KinoKultura Special Issue #8: Serbian Cinema

[Birgit Beumers]

KinoKultura is pleased to announce the launch of the 8th spcial issue,
devoted to Serbian Cinema and guest edited by Vida Johnson, Professor of
Russian culture and film and Director of the Program in Russian at Tufts
University.

The issue contains a series of articles by Serbian critics, and reviews of
very recent films:

ARTICLES
 
Vida T. Johnson:  “Introduction: From Yugoslav Cinema to New Serbian Cinema”
Articles:

Goran Gočić: "The Dionysian Past and the Apollonian Future of Serbian Cinema
(Žilnik, Kusturica, Dragojević)"

Ivana Kronja:“The Aesthetics of Paranoid Realities in The Land of Truth,
Love and Freedom and South by South-East by Milutin Petrović”

Dejan Ognjanović: “Genre Films in Recent Serbian Cinema”

Ana Janković Piljić: “Who is Afraid of Alice in Wonderland?”

Ivan Velisavljevic: “How We Loved America: The Significance of Rock’n’roll
and American Movies in the Serbian Film Industry”

Dimitrije Vojnov: “The Rise and Fall of Serbian Pop Cinema”

Srdjan Vučinić: “The Grotesque as History, History as Grotesque: The Meaning
of the Grotesque in Recent Serbian Cinema”

 
REVIEWS

Miša Nedeljković: Goran Paskaljević’s The Optimists (Optimisti, 2006)

Aida Vidan: Srdan Golubović’s The Trap (Klopka, 2007)

Greg DeCuir Jr: Nikola Stojanović’s Belle Epoque, or the Last Waltz in
Sarajevo (Belle epoque, ili poslednji valcer u Sarajevu, 2007)

Christina Stojanova: Stefan Arsenijević’s Love and Other Crimes (Ljubav i
drugi zločini, 2008)

Christina Stojanova: Goran Marković's The Tour (Turneja, 2008)

Marko Dumančić: Milorad Milinković’s Obituary for Escobar (Čitulja za
Eskobara, 2008)

Nevena Daković: Srđan Dragojević’s St George Shoots the Dragon (Sveti
Georgije ubiva aždahu, 2009)

Vlastimir Sudar: Jovan Todorović’s The Belgrade Phantom (Beogradski Fantom,
2009) 

Enjoy the issue!

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