World Wide Words -- 13 Mar 10

Michael Quinion wordseditor at WORLDWIDEWORDS.ORG
Fri Mar 12 18:37:27 UTC 2010


WORLD WIDE WORDS          ISSUE 681          Saturday 13 March 2010
-------------------------------------------------------------------
Sent each Saturday to at least 50,000 subscribers by e-mail and RSS
Editor: Michael Quinion, Thornbury, Bristol, UK      ISSN 1470-1448
http://www.worldwidewords.org       US advisory editor: Julane Marx
-------------------------------------------------------------------
     
      A formatted version of this e-magazine is available 
      online at http://www.worldwidewords.org/nl/iybq.htm

     My personal page on Facebook: http://wwwords.org?FBMQ
     A Facebook discussion group (http://wwwords.org?FBDG)
         Also now on Twitter: http://wwwords.org?TWTR.

 To leave the list or change your subscribed address, see Section 
  A below or go to http://wwwords.org?SUBS. Please don't e-mail 
   me with subscription matters unless you are having problems.

     This e-magazine is best viewed in a fixed-pitch font.
   For a key to phonetic symbols, see http://wwwords.org?PRON


Contents
-------------------------------------------------------------------
1. Feedback, notes and comments.
2. Weird Words: Mononymous.
3. What I've learned this week.
4. Q and A: Honky-tonk.
5. Sic!
A. Subscription information.
B. E-mail contact addresses.
C. Ways to support World Wide Words.


1. Feedback, notes and comments
-------------------------------------------------------------------
SEE-SAW AND TEETER-TOTTER  Lots of messages arrived from American 
readers about these two words. It wasn't the intention of either 
the questioner or me to assert that "teeter-totter" was the only 
term used in the US. The difference between our two countries is 
that "teeter-totter" is unknown in the UK. As many people told us, 
"see-saw" is the usual term in large parts of the US, with "teeter-
totter" being regional - one online dictionary says that it is 
"Chiefly Northern, North Midland, and Western US". For easterners, 
"teeter-totter" is usually known only from books. Other names for 
the device have been used, as this writer notes:

    The literary word "seesaw" is, of course, known 
    throughout New England, but it does not as readily slip 
    from the tongue of the country people and of many a city 
    dweller as some local term, such as "teeter" or "tilt" or 
    "dandle". In many quarters "seesaw" is still felt as a 
    high-flown or as a book word.
    [New England Words for the Seesaw, by Hans Kurath, in 
    American Speech, Apr. 1933.]


2. Weird Words: Mononymous  /mQn'QnIm at s/
-------------------------------------------------------------------
If you are mononymous, you have become well known by one name only, 
like Napoleon, Shakespeare, Einstein, Morrissey, Pelé or Cher.

    The parade of mononyms on the pop chart is getting 
    monotonous: Beyoncé, Pink, Adele, Rihanna, Duffy, Akon, 
    Usher, Mims, Eminem, Seal, Brandy, Joe et al. Estelle 
    knows how to set herself apart from [the] mononymous 
    pack. She put on a terrific show Friday at First Avenue 
    in Minneapolis, one that suggested that she's the best 
    all-around mononym to come along since Beyoncé.
   [The Star Tribune, Minneapolis, 1 Mar. 2009.]

Occasionally, the word is used to refer to sole authorship of a 
work, particularly in cases in which the hidden contribution of a 
collaborator is suspected. The periodical Household Words is a 
famous case:

    "The periodical is anonymous throughout," remonstrated 
    Dickens, one day, when he had been suggesting to Mr. 
    Jerrold to write for it. "Yes," replied the caustic wit, 
    opening a number, and reading the title, "'Conducted by 
    Charles Dickens.' I see it is - mononymous 
    throughout."
    [The Life and Writings of Charles Dickens, by Phebe A 
    Hanaford, 1871.]

The ending "-onymous" includes the Greek "-onym" (from "onuma", 
name), plus the Latin-derived adjectival ending "-ous". Some words 
in "-onymous" are well known: anonymous, eponymous, pseudonymous 
and synonymous. Others are less-familiar adjectives that have been 
formed from nouns: "homonymous" (from homonymy) and "metonymous" 
(from metonymy). Some are rare: "onymous" (of writing that bears 
its author's name) and "tecnonymous" (relating to the practice of 
naming a parent after their child).


3. What I've learned this week
-------------------------------------------------------------------
INITIALISMS  These financial wizards love their abbreviations. In 
the UK, we've had a NICE period, which Mervyn King, Governor of the 
Bank of England, coined for "Non-Inflationary Constant Expansion". 
Now we're entering a long DRAG, which stands for "Deficit Reduction 
and Anaemic Growth". 

MORE TELEVISION  Scott John e-mailed me from Edinburgh, following 
my item about "steam television" last week, to ask if I'd heard of 
the term COUNCIL TELLY. I hadn't. It refers to the British free-to-
air terrestrial television channels. "Telly" is a common British 
colloquial shortening of "television" and "council" is a reference 
to "council houses", low-rent social housing, built and owned by 
local authorities. The idea is that occupants of council houses 
can't afford the rental costs of cable or satellite TV and are 
restricted to the basic five terrestrial channels.


4. Q and A: Honky-tonk
-------------------------------------------------------------------
Q. Do you know the origin of "honky-tonk"? A firm called Ernest 
Tonk made pianos in New York in the late nineteenth century, and 
their heavy and robust pianos (a few of them are still around) will 
have found their way into many a dive where they may well have 
given rise to the term - but do you know any different? [Marcus 
Patton]

A. Yes.

The term "honky-tonk" is frequently linked to the firm of William 
Tonk & Bros of Chicago and New York, founded in 1880, whose sturdy 
upright pianos began to be manufactured in 1889 under the name of 
Ernest A Tonk (William had a nephew named Ernest A Tonk but he was 
born in 1889 and was never associated with the business; he became 
a well-known painter). The firm may have assembled pianos earlier, 
using a German action. 

It's equally often stated that the link is with Tin Pan Alley in 
New York, which is said to have employed Mr Tonk's pianos in the 
1890s. This supposed link is used to explain how "honky-tonk" 
became a term for a type of ragtime piano music.

However - and this is where yet again I shoot down a common belief 
- "honky-tonk" is also first recorded in 1889, although it was 
clearly already sufficiently well known not to need explaining. It 
meant a type of low entertainment. Though a piano was often used to 
accompany performances, there hadn't been enough time for "tonk" to 
have become associated with pianos and then shift its meaning to 
refer to the whole entertainment. The other objection is that its 
first appearances are a long way west:

    A petition to the council is being circulated for 
    signatures, asking that the Honky Tonk theater on Main 
    Street be reopened.
    [Daily Gazette (Fort Worth, Texas), 24 Jan. 1889.] 
     
    Myself and him set and talked awhile and he got up and 
    said he wanted to go to the honk-a-tonk (variety 
    show).
    [Morning News (Dallas, Texas), 6 Aug. 1890.]

"Variety show" was a euphemism employed by their proprietors, who 
hoped, unsuccessfully, to present them as reputable establishments. 
Honky-tonks in the Old West were a mixture of bawdy music hall, 
casino, saloon cheap dance hall and brothel, frequently linked to 
lawlessness and violence. By the time they began to be given that 
name, some of the crude energy of the frontier had faded from them, 
although they were still low-class dives catering for working-class 
men, with a reputation for fleecing their customers. This is why 
"honky-tonk" later came to mean something disreputable and squalid. 
The Daily Gazette quotation refers to a battle between owners and 
the Fort Worth city council, which a year earlier had closed a 
couple of them on Main Street as part of a long-running and largely 
unsuccessful attempt to crack down on bars that also housed less 
savoury activities.

>From some distance in both time and space, it was possible to look 
back on them with misplaced nostalgia. An article that originated 
in New York remarked sadly, "The once popular institution is dying 
off." It described a sentimental vein in their performances that 
appealed to their rootless and lonely male customers:

    Ordinarily, the honkatonk opens about nine o'clock, 
    and continues in full blast until one, or thereabouts, as 
    long as its patrons will patronize the bar. ... The 
    programme is made up largely of specialties. Whatever the 
    feeling of a long-suffering public, the honkatonk 
    vocalists never will permit "Sweet Rosie O'Grady" and 
    "Just One Girl" to perish from the earth, and coon songs 
    are sung as May Irwin never did and never will sing them. 
    Always at least one drama is presented, the entire 
    company, vocalists, dancers and all, participating.
    [Evening Gazette (Reno, Nevada), 3 Feb. 1900. This is 
    a syndicated reprint of an article in the New York Sun of 
    unknown date. May Irwin, by the way, was a vaudeville 
    actress and singer of the period. Thanks to researcher 
    Barry Popik for finding this.]

Having firmly refuted popular understanding of the origin of the 
term, you will be awaiting my definitive alternative. Alas, there 
isn't one. Nobody has the slightest idea where the word comes from, 
though the scholarly opinion is that it must surely be another of 
those rhyming duplications, most probably based on the raucous 
nature of the establishments. 

Other false etymologies include the suggestion that "honky" refers 
to the derogatory black slang term for a white person, which didn't 
appear in print until the 1960s. Some early references, such as the 
definition in the Century Dictionary of the 1890s, called them "low 
groggeries" patronised by the blacks of the southern United States, 
which might suggest a link, but as the examples above show, this is 
a false view of their geographical spread, function and clientele.

We may also disregard the following story, though it is coated with 
the patina of ages and has often been retold:

    Every child of the range can tell what honkatonk means 
    and where it came from. Away, away back in the very early 
    days, so the story goes, a party of cow punchers rode out 
    from camp at sundown in search of recreation after a day 
    of toil. They headed for a place of amusement, but lost 
    the trail. From far out in the distance there finally 
    came to their ears a "honk-a-tonk-a-tonk-a-tonk-a," which 
    they mistook for the bass viol. They turned toward the 
    sound, to find alas! a flock of wild geese. So honkatonk 
    was named.
    [Evening Gazette (Reno, Nevada), 3 Feb. 1900.]


5. Sic!
-------------------------------------------------------------------
In an article by Michelle Hanson in the Guardian on 5 March: "If 
the government are considering competency tests for dog owners, I 
say go for it - and compulsory microchipping, neutering, third-
party insurance." All very good, but what about the dogs?

David Marshall-Martin was delighted to read the AAP wire service 
report on 28 February about the Sydney Gay & Lesbian Mardi Gras: 
"Many were disappointed they couldn't penetrate the thong of 
onlookers." 

If I squint out of an upstairs window, I can just see the River 
Severn, famous for its tidal bore. We've recently had the largest 
for eight years, which led the BBC Web site to announce "Big Bore 
Attracts Crowds." No surprise to find it's since been changed.

The Daily Telegraph quoted on 7 March from an MI5 manual of 1945 
about suitable surveillance personnel: "From experience it has been 
found that the ideal watcher should be 5ft 7in or 8ft in height, 
looking as unlike a policeman as possible." David Overton notes 
that it needs revising, "as the day of the 5ft 7in policeman has 
indeed arrived. The 8ft-tall spy, on the other hand, would now be 
no more conspicuous than in 1945."

A Guardian editorial on Thursday presumably slipped through a time 
warp from the year 3998. It quoted a speech by the British Foreign 
Secretary, who - by a quirk of nature - was still David Milliband: 
"In 1988, I would never have believed that 2010 years later I would 
be British foreign secretary explaining a war in Afghanistan."


A. Subscription information
-------------------------------------------------------------------
To leave the list, change your subscription address or resubscribe, 
please visit http://www.worldwidewords.org/maillist/index.htm . 

You can also maintain your subscription by e-mail. For a list of 
commands, send this message to listserv at listserv.linguistlist.org:

  INFO WORLDWIDEWORDS

This e-magazine is also available as an RSS feed, whose source is 
at http://www.worldwidewords.org/rss/newsletter.xml .

Back issues are at http://www.worldwidewords.org/backissues/ .


B. E-mail contact addresses
-------------------------------------------------------------------
* Comments on e-magazine mailings are always welcome. They should 
  be sent to me at wordseditor at worldwidewords.org . I do try to 
  respond, but pressures of time often prevent me from doing so. 
* Items for "Sic!" should go to wordsclangers at worldwidewords.org .
  Submissions will not usually be acknowledged.
* Questions intended to be answered in the Q and A section should 
  be addressed to wordsquestions at worldwidewords.org (please don't 
  use this address to respond to published answers to questions - 
  e-mail the comment address instead).
* Problems with subscriptions that cannot be handled by the list 
  server should be addressed to wordssubs at worldwidewords.org . To
  allow me more time for researching material, please don't e-mail
  me asking for simple subscription changes you can do yourself.


C. Ways to support World Wide Words
-------------------------------------------------------------------
The World Wide Words e-magazine and Web site are free, but if you 
would like to help with their costs, there are several ways to do 
so. Visit http://www.worldwidewords.org/support.htm for details.

-------------------------------------------------------------------
World Wide Words is copyright (c) Michael Quinion 2010. All rights 
reserved. The Words Web site is at http://www.worldwidewords.org .
-------------------------------------------------------------------
You may reproduce brief extracts from this e-magazine in mailing 
lists, newsletters or newsgroups online, provided that you include 
the copyright notice given above. Reproduction of substantial parts 
of items in printed publications or Web sites needs permission from 
the editor beforehand (wordseditor at worldwidewords.org). 
-------------------------------------------------------------------



More information about the WorldWideWords mailing list