon invitation “Jeet?”

“The accent still exists in places like Staten Island or Bensonhurst
or the Rockaways,” says the writer Pete Hamill, one of several New
Yorkers interviewed for a documentary by Heather Quinlan called “If
These Knishes Could Talk.” “However, it has changed in that it’s no
longer the ‘dese, dem and dose’ and the ‘Thoidy-Thoid and Thoid’ that
we think of.”

Mr. Chwat, 57, who grew up in Brooklyn and lives in Great Neck, N.Y.,
said that public speaking used to be part of the public-school
curriculum and that passing a test in oral proficiency was once a
requirement to graduate from the city’s public colleges.

“There is no direct instruction for public speaking and standard
articulation,” Mr. Chwat said, “and there is no penalty for speaking
with an accent.”

Mr. Ramos, 26, the television reporter, grew up in Passaic, N.J., and
he said his New York regional accent was “an endearing quality because
New York is a great place to be from, but if you ever want to work
outside New York, it may put you in a box.”

Mr. Mullin, 60, a tax and criminal lawyer who practices in Manhattan
and New Jersey, said he grew tired of going to legal training seminars
in which fellow lawyers complained about not understanding him. “I
didn’t want to be boxed in regionally,” he said. “I wanted to be a
clear communicator. My accent got in the way.”

Miss LoGiudice said her weekly sessions with Ms. Singer for a year and
a half, along with exercises at home, had already produced results — a
role as an international model in a film being released next year.

“If I hadn’t done the accent work, I would have never been cast in
this film,” she said. “Lynn’s credo is quite accurate: Change your
voice, change your life.”

http://www.nytimes.com/2010/11/21/nyregion/21accent.html?_r=1&ref=nyregion&pagewanted=print

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