George Kanakoff, a brief memoir
ameliede at EARTHLINK.NET
ameliede at EARTHLINK.NET
Sat Sep 26 00:13:26 UTC 2009
I met George Kanakoff [his American
professional spelling] when I became a high
school student volunteer in the Los Angeles
County Museum of History and Science Invertebrate
Paleontology Lab, around 1955. He was a short
wiry man with a wonderful waxed handlebar
moustache. We volunteershis willing slave
workerscalled him Uncle George. But his real
name was Yuryi/Georgii Pavlovich Kanakov, and he
was a White Russian, as they were known. In 1914
he had graduated from a military academy, and
also, perhaps from the same institution, had a
specialty in Middle Eastern Languages. In World
War I he was an artillery officer, and he also
fought in the Civil War. From the fact that he
escaped through Turkey (his Turkish came in
handy) I assume he was in Wrangles army, which
evacuated to Turkey in November, 1920. Exactly 3
years later, a 25 year old Youri Kanakoff arrived
at Ellis Island on a ship out of Constantinople.
Some time in the 20s he came to Los
Angeles, and began working as a common laborer I
believe, for George C. Page, the excavator of the
Tar Pits and the father of Southern California
paleontology. Purely from on-the-job training,
and his amateurs interest in mollusks, he
eventually rose to the position of Curator of
Invertebrate Paleontology at the County
Museum. Some idea of his many scientific
publications can be gleaned by googling his
American authorial name: George P.
Kanakoff. Over the years he amassed a very large
collection of mollusca and other phyla for the museum.
He was active in the first wave Russian
emigre community in Los Angeles. For many years
he published a mimeographed newsletter Soglasie
for the Russian community. UCLA still has a run
1953-1992. He also opened a bookstore on
Western Blvd called Izboushka. And he also
taught Russian, and for that course he prepared
the handwriting sheets that I have
distributed. At the bottom of one sheet is his
real name: Yu[rii] P. Kanakov. I do not
remember where he taught the course; my best
guess is either at LACC night school or the
Russian Church, where he was a member. He
originally prepared the calligraphy sheets for
the course, and if I remember correctly, when I
told him I had started Russian (1958) and showed
him my Lunt grammar, and he saw the handwriting
exercises therein, he handed me his writing sheets.
On Saturdays, working in his lab, I
learned much about his background. His most
dramatic story was that his father
(grandfather?), on a visit to England, had met
the wife of an English aristocrat, swept her off
her feet, and took her back to Russia as his
wife. He also claimed to have some Tatar blood,
which was easy to believe. On paleo digs, he
wore his WW I olive-brown uniform knickers tucked
into knee-high boots. He was tireless in the
field. He was like a living Russian novel to
this high school student, before ever reading a Russian novel.
When it came to the lab work (mostly
sorting through buckets of sand and fine gravel
looking for millimeter-sized shells and bones.),
he was a stern overseer. But he would take his
volunteers for lunch in the basement museum
cafeteria, with its classic WPA murals. The
level of care he expected can be seen in his
handwriting sheets, which really are guides to
Cyrillic calligraphy, with their attention to
thicks and thins, and even the direction of
strokes. For me this craft, requiring an ink
pen capable of either thick or thin lines, is a lost art.
I beg the indulgence of my SEEJ colleagues in sending this little memoir.
Jules Levin
Los Angeles
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