Aztec aesthetics
Craig Berry
cdberry at gmail.com
Wed Aug 7 16:28:08 UTC 2013
There's an old Roman saying, "De gustibus non est disputandum" -- "There is
no arguing about taste." Whether a piece of art is beautiful or hideous is
a subjective judgment. Being a specialist in a given field may provide the
opportunity to learn to see beauty in a style of art, or it may not.
Speaking entirely for myself, and as a reasonably competent amateur in the
study of Mesoamerican cultures, I find the Aztec aesthetic beautiful,
powerful, and spiritually rich. I recently visited the British Museum,
which has a large room permanently dedicated to Mesoamerican artefacts, and
I spent a good ten minutes standing slack-jawed in awe before a stone
carving of Xiuhcoatl:
http://www.britishmuseum.org/explore/highlights/highlight_objects/aoa/s/stone_figure_of_xiuhcoatl.aspx
But other museum visitors around me were happily denigrating the style of
that carving, and of everything else in the room.
Turning to one of the articles you cite, the author expresses a fondness
for Moghal art, which I find painfully busy, inharmoniously colored, and
generally childish. But I will be the first to acknowledge that this is
*my* view, and I will not attempt to argue with someone who finds in Mughal
art sublimity and beauty.
On Tue, Aug 6, 2013 at 6:00 PM, Richard Durkan <rdurkan at hotmail.com> wrote:
> In 2009 the British Museum staged an exhibition 'Moctezuma: Aztec Ruler'
> which drew vitriolic criticism from at least two (non-specialist) critics.
> Brian Sewell in the London Evening Standard. found the Aztec material
> pretty feeble stuff, that many of the masks were of utmost hideousness, the
> quality of Aztec craftsmanship to be poor, no better than common
> bric-a-brac and that there was no art in the barbarism of the Aztec world,
> which compared unfavourably with contemporary European artists like
> Donatello and Ghiberti and that. He refers to the sickly beastliness of
> that society. We should not be required to see the objects as works of art
> but rather cultural objects, fetishes with which to terrify and induce
> irrational reverence in their superstitious society, the gruesome and
> grotesque curiosities of a barbarous regime.
> Similarly, Philip Hensher in the Mail on Sunday wrote a review headed
> 'British Museum Artefacts as Evil as Nazi Lampshades made from Human Skin'
> which included the following comments: Other civilisations with inhumane
> customs still managed to produce objects of light and grace. You can see
> that in Mughal culture, or ancient Egyptian sculpture. The darkness of the
> Aztec mind seems to permeate everything they made with ugliness...If there
> is a more revoltingly inhumane and despicable society known to history than
> the Aztecs, I really don't care to know about it...It is difficult to
> imagine a museum display that gives off such an overwhelming sense of human
> evil as this one But, on top of the moral ugliness of the Aztecs, there is
> the undeniable fact that almost everything they made was aesthetically
> hideous, too. The sculpture is brutal, square and blocky. The decorative
> styles are coarse, without any obvious expressive power. The jewellery and
> mosaic styles are vulgar and showy - there is nothing to be said for the
> turquoise mosaic masks or the doubleheaded, wide-jawed snake that
> Moctezuma gave to the Spanish conquerors, apart from the expense of labour
> and material".
> It is difficult to argue that it was just this particular exhibition that
> revolted him as he makes similar comments about another exhibition: "The
> Royal Academy's equally repulsive show of Aztec artefacts of two years ago
> included a sculpture, the image of which I wish I could get out of my
> head...I wouldn't care if they left the whole pile of rubbish where it lay
> for eternity. The Aztecs perform the singular task of making the Spanish
> who, under Cortes, conquered them in 1521, look like beacons of humanity".
> To what are these views shared by academic specialists on the Aztecs? Do
> the Maya and Incas attract similar comments? Richard Durkan
>
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--
Craig Berry (http://gplus.to/isomeme)
"Eternity is in love with the productions of time." - William Blake
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