[gothic-l] Christensen's book on the Goths
faltin2001
dirk at SMRA.CO.UK
Mon May 26 20:54:59 UTC 2003
I have had a first quick read-through of the new book by Arne Soby
Christensen Cassiodorus Jordanes and the History of the Goths",
Museum Tusculum Press, University of Copenhagen, 2002.
The book is based on the author's PhD thesis and consists of 391
pages. I found the book very interesting. If Wolfram shows us how
incredibly much we know about the Goths, Christensen shows us how
incredibly little we really know about the Goths. The book is, in my
view in a modern critical historiographic tradition, similar to
authors like Goffart and Hachmann. As such the author analysis and
revaluates many aspects, which others have come to accept as given.
In the first chapter, the author sets out the problem. The author
shows that Jordanes's Getica has become to be regarded as the
autorative source on Gothic history. The author shows that Swedish
Gothicism was based on the Getica and its veracity. The author poses
the question why scholars had become to value the writing of a rather
insignificant and limited author like Jordanes over that of a far
more erudite scholar like Isidore of Seville. The answer is that
Jordanes claims to have based parts of his Getica on real Gothic
traditions (carmina prisca).
Chapter 2 deals with the literature that mentions the Goths prior to
Cassiodorus/Jordanes. The author establishes that Roman and Greek
sources knew very little about the Goths, especially did they know
nothing about the origins of the Goths. The author also reminds us
that identifications like the Gotones with the later Gothi should not
be taken for granted. There is no definite proof that these were
really the same people, only circumstantial evidence, some of which
does not fully convince.
In Chapter 3, the author analysis Cassiodorus' writing like the
Chronica and Variae. The author shows that all information about the
Goths in these works was taken from classical sources. There is no
sign of a Gothic tradition in these works. Chapter 4 deals with
Jordanes' background and other works.
In Chapter 5, the author analysis the Amal genealogy. He shows that
the genealogy which starts in the time of Domitianus cannot have been
a Gothic tradition. The king Dorpaneus, which Jordanes/Cassiodorus
made into an Amal, was in fact not even a Goths. Jordanes Getica is
essentially out of line with contemporary authors like Tacitus. The
author also shows that identifications like Gapt with Gaut and Hulmul
with the Danish Humble are not convincing, and have been given very
controversial treatment in the literature.
In Chapter 6, the author deals with the Gothic kingdom of Ermaneric.
The author shows that all the information here was borrowed from
Ammianus Marcellinus and was essentially not a Gothic tradition. The
famous name list of subjugated peoples was very controversially
interpreted in the literature. At least some of the names were
invented, probably by Cassiodorus and/or inspired by the tales of
Aesti emissaries at the court of Ravenna. Alas, they were not handed
down by Gothic tradition. The perplexing thing is that Ermaneric was
not praised in the Gothic carmina prisca either.
Chapter 7 reproduces the evidence and argument to show that the
various names of the Goths (Vesi, Ostrogoths, Greuthungi, Tervingi)
were not ancient at the time of Cassiodorus. Instead, they only
appeared at the end of the 4th century and do not predate the
onslaught of the Huns, which is in contrast to the claims by
Jordanes.
Chapter 8 deals with various aspects of the Goths' time in Scythia as
reported in the Getica. The author shows that the various elements
were borrowed from other Roman and Greek sources. Even the episode
with the Halirunnae, are essentially a Christian motif that cannot
have been passed down by Gothic tradition. The author also deals with
the personal names of Goths reported by Jordanes, such as the king
Telephus. The author states that Jordanes realised that he mentioned
many non-Gothic names in the early history of the Goths. Hence, he
introduced the apology stating that it is not uncommon for one people
to borrow the names from others. The conclusion to this chapter is
that there is no genuine Gothic tradition reaching back to this time
in Scythia reflected in the Getica. What is more, Jordanes, who
himself claimed to be a Goth could not contribute anything from this
own experience.
Chapter 9 deals with the migration from Scandza. The author provides
a thorough discussion of the names of Scandzian tribes as reported in
the Getica. The conclusion here is that these names do not provide
any support for a migration of the Goths from Scandinavia. Many of
the names have been made up by Cassiodorus. The author states that
nothing in the Scandza section can be linked to the Goths or Gothic
tradition. This is important since one argument in the past was that
the name of the Goths was preserved in Scandinavian place names like
Gotland, Oestergoetland and Vestergoetland. Instead, the author shows
that Cassiodorus in his research for the History of the Goths came
across not only the names Getae and Magog to which he linked the
Goth, but also the name Gautai in Ptolemy. This coincidental name
similarity with the Gautai inspired him to place the origin of the
Goth in Scandza. The author cites H.F. Nielsen (1997) "There are no
tenable philological arguments supporting a particular Gotho-Nordic
branch of Germanic, nor are there consequently any such arguments
supporting a Gothic migration from Scandinavia, as is sometimes
presented to be".
In Chapter 10 the author analysis the migration episode in more
detail. Again, he finds no evidence that suggests that the report of
Berig leading three ships of Goths (one of Gepids) from Scandza to
Gothicscandza, has anything to do with genuine Gothic traditions. The
Goths of the time had no such memory and the story is fabricated by
Cassiodorus. For example, Isidore of Seville provided various
possibilities for the origin of the Goths, but he knew nothing of
Scandza either. Even the name Berig may have been borrowed from Dio,
who reported about a certain Berikos, who was driven to flee the
island of Britannia at the time of Claudius I.
In Chapter 11, the author demonstrates that even important recent
events like the battle of the Catalaunian fields was not retold on
the basis of Gothic traditions. Instead Cassiodorus relied only on
Roman authors for information about such a pivotal event in recent
Gothic history.
Chapter 12 concludes the book. The author stated that the Getica does
not present a genuine Gothic history on the basis of Gothic tales or
songs. Instead it is a fabrication, bases on various Roman and Greek
sources and the wrong identification of the Goths with the Getae, the
biblical Magog and the Gautai mentioned in Ptolemy. What is important
is that the Goths had no notion of a common origin from Scandinavia
prior to Cassiodorus' invention of such a history. The final
sentences read " Parting is often a painful process, as in this case,
where we must relinguish something we have grown accustomed to
regarding as Gothic history. Accepting the loss can also be quite
challenging. Yet, if Cassiodorus created this part of Gothic historty
out of nothing, or rather, if he formed it by creatively using the
histories of other peoples and employing his own imagination, then
what we are losing is hardly the history of the Goths. It is merely
the author's fabrication fading away. On the other hand, it is
extremely interesting to investigate, from a contemporary
perspective, the narrative Cassiodorus was able to create and
presumably have accepted as the history of the Goths
"
Overall, I think that this is an important book. It shows that the
one basis that linked the Goths with Scandinavia is only a
fabrication of an early 6th century Roman. The author even shows that
philological evidence for a Gothic link to Scandinavia does not
exist, just as there is no basis for linking them with the Getae and
the biblical Magog. Thus, the Getica which had dominated all research
on the Goths for centuries cannot be used to write the early history
of this people.
Cheers
Dirk
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