World Wide Words -- 04 Apr 09
Michael Quinion
wordseditor at WORLDWIDEWORDS.ORG
Fri Apr 3 15:53:59 UTC 2009
WORLD WIDE WORDS ISSUE 633 Saturday 4 April 2009
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Editor: Michael Quinion, Thornbury, Bristol, UK ISSN 1470-1448
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Contents
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1. Feedback, notes and comments.
2. Turns of Phrase: Chiptune.
3. Weird Words: Purdonium.
4. Recently noted.
5. Q and A: Weaved or wove?
6. Sic!
A. Subscription information.
B. E-mail contact addresses.
C. Ways to support World Wide Words.
1. Feedback, notes and comments
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INFANDOUS Several readers who know their Latin told me I missed
one very common word derived from the Latin verb "fari", to speak:
"infant", a child too young to be able to talk. "Infantry" is also
from this source, using "infant" in the broader sense of a youth.
CURIOUS BOOK TITLES Miriam Miller followed up the book I mentioned
last week as having been unfairly excluded from the short list in
the Diagram/Bookseller Competition. She learned that its full title
would have made it even more of a contender: Excrement in the Late
Middle Ages: Sacred Filth and Chaucer's Fecopoetics. The last word
was an invention of its American author, Susan Signe Morrison,
presumably as a play on "ecopoetics", the literary term for finding
poetry in natural things. She uses a lot of other specialist
vocabulary, such as "stercoranist", a person who believed that the
body of Christ in the form of the Eucharistic host was digested and
excreted.
I commented that the title Techniques for Corrosion Monitoring was
mundane and sensible. Neill Hicks made a similar point about an
earlier winner: "While Bombproof Your Horse may seem like an odd
book title to Mr Horace Bent, the subject is not at all peculiar to
anyone familiar with horses. Horses are prey animals. They survive
by running away at the slightest signal of danger. For thousands of
years, humans have patiently and skilfully worked to train their
mounts to override equine instincts and remain under the control of
the rider, a desensitisation that is referred to as bombproofing."
COPPER-FASTENED Lots of people pointed out that a typing error had
the name of the shipworm as "toredo", leading some to assume it was
a misprint for "torpedo" (which, not entirely irrelevantly, was a
fish, also called an electric ray, before it was a device to blow
up ships). It should have been "teredo". A "toredo" is a Spanish
bullfighter. No, I'm wrong again, that's a torero.
2. Turns of Phrase: Chiptune
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A chiptune is a piece of music made using vintage home computers.
To create one, composers use only the sounds that can be generated
by sound-generating chips inside old personal computers such as the
Commodore 64, the Atari or the ZX Spectrum. The fascination of this
sub-genre of electro music is partly the technical challenge of
pummelling these old chips into producing something worth listening
to, but also that their low-fi tonal quality is unlike any sound
made by the current range of electronic gear.
The genre, and the term, have been around in the underground music
scene for a couple of decades - my first sighting of "chiptune" is
from 1992 and it clearly wasn't new then. In recent years it has
been moving towards the mainstream and references to it now appear
in the popular media, though mainly in Europe, Australia and Japan
rather than North America. Chiptune artists have been presenting
sessions on British radio and two concerts using antique computing
machinery took place last month at the British National Museum of
Computing at Bletchley Park.
The concept has also been an influence on the newish alternative
musical genre called wonky or aquacrunk, a blend of hip-hop, crunk
and electro, and it's related to what has been disparagingly called
videogame music, early examples of which perforce used the same
sound chips.
* CNET Reviews, 21 Mar. 2009: Music plays a huge role in the
experience, and every beat that you deflect contributes a note to
the level's chiptune song; each segment transition that you make
adds another layer of complexity onto its ever-evolving soundtrack.
* Guardian, 26 Mar. 2009: What the article didn't mention was the
huge debt this sound owes to the chiptune scene, an international
underclass of musicians who create incredible tracks by
electronically torturing the sound chips found in vintage videogame
hardware.
3. Weird Words: Purdonium /p@:'d at UnI@m/
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A coal-box.
At first glance, "purdonium" sounds like an exotic chemical element
as yet unknown to science, a plot element in an SF story that might
be a cousin of Wells's cavorite.
Less exotically, it was a trade name for a type of coal-box or
coal-scuttle that had a removable metal lining. This allowed the
messy and noisy work of refilling it to take place away from the
firesides of the nineteenth-century middle classes, while keeping
the elegant wooden outer box in pristine condition.
When it came on to the market, in 1847, its name was greeted with
derisive howls at what was thought to be yet another example of the
extraordinary fashion of the time for mock classicisms (its critics
assumed that the name derived from Greek "pur", fire):
In consequence of the absurd mania for making use of
Graeco-Latin compounds to describe inventions, it
requires some knowledge of the ancient languages to
understand even their names. But, perhaps, the difficulty
increases in proportion to the correctness of one's
scholarship. ... The term "idrotobolic", applied to hats,
may boast of a more correct etymology, but what shall we
say of "athicktobathron" for a carriage-step and
"purdonium" for a coal-scuttle?
[Hortensius: Or, The Advocate: An Historical Essay, by
William Forsyth, 1849. The idrotobolic hat, from Greek
words meaning throwing off perspiration, was patented by
the Queen's hatters in 1847; it had ventilation valves to
control the flow of air over the head. I can find nothing
about the carriage-step, however. The writer also noted
"antigropolos", a trade name for a type of leather boot.
A rare survivor of this fashion for mock-classical trade
names is Aquascutum.]
However, it is now understood that the true and only source of the
name "purdonium" was a man named Purdon. Few details survive, but
he was in some way associated with the London firm of Bell, Massey
and Co who put the purdonium on the market.
The term survives in the technical vocabulary of antique dealers
and auctioneers. This is a rare excursion into literature:
On the hearth, behind the brass fender, stood a cheap
Japanese screen in black and gold, the centre piece
between a mock-mahogany coal purdonium on the one hand,
and an occasional table on the other.
[Sorrell and Son, by Warwick Deeping, 1925.]
4. Recently noted
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UNEASY MONEY The vogue phrase "quantitative easing", for a method
of combating the current financial turmoil by doing the electronic
equivalent of printing money, is ungainly jargon. Several British
papers, starting I think with the Financial Times, have begun to
use "queasing" as a neat abbreviation. Robert McCrum noted in the
Observer on 22 March that the word "contains nice suggestions of
queasy, sleaze and queer street, with a background hint of bank
treachery (quisling). OED editors please note." [For the story
behind "queer street" see http://wwwords.org?QRST.]
CAUGHT NAPPING Seventeenth-century criminals abducted children to
become servants or labourers in the American plantations. These
were the original kidnappings, in which the second element meant
stealing ("nap" being a relative of "nab", to thieve). Their legacy
lives on in dozens of frivolous inventions that preserve the idea
of the second element. "Dognapping" is the most common, though a
decade ago there was a brief flurry of "gnomenapping" from British
gardens. In the past week a new form has appeared as a result of
the enforced incarceration of the foreign bosses of French firms by
desperate workers protesting against mass layoffs. In one case, Luc
Rousellet, the director of the French operations of 3M, was held
for two days and nights; in another the chief executive of Sony
France was detained overnight. This week four bosses of the US firm
Caterpillar were seized in Grenoble. The technique has a long
history in France as a method of negotiation. In French it's called
sequestration, but the English term for it is new: "bossnapping".
5. Q and A: Weaved or wove?
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Q. In a recent issue you included a quote from a newspaper: "Shelby
weaved through traffic." Am I old-fashioned to want to use the word
"wove"? Perhaps you have written about how certain past tenses
have gone to the "-ed" form from an older format for making a verb
past tense? Or is this the proper word because it isn't particular
to creating cloth? [Anne Umphrey]
A. Your second guess is the correct one. The reason why there are
two different past tenses is that there are actually two different
verbs here, though at times - such as in this case - their senses
are sufficiently close to cause confusion.
The older one - to form cloth by interlacing strands - refers to
such an ancient technique that the word for it can be traced back
through Old English to a prehistoric Indo-European root that was
later taken into Greek and Sanskrit. It has retained the way of
forming the past tense that was once often found in Old English
verbs. The method was to change the internal vowel in a standard
way, a process called ablaut or gradation, in this case "weave"
changing to "wove". Some 70 such verbs survive in English today,
including "drive", "sing", "come", and "grow". Grammarians call
these strong verbs, a term invented by the German grammarian and
folklorist Jacob Grimm; it remains the standard way to describe
them, although it's unsatisfactory and obscure.
A big shift happened in Middle English between about 1100 and 1500.
Many strong verbs became weak, forming their past tenses in "-ed"
or "-t", depending on the ending of the stem. To take just two
examples: "glide", which had had the Old English strong form
"glode" as the past tense, came to use "glided" instead; "help"
changed its past tense from "halp" to "helped". Only the commonest
retained their strong forms. Verbs that form their past tenses by
adding one of these endings are said to be weak, another term
invented by Jacob Grimm.
The verb in the quotation - to twist and turn from side to side to
avoid obstructions while moving in some direction or other - is
from a different source to the other "weave". It derives from the
Old Norse word "veifa", to wave or brandish. In Middle English it
was spelled "weve" and may be a relative of our modern "wave".
"Weve" vanished from the written language but survived in dialect;
it reappeared in books in the late sixteenth century with the
spelling changed to "weave", almost certainly through the influence
of the other verb. By the time it started to be used in writing
again, the weak form had become dominant and this version of
"weave" followed the trend, making "weaved".
A very few verbs retain both forms, causing some confusion; the
classic case is "hang", in which pictures are hung but people are
hanged. "Weave" is sometimes said to be another example of this
multiple tense disorder but it's actually a confusion between two
words of the same spelling from different sources.
6. Sic!
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A sign at a golf show in Ottawa on 22 March advertised a contest
for which a small entrance fee was required. Ian Cottrell was very
surprised to learn that proceeds would be used to fund "infantile
projects". Not infandous ones?
A sentence in a Yahoo! article about medical conditions associated
with Alzheimer's disease intrigued Paul Nichols because it implied
such a sudden reduction in levels of affliction: "For example, 60
percent have hypertension, 26 percent have coronary heart disease,
23 percent have diabetes, and 18 percent have diabetes."
Another triumph for the spellchecker, seen in Graham Rogers' works
canteen recently: "For reasons beyond our control, the canteen will
close at 2pm today. The management apologises for any connivance."
Andrew Wyss heard on the BBC Radio Gloucestershire travel news on
18 March that "there is an accident travelling towards Stow on the
A436 from Andoversford". Not just waiting to happen, then?
A New York Times article about President Obama's meeting on March
27 with the heads of financial institutions had him, to the mild
surprise of Paul Ayars, "sitting at the center of a round table in
the state dining room." In the lotus position, perhaps?
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