33.1202, Calls: Ling & Literature/Online

[The LINGUIST List]

LINGUIST List: Vol-33-1202. Sun Apr 03 2022. ISSN: 1069 - 4875.

Subject: 33.1202, Calls: Ling & Literature/Online

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Date: Sun, 03 Apr 2022 22:53:38
From: Natasha Lvovich [natasha.lvovich at kbcc.cuny.edu]
Subject: Code-Switching in Arts

 
Full Title: Code-Switching in Arts 

Date: 29-Sep-2022 - 01-Oct-2022
Location: Online, Germany 
Contact Person: Marianna Deganutti
Meeting Email: zerocodeswitching at pm.me
Web Site: https://langueflow.wordpress.com/2021/09/17/code-switching-arts-conference-2022/ 

Linguistic Field(s): Ling & Literature 

Call Deadline: 15-Apr-2022 

Meeting Description:

Contemporary and historical multilingual narratives transcend the boundaries
and constraints dictated by our physical world, allowing verbal and
audio-visual artists, as well as their mediators to elaborate innovative
linguistic solutions, which broaden and also break the common communication
norms. There are multiple ways to involve diverse languages and other
communication codes in an artistic production.

Interest in multilingualism and multimodal discourses is on the increase.
Multilingualism has also been defined as polylanguaging (Jorgensen et al.
2011), polylingualism (Sternberg 1982), heterolingualism (Grutman 2012),
semiodiversity (Gramling 2016), literary translingualism (Kellman 2015/2020),
zero and 1–5 degree code-switching (Domokos 2018, Deganutti & Domokos 2021)
etc. Research shows frequently the potential and the complexity of
multilingualism.

The aim of this conference is to explore the code-switching/multilanguaging
strategies used by contemporary and historical writers and artists to
structure their multilingual narratives in different forms of art, including
literature, theatre and film.

Some possible topics include, but are not limited to:

What factors determine multilingual authors’/artists’ language choices?
How do multilingual authors/artists implement their own experiences and
language reality/realities and repertoires in their works?
How overt or covert (open or hidden) do the languages of the fictional worlds
manifest in the piece of art? Do we have a multilingual narration of a
multilingual story or not, if not, then why?
How does code-switching manifest in literature, on stage and in films? What
are the differences and the similarities?
How can translation and/or synchronization/subtitles cope with multilingual
stories?
What kind of language policies function behind the production and reception of
a multilingual work?
How do language practices of different communication levels (non-fictional and
fictional) influence each other?
How do readers/viewers manage multilingual narratives and multimodal
discourses?
Proposals from literary, film, theatre, art, sociolinguistics,
multilingualism, comparative and translation studies, as any other fields
related to these topics are welcome. We encourage especially creative,
innovative, interdisciplinary and any other fresh approaches!


2nd Call for Papers:

Abstracts: by April 15, 2022 (250-300 words) submit to zerocodeswitching at pm.me
Proceedings will be published in 2023

Conference: 29 September – 1 October 2022 (presentations and posters)
Article Submission: 1 November 2022
Publication: 2023
No participation fee
Hosts: Bielefeld University, Goethe University Frankfurt, University of
Belgrade and Károli Gáspár University Budapest

Proposals from literary, film, theatre, art, sociolinguistics,
multilingualism, comparative and translation studies, as any other fields
related to these topics are welcome. We encourage especially creative,
innovative, interdisciplinary and any other fresh approaches!




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LINGUIST List: Vol-33-1202	
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