30.2101, TOC: Cognitive Linguistics 30 / 2 (2019)

[The LINGUIST List]

LINGUIST List: Vol-30-2101. Fri May 17 2019. ISSN: 1069 - 4875.

Subject: 30.2101, TOC:  Cognitive Linguistics 30 / 2 (2019)

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Date: Fri, 17 May 2019 16:46:56
From: Asja Kusnezowa [Asja.Kusnezowa at degruyter.com]
Subject: Cognitive Linguistics Vol. 30, No. 2 (2019)

 
Publisher:	De Gruyter Mouton
			http://www.degruyter.com/mouton 
			
Journal Title:  Cognitive Linguistics 
Volume Number:  30 
Issue Number:  2 
Issue Date:  2019 


Subtitle:  Time and Viewpoint in Narrative Discourse   


Main Text:  

Frontmatter
Page I

Fear and Anxiety in Contemporary Drama and Performance: An Introduction
Brusberg-Kiermeier, Stefani / McKenzie, James / Schäbler, Daniel
Page 1

Masters (and Mistresses) of Menace
Saunders, Graham
Page 12

Anxieties in Irish Theatre
Pilný, Ondřej
Page 29

The Repulsive Other in Tim Crouch’s I, Malvolio (2010)
Ablett, Sarah J.
Page 46

Terror by Candlelight: The Affective Politics of Fear in Tanika Gupta’s Lions
and Tigers
Tronicke, Marlena
Page 58

The Dystopian Near-Future in Contemporary British Drama
Reid, Trish
Page 72

(Play)Houses of Horror: Addressing the Anxieties of the Housing Crisis
Birke, Dorothee
Page 89

The Science and Politics of Climate Change in Steve Waters’ The Contingency
Plan
Boles, William C.
Page 107

FeArt and Dance-xiety in Nature Theater of Oklahoma’s Pursuit of Happiness:
Artificiality, Authenticity and Fun as the Building Stones of a Hopeful
Performative
Lacko, Ivan
Page 123

Sara Soncini. Forms of Conflict: Contemporary Wars on the British Stage.
Exeter: University of Exeter Press, 2015, xvii + 295 pp., £65.00 (hardback),
£22.50 (paperback).
Boll, Julia
Page 139

Campbell Edinborough. Theatrical Reality: Space, Embodiment and Empathy in
Performance. Bristol: Intellect, 2016, 171 pp., £70 (hardback), £56 (PDF
ebook).
Groot Nibbelink, Liesbeth
Page 144

Sarah Grochala. The Contemporary Political Play: Rethinking Dramaturgical
Structure. London: Bloomsbury, 2017, x + 248 pp., £65 (hardback), £19.99
(paperback), £19.99 (PDF ebook).
Hartl, Anja
Page 149

Bree Hadley. Theatre, Social Media, and Meaning Making. Basingstoke: Palgrave
Macmillan, 2017, v + 256 pp., £89.99 (hardback), £71.50 (PDF ebook).
Ilter, Seda
Page 154

Marvin Carlson. Shattering Hamlet’s Mirror: Theatre and Reality. Ann Arbor:
University of Michigan Press, 2016, 160 pp., $.60.00 (hardback), $19.95
(paperback), $24.18 (PDF ebook).
Mancewicz, Aneta
Page 159

Lindsay B. Cummings. Empathy as Dialogue in Theatre and Performance.
Basingstoke: Palgrave, 2016, vii + 220 pp., €84.99 (hardback), €69.99 (PDF
ebook).
Pais, Ana
Page 163

Liz Tomlin, ed. British Theatre Companies: 1995-2014. London: Bloomsbury,
2015, xii + 328pp., £48.44 (hardback), £21.99 (paperback), £16.37 (Kindle
ebook).
Redling, Ellen
Page 168

Ian Brown. History as Theatrical Metaphor: History, Myth and National
Identities in Modern Scottish Drama. London: Palgrave Macmillan, 2016, xvi +
247 pp., £69.99 (hardback), £55.99 (PDF ebook).
Reid, Trish
Page 172

Saunders, Graham, ed. British Theatre Companies: 1980-1994. London:
Bloomsbury, 2015, xi + 304 pp., £59.50 (hardback), £15.39 (paperback).
Starck, Kathleen
Page 176

Nicholas Grene, and Chris Morash, eds. The Oxford Handbook of Modern Irish
Theatre. Oxford: Oxford University Press, 2016, 764 pp., £95.00 (hardback).
Walsh, Fintan
Page 180

Anna Harpin, and Helen Nicholson, eds. Performance and Participation:
Practices, Audiences, Politics. Basingstoke: Palgrave, 2017, xi + 244 pp.,
€80.24 (hardback), €29.95 (paperback), €26.99 (PDF ebook).
White, Gareth
Page 183
 



Linguistic Field(s): Cognitive Science
                     Discourse Analysis
                     Linguistic Theories
                     Morphology
                     Semantics
                     Syntax

Subject Language(s): American Sign Language (ase)
                     Chinese, Mandarin (cmn)
                     English (eng)



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