Derzhavnaya bogoroditsa?
Daniel Rancour-Laferriere
darancourlaferriere at COMCAST.NET
Fri Oct 30 09:22:49 UTC 2009
Dear Sibelan,
Yes, it is a fine and relevant book. Naomi is a linguistic genius.
She is especially good on the problematics of translating Eli Wiesel.
With regards,
Daniel
On Oct 29, 2009, at 9:46 AM, Sibelan Forrester wrote:
This very interesting thread reminds me of a wonderful book that
addresses analogous questions: Naomi Seidman's _Faithful Renderings:
Jewish-Christian Difference and the Politics of Translation_ (U of
Chicago Press, 2006). Informative and beautifully written.
Best wishes,
Sibelan
Sibelan Forrester
Professor of Russian
Modern Languages and Literatures
Swarthmore College
Allan, Kenneth wrote:
> As an art historian, though certainly not an expert in this area, I
> would tend to opt for the "Mother of God" over the "Virgin" label,
> for the same reasons that Michele Berdy outlines below. Translation,
> ideally, shouldn't remove what is unique to the original concept and
> tradition in favour of easy communication.
> Regarding objectivity and neutrality in the art history field, it is
> problematic to equate the power of the centre with neutrality. So if
> the Met prefers "Virgin," that merely tells us its preference and
> what it feels comfortable with as an institution addressing an
> audience more familiar with the Western European Catholic painting
> tradition. (Exhibition catalogues tend to address non-specialist
> audiences.) But because Orthodox icons seem to function quite
> differently than do Catholic paintings, using the dominant Catholic
> terminology can confuse the distinctions between them.
> Best,
> Kenneth Allan
> University of Lethbridge
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