Chekhov Conference
pjs
pscotto at MTHOLYOKE.EDU
Mon May 10 14:07:22 UTC 2004
Wait a minute! Lillian Hellman has no ethics. I assume the title of the
paper is ironical.
Peter Scotto
On Mon, 10 May 2004, Joe Andrew wrote:
> Date: Mon, 10 May 2004 09:55:05 +0100
> From: Joe Andrew <j.m.andrew at LANG.KEELE.AC.UK>
> Reply-To: Slavic & East European Languages and Literature list
> <SEELANGS at LISTSERV.CUNY.EDU>
> To: SEELANGS at LISTSERV.CUNY.EDU
> Subject: [SEELANGS] Chekhov Conference
>
> Dear SEELANGers
>
> I am pleased to announce a forthcoming conference on Chekhov.
> Dates and speakers as listed below.
>
> The Neo-Formalists 2004 Conference One Hundred Years of Chekhov will be
> held at Mansfield College, Oxford, from 13-15 September 2004. Below is a
> list of speakers who have now confirmed their paper titles.
>
> Further details and booking forms will be made available in June/July.
> Please address any queries to the organisers Robert Reid and Joe Andrew.
>
> Joe Andrew (Keele), "A Room of Ones Own": Narrative, Gender and Space in
> The Fiancée, in Relation to The Boarding School Girl
>
> Carol Adlam (Exeter), Anton Chekhov and Lillian Hellman: Form and Ethics
>
> Tatiana Alenkina (Moscow), Peculiarities of the Reception of The Seagull
> in the English-Speaking World
>
> Joost van Baak (Groningen), Chekhovs Fictional Mansions: A Narrative
> Perspective
>
> Rosamund Bartlett (Durham), Dots, Commas, Colons: the Point of Chekhov's
> Punctuation.
>
> Birgit Beumers (Bristol), The Chopping of the Cherry Orchard:
> Stanislavsky or Chekhov?
>
> Kjeld Bjornager (Denmark), "Uncle Vanya: The Masculine Triangle"
>
> Leon Burnett (Essex), The English Chekhov
>
> Eric de Haard (Amsterdam), Chekhovs Numbers Game: The Flying Islands as
> Pastiche of Jules Verne
>
> Ros Dixon (Galway), "Ne goni menia!": Anatolii Efross Production of
> Three Sisters, 1967
>
> Justin Doherty (Dublin), Chekhovs Representation of Nature in His Later
> Stories
>
> Andrzej Dudek (Krakow), The Motif of Insanity in Chekhovs Works:
> Literary Functions and Anthropological Connotations
>
> Richard Freeborn, Residency and Absurdity in Chekhovs The Seagull
>
> Harai Golomb (Tel-Aviv),The Whole at the Expense of Its Parts: Chekhov as
> Structuralists Paradise
>
> Jane Gary Harris (Pittsburg), Image Criticism Revisited: Chekhovs
> Reception in the Early 20th Century Russian Womens Periodical Press
>
> Ulrike Lentz (Surrey), Typification of Western Europeans: Chekhovs
> Foreign Governesses and Tutors
>
> Henrietta Mondry (Canterbury, NZ), "Peasant Womens Sexualities in Chekhov
> and Gleb Uspensky"
>
> Richard Peace, From Titles to Endings: Rothchilds Violin
>
> Michael Pursglove, Grigorovichs Migrants: A Source for Chekhovs
> Steppe?
>
> Robert Reid (Keele), Kakie zhe tut nasmeshki? The Death of a Civil
> Servant: More or Less a Parody
>
> Joseph Sherman (Oxford), Chekhov and the Jews
>
> Olga Sobolev (London), Chekhovs Plays on the Russian Screen
>
> Olga Tabachnikova (Bath), Chekhov through the Eyes of Lev Shestov:
> Justice or Distortion? Continuing the Polemics
>
> Willem Weststeijn (Amsterdam), "The Description of Character in Chekhovs
> Stories"
>
> Claire Whitehead (St Andrews), Playing at Detectives: Parody in Chekhovs
> Shvedskaia spichka
>
> Kevin Windle (ANU), Three Irish Sisters: Brian Friels Version of
> Chekhov's Play for the Irish Stage
>
> Please contact me for further details.
>
> Joe
>
> ----------------------
> Joe Andrew
> j.m.andrew at lang.keele.ac.uk
>
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