KinoKultura: Special issue on Croatian Cinema

[Birgit Beumers]

KinoKultura is delighted to announce the launch of its special issue on
Croatian cinema:

Special Issue 11: Croatian Cinema (May 2011) has been guest edited by Aida
Vidan and Gordana P. Crnković


Contents: 

Articles
Aida Vidan: In Contrast: Croatian Film Today

Ivo Škrabalo: Croatian Film in the Yugoslav Context in the Second Half of
the Twentieth Century

Jurica Pavičić: From a Cinema of Hatred to a Cinema of Consciousness:
Croatian Film after Yugoslavia

Tomislav Kurelec: Institutions, Infrastructure, Industry: Croatian Film or a
Battle for Survival

Diana Nenadić: The New Croatian Documentary: Between the Political and the
Personal

Sanja Bahun: Croatian Animation, Then and Now: Creating Sparks or Just a
Little Bit of Smoke?

Mima Simić: Gender in Contemporary Croatian Film
Interviews

Aida Vidan and Gordana P. Crnković: A Conversation with Rajko
Grlić: Films
Are Stories About People, Not About Ideas

Aida Vidan and Gordana P. Crnković: A Conversation with Vinko Brešan: No
Aesthetics without Ethics

Diana Nenadić: A Conversation with Nenad Puhovski: Documentarism as a
Personal and Social Mission 

Sanja Bahun: A Conversation with Joško Marušić: Sending Messages to Unknown
Friends


Reviews
Marko Dumančić: Dalibor Matanić’s Fine Dead Girls (Fine mrtve
djevojke, 2002)

Nikica Gilić: Kristijan Milić’s The Living and the Dead (Živi i
mrtvi, 2007)

Vida Johnson: Rajko Grlić’s Border Post (Karaula, 2006)

Hana Jušić: Ognjen Sviličić’s Sorry for Kung Fu (Oprosti za
kung fu, 2004);
Armin (2007)

Mario Kozina: Antonio Nuić’s Sex, Drink and Bloodshed (Seks, piće i
krvoproliće, 2004); All for Free (Sve džaba, 2006); Donkey (Kenjac, 2009)

Bruno Kragić: Lukas Nola’s Celestial Body (Nebo, sateliti, 2000); Alone
(Sami, 2001)

Karla Lončar: Snježana Tribuson’s The Three Men of Melita Žganjer (Tri
muškarca Melite Žganjer, 1998)

Inna Mattei: Arsen Anton Ostojić’s A Wonderful Night in Split (Ta Divna
Splitska Noć, 2003)

Katarina Mihailović: Vinko Brešan’s How the War Started on My Island (Kako
je počeo rat na mom otoku, 1996); Witnesses (Svjedoci, 2003); Will Not End
Here (Nije Kraj, 2008)

Nataša Milas: Goran Rušinović’s Buick Riviera (2008)

Lorraine Mortimer: Goran Dević and Zvonimir Jurić’s The Blacks
(Crnci, 2009)

Boško Picula: Krsto Papić’s When the Dead Start Singing (Kad mrtvi
zapjevaju, 1998)

Maxim Pozdorovkin: Goran Dukić’s Wristcutters: A Love Story (2006)

Mima Simić: Hrvoje Hribar’s What is a Man Without a Moustache? (Što je
muškarac bez brkova?,2005)

Tomislav Šakić: Zrinko Ogresta’s Fragments: Chronicle of a Vanishing
(Krhotine / Kronika jednog nestajanja, 1991); Washed Out (Isprani, 1995); 
Red Dust (Crvena prašina, 1999); Here (Tu, 2003); Behind the Glass (Iza
stakla, 2008)

Petra Belković Taylor: Tomislav Radić’s What Iva Recorded (Što je Iva
snimila 21. listopada, 2003., 2005)

Zhen Zhang: Branko Schmidt’s The Melon Route (Put Lubenica, 2006) and
Metastases (Metastaze, 2009)

Enjoy!
The KiKu Team

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