32.3999, Books: Language, the Singer and the Song: Watts, Morrissey

[The LINGUIST List]

LINGUIST List: Vol-32-3999. Tue Dec 21 2021. ISSN: 1069 - 4875.

Subject: 32.3999, Books: Language, the Singer and the Song: Watts, Morrissey

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Date: Tue, 21 Dec 2021 10:48:06
From: Eleanor Hennerley [ehennerley at cambridge.org]
Subject: Language, the Singer and the Song: Watts, Morrissey

 


Title: Language, the Singer and the Song 
Subtitle: The Sociolinguistics of Folk Performance 
Publication Year: 2021 
Publisher: Cambridge University Press
	   http://www.cambridge.org/linguistics
	

Book URL: https://www.cambridge.org/us/academic/subjects/languages-linguistics/sociolinguistics/language-singer-and-song-sociolinguistics-folk-performance?format=PB 


Author: Richard J. Watts
Author: Franz Andres Morrissey

Paperback: ISBN:  9781107533042 Pages:  Price: Europe EURO 31.50
Paperback: ISBN:  9781107533042 Pages:  Price: U.S. $ 34.99
Paperback: ISBN:  9781107533042 Pages:  Price: U.K. £ 26.99


Abstract:

Editor's Note: This is a new edition of a previously announced title.

The relationship between language and music has much in common - rhythm,
structure, sound, metaphor. Exploring the phenomena of song and performance,
this book presents a sociolinguistic model for analysing them. Based on
ethnomusicologist John Blacking's contention that any song performed
communally is a 'folk song' regardless of its generic origins, it argues that
folk song to a far greater extent than other song genres displays 'communal'
or 'inclusive' types of performance. The defining feature of folk song as a
multi-modal instantiation of music and language is its participatory nature,
making it ideal for sociolinguistic analysis. In this sense, a folk song is
the product of specific types of developing social interaction whose major
purpose is the construction of a temporally and locally based community.
Through repeated instantiations, this can lead to disparate communities of
practice, which, over time, develop sociocultural registers and a communal
stance towards aspects of meaningful events in everyday lives that become
typical of a discourse community.
 



Introduction; Part I. Creating Community and Identity through Song: 1.
Language and music; 2. 'Breaking through' into performance'; 3. The
communality of folk song; 4. Answering back: rebels with and without a cause;
Part II. Variation in Language and Folk Song: 5. 'The times they are
a-changing'; 6. Ideologies, authenticities and traditions; 7. 'Insects caught
in amber'; Part III. Folk Song Performance and Linguistics: 8. Voices in the
folk song; 9. The song: text and entextualisation in performance; 10. Going
out there and doing your thing; 11. Enregisterment through song; 12. Whither
folk song, whither sociolinguistics?; Appendix: overview of musical concepts.
 


Linguistic Field(s): General Linguistics
                     Sociolinguistics


Written In: English  (eng)

See this book announcement on our website: 
http://linguistlist.org/pubs/books/get-book.cfm?BookID=158818




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