[sw-l] how to write dialogues between 2 or more people?
Valerie Sutton
sutton at SIGNWRITING.ORG
Tue May 31 17:53:19 UTC 2005
SignWriting List
May 31, 2005
Barbara in Italy wrote:
> I'm not sure about ASL, but I know that in LIS eyegaze doesn't
> apply just to
> "placing the listener", it has also a very important role WITHIN
> signed
> sentences (as in "warning, I'm opening/closing one sentence" or in
> "warning,
> this's gonna be real important"). So, I'm wondering whether the use
> of eyegaze
> for both listener's placing and within the normal LIS flow will
> cause a bit of
> confusion in readers or not.
Hello Barbara -
This is an interesting point...I believe that all signed languages
use eyegaze in different ways, so it could be argued that the two
different uses of eyegaze could be confusing, but SignWriting is just
writing body movement, and it is not changing how things are signed,
so the signers themselves have to deal with these issues, because
they are using eyegaze in different ways, when they sign a dialogue,
and other people seem to understand them, so I think we should just
write what we see...
Do you have a videotape of a dialogue in Italian Sign Language, that
you would like to write in SignWriting? The best way to test this, is
to write a document to see what happens...Viewing the videotape
together will help...
In DanceWriting, which was the forerunner to SignWriting and is inter-
connected, we write group dances where one dancer is relating to
other dancers on a stage, and we write the Stage Patterns, or Room
Location with a square box at the bottom of each page... These Room
Location symbols are in the IMWA in SignMaker...later I will try to
construct a few for you to give you an idea, but here is an example
of group dances...different dancers are on different lines...and
their relationships are in the square at the bottom of the page...The
three dancers are Stage-Left, and are in a row with each other....

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