35.3514, Calls: Make, ReMake, Adapt: Transcultural Perspectives in the European and Francophone Space

[The LINGUIST List]

LINGUIST List: Vol-35-3514. Tue Dec 10 2024. ISSN: 1069 - 4875.

Subject: 35.3514, Calls: Make, ReMake, Adapt: Transcultural Perspectives in the European and Francophone Space

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Date: 06-Dec-2024
From: Landry Digeon [eurem at ucy.ac.cy]
Subject: Make, ReMake, Adapt: Transcultural Perspectives in the European and Francophone Space


Full Title: Make, ReMake, Adapt: Transcultural Perspectives in the
European and Francophone Space
Short Title: EuReM

Date: 09-May-2025 - 10-May-2025
Location: nicosia, Cyprus
Contact Person: Landry Digeon
Meeting Email: eurem at ucy.ac.cy
Web Site: https://www.ucy.ac.cy/eurem/

Linguistic Field(s): Discourse Analysis; General Linguistics;
Sociolinguistics; Translation
Subject Language(s): English (eng)
                     French (fra)

Call Deadline: 02-Feb-2025

Meeting Description:

This conference invites a transdisciplinary reflection on adaptation
and the processes of artistic and cultural transformation over time,
in Europe and its interactions with other regions. By examining the
interplay between literary and artistic creation and cultural
phenomena, it highlights how works engage with diverse historical,
geographical, and technological contexts, drawing on these influences
to create new and original forms. Adaptation is considered in its
broadest sense, encompassing transfers between arts and media:
literature, cinema, visual arts, theater, music, dance, audiovisual,
digital, multimedia, and performative creations.

The objective of this conference is to explore the processes of
artistic and cultural adaptation and transformation, emphasizing the
interactions between creative practices and transcultural dynamics. It
seeks to analyze how works engage in dialogue, reinvent themselves,
and become enriched in various contexts, while examining concepts such
as intertextuality, authorship, translation, and cultural transfers.

The phenomenon of adaptations and remakes is explored as a lens for
analyzing intercultural and interdisciplinary dialogues. We will
address questions such as: How do old, famous, unknown, or popular
creations reinvent themselves to meet contemporary sensibilities? How
do globalization and digital platforms influence these practices? What
mechanisms are at play in transfers from one medium to another?

These issues will be addressed over two days dedicated to the theme
Make, Remake, Adapt. Designed to encourage meetings, exchanges, and
collaboration among researchers from various disciplines, these days
offer a unique opportunity to share experiences, present innovative
work, and identify common research topics.

Scientific Committee:

Christakis Christofi (UCY)
David Pinho Barros (U. Porto)
Edward Larkey (UMBC)
Landry Digeon (UCY)
Maria Constantinou Papanicolaou (UCY)

Join us on this journey of exploration and discovery at the crossroads
of digital innovation and artistic creativity!
The EuReM editorial board will select a number of papers for
peer-reviewed publication, either in a collective volume of conference
proceedings or in a special issue.

Conference Registration Fees:

€100 for in-person participants, including a meal, coffee breaks, and
publication of proceedings after peer review.
50 for online participants, also including publication after peer
review.
For more information, visit the official conference website.

Timeline:

December 4, 2024: Call for papers opens
February 2, 2025: Submission deadline
February 20, 2025: Notification of selection results
May 9-10, 2025: International conference
August 30, 2025: Submission of articles
January 30, 2026: Publication of conference proceedings

Call for Papers:

Suggested topics for exploration:

 - Adaptation and intermedial transfers
 - Remakes: the dynamics of repetition and innovation
 - Intertextuality and reference networks
 - Postcolonialism and cultural hybridity
 - Technology and innovation in adaptation
 - Reception, audiences, and authorship
 - Adaptation, censorship, and politics
 - Revisiting myths, grand narratives, and legends
 - Adaptation, ethics, and aesthetics
 - Adaptation in a historical perspective
 - Translation, adaptation, and creation
 - Transdisciplinary collaborations and intercultural approaches
 - Digital storytelling, creative technologies, and intercultural
communication
 - Intercultural dialogue in intermedial theatrical productions and
mediated performances

Submission Guidelines:

Proposals for presentations (title, abstract of up to 250 words, and a
short biographical note) should be written in French or English and
sent by February 2 to Christakis Christofi
(christofi.christakis at ucy.ac.cy), Landry Digeon
(digeon.landry at ucy.ac.cy) and EuReM (eurem at ucy.ac.cy).



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