Language and Linguistics - Shaw
Joshua Raclaw
Joshua.Raclaw at Colorado.EDU
Mon Mar 10 15:47:45 UTC 2008
Outside of Tolkien, Anthony Burgess comes to mind - he constructed a conlang for a film back in the early 80s (the name of which is *completely* escaping me), constructed Nadsat for his _A Clockwork Orange_, and wrote a novel (_The Doctor is Sick_) where the protagonist is a Ph.D.-holding lecturer in linguistics, among other qualifications.
Joshua
Joshua Raclaw - PhD student
Department of Linguistics
Culture, Language & Social Practice
Women and Gender Studies
University of Colorado at Boulder
http://ucsu.colorado.edu/~raclaw/
---- Original message ----
>Date: Mon, 10 Mar 2008 15:11:56 -0000
>From: "Patrick, Peter L" <patrickp at essex.ac.uk>
>Subject: RE: [Linganth] Language and Linguistics - Shaw
>To: "Robert Lawless" <robert.lawless at wichita.edu>
>Cc: <linganth at cc.rochester.edu>
>
> Link: File-List
>
> I think Barbara is right - GBS was, certainly for his day,
> linguistically sophisticated.
>
>
>
> He campaigned for a phonemic alphabet and even attempted to devise his
> own - the Shavian alphabet (which however was actually implemented by
> Kingsley Read, with a bequest from Shaw's will) has been incorporated
> into Unicode, though I've never seen it used online except as a
> curiosity.
>
> http://www.alanwood.net/unicode/shavian.html
>
> Each symbol has a name - some of them are wonderful - my favourites
> are "Whoops", "Tsadey" and "Dep".
>
> This was perhaps less of a crank project in his day than it now
> appears, after many more spelling reformers have come and gone without
> affecting common practice at all. The principle behind Shaw's approach
> (a phonetic orthography which is visually distinct from the Roman
> alphabet) has survived into some attempts to create standard
> orthographies for newly-written languages, though I think they mostly
> now go the other way. An obvious flaw of Shaw's system is that
> different spellings are required for each accent of English...
>
>
>
> Tolkien was another linguistically sophisticated writer...
>
> -peter-
>
>
>
> Peter L Patrick
>
> Dept. of Language and Linguistics
>
> University of Essex
>
> Wivenhoe Park
>
> Colchester CO4 3SQ
>
> UK
>
> patrickp at essex.ac.uk
>
>
>
> -----Original Message-----
> From: owner-linganth at ats.rochester.edu
> [mailto:owner-linganth at ats.rochester.edu] On Behalf Of Robert Lawless
> Sent: 10 March 2008 14:09
> To: linganth at cc.rochester.edu
> Subject: RE: [Linganth] Language and Linguistics
>
>
>
> In the preface to Pygmalion Shaw states, "Higgins is not a portrait of
>
> Sweet, to whom the adventure of Eliza Doolittle would have been
> impossible;
>
> still, as will be seen, there are touches of Sweet in the play." At
> any
>
> rate, I'm not sure that writing about a linguist makes one a linguist.
> Robert.
>
>
>
> At 08:59 AM 3/10/2008, Barbara Johnstone wrote:
>
> >G.B. Shaw? Pygmalion, remember? The Henry Higgins character was
> based on
>
> >Henry Sweet.
>
> >
>
> >
>
> >_________________
>
> >Barbara Johnstone
>
> >Professor of Rhetoric and Linguistics;
>
> >Director of Graduate Studies
>
> >Editor, Language in Society
>
> >Department of English, Carnegie Mellon University
>
> >Pittsburgh PA 15213-3890 USA
>
> >
>
> >bj4 at andrew.cmu.edu
>
> >412.268.6447 office phone/voicemail, 412.268.7989 fax
>
> >http://english.cmu.edu/people/faculty/homepages/johnstone/default.html
>
> >Pittsburgh Speech and Society: http://pittsburghspeech.com
>
> >__________________________
>
> >
>
> >
>
> > > -----Original Message-----
>
> > > From: owner-linganth at ats.rochester.edu [mailto:owner-
>
> > > linganth at ats.rochester.edu] On Behalf Of Robert Lawless
>
> > > Sent: Monday, March 10, 2008 9:39 AM
>
> > > To: linganth at cc.rochester.edu
>
> > > Subject: [Linganth] Language and Linguistics
>
> > >
>
> > > Were any of the great (or even not-so-great) literary giants of
> English
>
> > > linguistically sophisticated? Is it of any benefit to a writer to
> be able
>
> > > to articulate the structure and history of the language? Robert.
>
> > >
>
> > >
>
>
>
>
>
> .
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